Joseph Blackburn, 1762 - Samuel Cutts - fine art print

39,99 €

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What you should know the over 250 years old painting

Samuel Cutts was by the male artist Joseph Blackburn in 1762. The original measures the size: 50 1/4 x 40 3/8 in (127,6 x 102,6 cm). Oil on canvas was used by the British painter as the technique for the masterpiece. What is more, this artpiece can be viewed in in the The Metropolitan Museum of Art's digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Bequest of Clarence Dillon, 1979 (public domain license). : Bequest of Clarence Dillon, 1979. Furthermore, alignment of the digital reproduction is in portrait format with an image ratio of 3 : 4, meaning that the length is 25% shorter than the width.

Which fine art print materials can I select?

In the product dropdown menu you can choose the size and materialaccording to your personal preferences. Choose among the following product options now to match your preferences in size and material:

  • Metal (aluminium dibond print): This is a metal print made on aluminium dibond material with a true depth. A non-reflective surface structure creates a fashionable impression. A direct Aluminium Dibond Print is the excellent introduction to the sophisticated world of art reproductions on aluminum. The bright & white parts of the artwork shine with a silk gloss, however without the glare. The colors of the print are vivid and luminous, details of the print are very clear.
  • Acrylic glass print (with real glass coating): An print on acrylic glass, which is often referenced as a an art print on plexiglass, will change your favorite original into wonderful décor. Your own version of the work of art is custom-made with the help of state-of-the-art UV print technology. Our acrylic glass protects your custom art replica against light and external influences for up to 6 decades.
  • Poster print (canvas material): The Artprinta poster is a printed flat canvas with a granular structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm around the print motif to facilitate the framing with your custom frame.
  • Canvas: The canvas print is a printed canvas stretched on a wood frame. A canvas produces a particular effect of three-dimensionality. Canvas prints are relatively low in weight. This means, it is quite simple to hang the Canvas print without the use of extra wall-mounts. That is why, canvas prints are suitable for any kind of wall.

Disclaimer: We try all that we can to depict the products as accurate as we can and to illustrate them visually. At the same time, the colors of the print materials and the print result can vary to a certain extent from the image on the screen. Depending on the settings of your screen and the quality of the surface, colors may not be printed as realisitcally as the digital version on this website. In view of the fact that the art reproductions are printed and processed by hand, there might as well be slight variations in the size and exact position of the motif.

Product background data

Article type: art copy
Method of reproduction: reproduction in digital format
Manufaturing technique: UV direct print
Origin of the product: made in Germany
Stock type: on demand production
Product use: art collection (reproductions), wall décor
Image orientation: portrait format
Image ratio: length : width - 3 : 4
Meaning of the aspect ratio: the length is 25% shorter than the width
Available reproduction materials: acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond), poster print (canvas paper)
Canvas on stretcher frame (canvas print) size variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Acrylic glass print (with real glass coating) size options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Poster print (canvas paper): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Dibond print (alumnium material) sizes: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Art print framing: not available

Background information about the work of art

Title of the work of art: "Samuel Cutts"
Categorization: painting
Art classification: classic art
Temporal classification: 18th century
Artpiece year: 1762
Age of artwork: 250 years old
Painted on: oil on canvas
Dimensions of the original artpiece: 50 1/4 x 40 3/8 in (127,6 x 102,6 cm)
Museum: The Metropolitan Museum of Art
Location of the museum: New York City, New York, United States of America
Museum website: The Metropolitan Museum of Art
License type: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Bequest of Clarence Dillon, 1979
Creditline of artwork: Bequest of Clarence Dillon, 1979

Short overview of the artist

Name: Joseph Blackburn
Other artist names: Blackburne Joseph, Blackburn, Blackburn Jonathan B., Blackburn Jonothan B., Blackburn Joseph, Joseph Blackburn
Artist gender: male
Artist nationality: British
Professions: painter
Country: the United Kingdom
Artist category: old master
Died at the age of: 26 years
Year of birth: 1752
Place of birth: England, United Kingdom
Died: 1778
Deceased in (place): London, Greater London, England, United Kingdom

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Original artwork description by The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Blackburn, a British immigrant, worked in the Boston area for only nine years before returning to England. The companion portraits of Samuel Cutts (1726–1801), a prosperous merchant in Portsmouth, New Hampshire, and Anna Holyoke (1735–1812; 1979.196.2) of Boston, executed around the time of their marriage, seem to have been among the last works he painted in this country. Cutts, his proudly substantial figure dominating the picture, turns to face the spectator. The harbor view through the window refers to his shipping business.

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