Thomas Gainsborough, 1769 - Portrait of George Pitt, First Lord Rivers - fine art print
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Art product information
In 1769 Thomas Gainsborough painted the 18th century artwork. The original has the dimensions: Framed: 261 x 181 x 9 cm (102 3/4 x 71 1/4 x 3 9/16 in); Unframed: 234,3 x 154,3 cm (92 1/4 x 60 3/4 in) and was painted with the technique of oil on canvas. Besides, the artwork is included in the art collection of The Cleveland Museum of Art. We are happy to mention that this artwork, which belongs to the public domain is being supplied with courtesy of The Cleveland Museum of Art. : Gift of the John Huntington Art and Polytechnic Trust. Furthermore, alignment is portrait and has an image ratio of 2 : 3, which means that the length is 33% shorter than the width. The painter Thomas Gainsborough was an artist, whose artistic style can be attributed primarily to Rococo. The European painter lived for 61 years, born in the year 1727 in Sudbury, Suffolk, England, United Kingdom and deceased in the year 1788 in London, Greater London, England, United Kingdom.
Product materials our customers can pick from
The product dropdown menu ofers you the possibility to pick a material and a size of your choice. The following options are available for individualization:
- Canvas print: A UV printed canvas mounted on a wood frame. A canvas has a special look of three dimensionality. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without any wall-mounts. Canvas prints are suitable for any type of wall.
- Printed poster on canvas material: A poster is a UV printed canvas paper with a slight surface structure, which reminds the original version of the artwork. A print poster is optimally designed for putting your art copy in a customized frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2 - 6cm around the artwork, which facilitates the framing with a custom frame.
- Metal print (aluminium dibond): This is a metal print made on aluminium dibond material with an impressive depth effect - for a modern look and non-reflective surface. A direct Aluminium Dibond Print is the ideal start to art reproductions on aluminum. For your Direct Aluminium Dibond option, we print your selected artpiece on the aluminium surface. The white and bright sections of the original artwork shimmer with a silky gloss, however without any glow.
- Acrylic glass print (with real glass coating): An acrylic glass print, which is often denoted as a UV print on plexiglass, will change your favorite original into wonderful décor.
Important information: We make every effort to depict our art products as exact as possible and to showcase them visually. Please keep in mind that the pigments of the print products, as well as the print result may vary to a certain extent from the image on the monitor. Depending on the screen settings and the condition of the surface, not all colors will be printed 100% realistically. Considering that all the fine art prints are printed and processed manually, there may as well be slight discrepancies in the motif's exact position and the size.
About this product
Print product type: | fine art reproduction |
Reproduction: | digital reproduction |
Manufacturing process: | UV direct printing |
Manufacturing: | Germany |
Type of stock: | on demand |
Proposed product use: | wall gallery, art print gallery |
Orientation: | portrait alignment |
Aspect ratio: | 2 : 3 length to width |
Side ratio interpretation: | the length is 33% shorter than the width |
Available material choices: | poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print |
Canvas on stretcher frame (canvas print): | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Acrylic glass print (with real glass coating) size variants: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Poster print (canvas paper) size variants: | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Aluminium dibond print (aluminium material) sizes: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Frame: | please bear in mind that this product has no frame |
Work of art information
Painting title: | "Portrait of George Pitt, First Lord Rivers" |
Classification: | painting |
General term: | classic art |
Century: | 18th century |
Year of creation: | 1769 |
Age of artwork: | more than 250 years |
Painted on: | oil on canvas |
Dimensions of the original work of art: | Framed: 261 x 181 x 9 cm (102 3/4 x 71 1/4 x 3 9/16 in); Unframed: 234,3 x 154,3 cm (92 1/4 x 60 3/4 in) |
Exhibited in: | The Cleveland Museum of Art |
Place of the museum: | Cleveland, Ohio, United States of America |
Museum website: | www.clevelandart.org |
License type of artwork: | public domain |
Courtesy of: | The Cleveland Museum of Art |
Creditline of artwork: | Gift of the John Huntington Art and Polytechnic Trust |
General information on the artist
Artist name: | Thomas Gainsborough |
Additional names: | Gainsborough, T. Gainsborough, Gainsboro, Gainsborough &, Gainsbury, Gainsboro Thomas, Gainsboroagh, Gainsbro', Gainsbrough, Geĭnzbŭro Tomas, Thomas Gainsbro, Thomas Gainsborough, Gainsborough Thomas, c., Gainsborouh, Geĭnsboro Tomas, T. Gainsbro, Gainsboro', gainsborough thomas, T Gainsborough RA, Gainsbro, gainsborough t., Mr. Gainsborough, th. gainsborough, thos. gainsborough, Gainsbro Thomas |
Gender of the artist: | male |
Nationality: | British |
Jobs: | painter |
Home country: | the United Kingdom |
Artist category: | old master |
Styles of the artist: | Rococo |
Lifespan: | 61 years |
Born in the year: | 1727 |
Born in (place): | Sudbury, Suffolk, England, United Kingdom |
Year of death: | 1788 |
City of death: | London, Greater London, England, United Kingdom |
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General specifications as provided from The Cleveland Museum of Art (© - by The Cleveland Museum of Art - www.clevelandart.org)
Although George Pitt reputedly led a life of debauchery while living in Turin, Italy, in the 1760s, Gainsborough successfully conveys a refined sense of dignity and importance in this full-length portrait. Pitt wears the uniform of the Dorset militia, where he served as a colonel, and the painter offsets the deep scarlet and green facing of Pitt’s military uniform with the cool, woodland landscape painted in thin washes of mauves, grays, and silvers.