Unknown, 1500 - Standing martyr, palm leaves quitting - fine art print
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In 1500 Unknown made the painting named "Standing martyr, palm leaves quitting". It is included in the Rijksmuseum's digital collection. The classic art masterpiece, which is in the public domain is being supplied with courtesy of Rijksmuseum.Besides, the artpiece has the creditline: . Moreover, alignment is in portrait format and has an image ratio of 1 : 3, meaning that the length is is 66% shorter than the width.
Structured artwork details
Piece of art title: | "Standing martyr, palm leaves quitting" |
Classification: | painting |
Category: | classic art |
Temporal classification: | 16th century |
Artwork year: | 1500 |
Age of artwork: | 520 years |
Museum: | Rijksmuseum |
Location of museum: | Amsterdam, Netherlands |
Website: | Rijksmuseum |
Artwork license: | public domain |
Courtesy of: | Rijksmuseum |
Artist summary
Artist: | Unknown |
Jobs of the artist: | painter |
Artist classification: | old master |
Obtain your desired art print material
The product dropdown menu ofers you the opportunity to pick your individual size and material. We allow yout to choose among the following variants:
- Printed poster (canvas material): The poster is a printed canvas paper with a slight texture on the surface. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6 cm around the work of art, which facilitates the framing.
- Aluminium dibond print: These are metal prints on aluminium dibond with an impressive depth effect. A direct Aluminium Dibond Print is your excellent introduction to the sophisticated world of art replicas manufactured on aluminum. Colors are luminous, details of the print appear very clear, and there’s a matte appearance you can literally feel.
- The canvas print: The UV printed canvas applied on a wooden stretcher frame. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the help of additional wall-mounts. That is why, canvas prints are suited for all types of walls.
- Acrylic glass print (with real glass coating): The print on acrylic glass, often referred to as a UV print on plexiglass, transforms the original artwork into amazing décor. The work of art will be manufactured thanks to state-of-the-art UV direct printing technology. The result of this are intense and sharp colors.
Article information
Print prodct: | fine art reproduction |
Method of reproduction: | digital reproduction |
Manufacturing method: | UV direct printing (digital print) |
Provenance: | made in Germany |
Stock type: | on demand production |
Proposed product use: | home design, wall gallery |
Artwork orientation: | portrait format |
Image aspect ratio: | 1 : 3 |
Interpretation of side aspect ratio: | the length is is 66% shorter than the width |
Available reproduction fabrics: | metal print (aluminium dibond), poster print (canvas paper), canvas print, acrylic glass print (with real glass coating) |
Canvas print (canvas on stretcher frame) variants: | 20x60cm - 8x24", 30x90cm - 12x35", 40x120cm - 16x47", 40x150cm - 16x59" |
Acrylic glass print (with real glass coating) options: | 10x30cm - 4x12", 20x60cm - 8x24", 30x90cm - 12x35", 40x120cm - 16x47" |
Poster print (canvas paper) options: | 30x90cm - 12x35", 40x120cm - 16x47" |
Aluminium dibond print: | 10x30cm - 4x12", 20x60cm - 8x24", 30x90cm - 12x35", 40x120cm - 16x47" |
Art print framing: | please note that this art copy is not framed |
Legal disclaimer: We try whatever we can to describe our products as exact as possible and to exhibit them visually on the product detail pages. Nonetheless, the tone of the printed materials and the printing can differ slightly from the image on your device's screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed as realistically as the digital version. Considering that all the are printed and processed by hand, there might also be minor discrepancies in the exact position and the size of the motif.
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