Joseph Hauzinger, 1781 - Kinderbacchanal - fine art print

Background information on the artwork, which has the title Kinderbacchanal

The classic art piece of art was created by the painter Joseph Hauzinger in the year 1781. The 230 years old version of the artpiece measures the size: 100 x 150 cm. Oil on canvas was applied by the artist as the technique for the artwork. Signed lower left: J. Hauzinger Pi [nxit] is the painting's original inscription. What is more, this work of art is part of the art collection of Belvedere. With courtesy of: © Belvedere, Vienna, inventory number: 4083 (license: public domain). Creditline of the artwork: transfer from the Kunsthistorisches Museum, Vienna. - 1948 inventory in 1921. What is more, the alignment is landscape and has a ratio of 3 : 2, which means that the length is 50% longer than the width. Joseph Hauzinger was a painter, whose artistic style can be classified as Baroque. The Baroque painter was born in the year 1728 in Vienna and deceased at the age of 58 in the year 1786 in Vienna.

What kind of materials can I select?

We offer a range of different sizes and materials for every product. Thus, we allow you to choose among the following options:

• The canvas print: A canvas print, not to be mistaken with a canvas painting, is a digital replica printed on an industrial printing machine. A canvas makes the exclusive impression of three-dimensionality. Your canvas print of your favorite artpiece will give you the unique chance to transform your new art print into a large artwork. A canvas print has the great advantage of being low in weight, which implies that it is easy to hang the Canvas print without additional wall-mounts. That is why, canvas prints are suitable for all types of walls.
• Glossy acrylic glass print: An acrylic glass print, often referenced as a an art print on plexiglass, makes your favorite artwork into gorgeous décor. Your own version of the work of art is manufactured with state-of-the-art UV print technology. It makes deep and vivid print colors. The great upside of an acrylic glass print is that contrasts and details will be more identifiable because of the subtle gradation. The acrylic glass protects your chosen art print against light and external influences for up to six decades.
• Aluminium dibond print: These are metal prints on aluminium dibond material with an outstanding depth effect, which creates a contemporary impression with a non-reflective surface. The Aluminium Dibond Print is the excellent introduction to fine art reproductions with alu. For your Direct Aluminium Dibond print, we print your chosen work of art onto the surface of the white-primed aluminum. The colors of the print are luminous in the highest definition, the fine details of the print are crisp and clear.
• The poster print on canvas material: A poster is a printed canvas paper with a slightly rough surface texture. It is suited for placing your fine art print with a special frame. Please note, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the painting in order to facilitate the framing with a custom frame.

Legal disclaimer: We try our utmost to depict the art products as precisely as we can and to exhibit them visually on the product detail pages. Nevertheless, the colors of the printed materials and the print result can differ marginally from the presentation on your monitor. Depending on your screen settings and the nature of the surface, colors might not be printed one hundret percent realistically. Because all fine art prints are printed and processed by hand, there might also be slight deviations in the exact position and the size of the motif.

Item specs

Structured artwork details

Artist overview table

© Copyright protection - www.artprinta.com (Artprinta)

Additional description by the museum's website (© - Belvedere - Belvedere)

The painting was purchased in January 1781 to equip the picture gallery in the Belvedere and served as Supraporte above the entrance to the department of contemporary painting. Joseph Hauzinger has used for this presentation is a relief of Francois Duquesnoy in the Villa Doria Pamphili in Rome from 1626 as a model. [Georg Lechner, 2013]