Carl Larsson, 1908 - Louis Looström, 1848-1941 - fine art print
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Specifications of the artwork named "Louis Looström, 1848-1941"
In the year 1908 the artist Carl Larsson painted the 20th century work of art. The painting has the size: Height: 37 cm (14,5 ″); Width: 51 cm (20 ″) Framed: Height: 61 cm (24 ″); Width: 76 cm (29,9 ″); Depth: 3 cm (1,1 ″). Today, the artwork forms part of the Nationalmuseum Stockholm's art collection. This work of art, which is in the public domain is being included with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Furthermore, the work of art has the creditline: . Furthermore, alignment of the digital reproduction is landscape and has a side ratio of 1.4 : 1, which implies that the length is 40% longer than the width.
Selectable product materials
The product dropdown list provides you with the opportunity to choose the size and materialaccording to your individual preferences. Select your preferred size and material among the following preferences:
- The canvas print: The UV printed canvas applied on a wood frame. A canvas generates the extra effect of three dimensionality. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up the Canvas print without additional wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
- The poster print (canvas material): Our poster print is a UV printed canvas paper with a granular surface finish. It is ideally suited for framing your art print with a personal frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm round about the work of art, which facilitates the framing with a custom frame.
- The acrylic glass print (with real glass coating): An print on acrylic glass, which is often referenced as a plexiglass print, transforms your favorite artwork into magnificient home décor. Our acrylic glass protects your custom fine art print against sunlight and heat for up to 60 years.
- Aluminium dibond print: An Aluminium Dibond print is a print material with an outstanding depth. Its non-reflective surface creates a contemporary impression. The Aluminium Dibond Print is the ideal introduction to art replicas on aluminum. Colors are luminous, the fine details appear crisp and clear. This UV print on aluminium is one of the most popular entry-level products and is an extremely modern way to showcase art reproductions, because it draws focus on the replica of the artwork.
Legal note: We do our utmost in order to depict our art products as accurately as possible and to display them visually on the different product detail pages. Although, the tone of the printing material, as well as the printing can diverge marginally from the image on the monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Bearing in mind that all art prints are printed and processed by hand, there might as well be slight differences in the motif's exact position and the size.
The product specifications
Article categorization: | art copy |
Reproduction method: | reproduction in digital format |
Production technique: | UV direct printing |
Provenance: | produced in Germany |
Stock type: | production on demand |
Intended usage: | wall art, wall gallery |
Alignment: | landscape alignment |
Aspect ratio: | length to width 1.4 : 1 |
Side ratio implication: | the length is 40% longer than the width |
Available options: | canvas print, poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond) |
Canvas on stretcher frame (canvas print) options: | 70x50cm - 28x20", 140x100cm - 55x39" |
Acrylic glass print (with real glass coating) size options: | 70x50cm - 28x20", 140x100cm - 55x39" |
Poster print (canvas paper) sizes: | 70x50cm - 28x20" |
Aluminium dibond print options: | 70x50cm - 28x20", 140x100cm - 55x39" |
Art print framing: | unframed art print |
Work of art specs
Painting name: | "Louis Looström, 1848-1941" |
Artwork classification: | painting |
Art categorization: | modern art |
Time: | 20th century |
Artpiece year: | 1908 |
Approximate age of artwork: | around 110 years old |
Original artwork dimensions: | Height: 37 cm (14,5 ″); Width: 51 cm (20 ″) Framed: Height: 61 cm (24 ″); Width: 76 cm (29,9 ″); Depth: 3 cm (1,1 ″) |
Exhibited in: | Nationalmuseum Stockholm |
Museum location: | Stockholm, Stockholm County, Sweden |
Available under: | Nationalmuseum Stockholm |
License: | public domain |
Courtesy of: | Nationalmuseum Stockholm & Wikimedia Commons |
Artist overview
Name: | Carl Larsson |
Alternative names: | Larsson Carl, Carl Olof Larsson, carl Larsson, Larsson Carl Olof |
Gender: | male |
Artist nationality: | Swedish |
Professions: | designer, painter, cartoonist, watercolourist, artist, illustrator, drawer |
Country: | Sweden |
Classification of the artist: | modern artist |
Died at the age of: | 66 years |
Born: | 1853 |
Birthplace: | Stockholm, Stockholm county, Sweden |
Year of death: | 1919 |
City of death: | Falun, Dalarna, Sweden |
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Supplemental description from Nationalmuseum Stockholm (© Copyright - Nationalmuseum Stockholm - Nationalmuseum Stockholm)
English: Looström was the director of the Nationalmuseum in 1900–1915. During that period, Larsson created two monumental paintings for the Museum’s stairwell. When Gustav Vasa’s Entry into Stockholm was being painted (completed in 1908), Looström appeared as one of the artist’s most avid admirers. When he supported the rejection of Midwinter Sacrifice a few years later, it led to the end of their friendship. This portrait was made while they were still on a friendly footing. Looström is shown sitting in his office at the Museum, dressed in his famous round smoking cap. Looström var chef för Nationalmuseum 1900–1915. Under den perioden utförde Larsson två stora målningar för museets trapphall. Vid tillkomsten av Gustav Vasas intåg i Stockholm (färdig 1908) framträdde Looström som en av konstnärens varma anhängare. När han några år därefter medverkade till refuserandet av Midvinterblot var det slut på vänskapen. Porträttet tillkom medan de ännu stod på god fot med varandra. Looström sitter här i sitt arbetsrum på museet, iklädd sin i samtiden omtalade runda rökmössa.