Specification of the art product
Allegory of Fortune is an artwork by the painter Salvator Rosa in 1659. The original had the size - 200,7 × 133 cm (79 × 52 3/8 in) and was painted with the medium oil on canvas. What is more, this artpiece can be viewed in in the The J. Paul Getty Museum's digital collection, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. The classic art public domain piece of art is included with courtesy of The J. Paul Getty Museum.Creditline of the artwork: . What is more, the alignment is in portrait format and has a ratio of 2 : 3, which implies that the length is 33% shorter than the width. The actor, poet, musician, painter, printmaker Salvator Rosa was a European artist, whose artistic style was primarily Baroque. The Italian artist was born in 1615 in Naples, Napoli province, Campania, Italy and passed away at the age of 58 in 1673 in Rome, Roma province, Lazio, Italy.
Original artwork description from the museum (© Copyright - The J. Paul Getty Museum - The J. Paul Getty Museum)
A personification of Fortune bestows symbols of wealth, status, and power on dumb animals who neither need nor deserve them. Fortune is usually represented with a blindfold, but Salvator Rosa showed her fully aware of her favors. Similarly, the cornucopia is usually shown facing upward; by depicting it overturned, Rosa expressed reckless extravagance.
The beasts, portrayed with stark realism, trample the attributes of art and learning, including books and a palette. Draped in the cardinal red of the Catholic Church, an ass shields an owl, the symbol for wisdom, from the light. Bitter over his exclusion from papal patronage, Rosa included personal references: a book bearing his monogram and a pig stepping on a rose, which alludes to his name.
As a satire of Pope Alexander VII's nepotistic artistic patronage, this painting nearly sent Rosa to prison. After showing it privately in his studio, he flagrantly disregarded all advice and exhibited it publicly in the Pantheon in 1659. Allegory of Fortunearoused such a furor that only intervention by the pope's brother saved him.
Background information on the unique artpiece
| Name of the painting: | "Allegory of Fortune" |
| Classification: | painting |
| General category: | classic art |
| Artwork century: | 17th century |
| Created in the year: | 1659 |
| Age of artwork: | around 360 years |
| Medium of original artwork: | oil on canvas |
| Original dimensions (artwork): | 200,7 × 133 cm (79 × 52 3/8 in) |
| Museum / location: | The J. Paul Getty Museum |
| Location of the museum: | Los Angeles, California, United States of America |
| Museum's web page: | The J. Paul Getty Museum |
| License type of artwork: | public domain |
| Courtesy of: | The J. Paul Getty Museum |
About the artist
| Name: | Salvator Rosa |
| Alternative names: | Italiaansche Roos, Rosa, Salvatorello Rosa, Salbador de Rojas, Salvad.e Rosa, Rosa Salvator, Salvalorosa, Salvata Rosa, Salvat. Rosa, S. Rossa, Salv. Rossa, Romynsche Roos, Rose, Salvatore Rosa, Sal: Rosa, Römischen Roose, Salvator Roosa, Salvater Rossa, Salvador Rosa, Salvr. Rosa, Salvator, רוזה סלווטור, Salv.re Rosa, Salavator Rosa, Salvator Rosi, Salvatore dj rosa, S. V. Rosa, Salvator Rossa, Rosa Le Romain, Salvator Roza, Salv. Rosa, Savator Rossa, Rosa Salvator, Sal. Rose, Salvadore Rosa, Salva. Rosa, Salva or Rosa, Salvatore Roza, S.V. Rosa, Salvator de Rosa, Salvatoriello di Rosa, Salvator Rosa, Salvatorello di Rosa, Salvatoriello, Salvador, Salvatore Rosa Napolitano, Salvadore, Sal Rosa, Salv. Rose, S: Rosa, Salvatore Rosi, Rosa Salvatore, Salvator Ros, Savator Rosa, Salvator-Roza, Salvater Rosa, Salvata, de Romynsche Roos, Roza Sal'vator, Rosa S., Rom. Rose, Salvatorello, S. Rosa, Salvator-Rose, Salvator-Rosa, Salbador de Rossa, Salvato Rose, Savaltorose, Sal. V. Rosa, Sal. Rosa, Salvator Rosa di Roma, Salvatorino, Salvator Rore, Salvador Roosa, Salvat.re Rosa, Salvatore di Rosa, Salv.e Rosa, rosa salvatore, Seb. Rosa, Salvatre Rosa, S Rosa, S Rosa, De Roos, S. Rose, Salvator Roze, Salvato Rosa, Salvatore, Salvat.e Rosa, Salvator Rose, Rosa Salv. |
| Gender of the artist: | male |
| Artist nationality: | Italian |
| Professions of the artist: | musician, poet, actor, painter, printmaker |
| Country of origin: | Italy |
| Classification: | old master |
| Styles of the artist: | Baroque |
| Lifespan: | 58 years |
| Year born: | 1615 |
| Born in (place): | Naples, Napoli province, Campania, Italy |
| Year of death: | 1673 |
| Place of death: | Rome, Roma province, Lazio, Italy |
Materials you can choose from
For every art print we offer different materials & sizes. Pick your favorite material and size among the following alternatives:
- The canvas print: The UV printed canvas applied on a wooden stretcher frame. A canvas creates a special impression of three dimensionality. The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without any wall-mounts. Hence, a canvas print is suited for any type of wall.
- Aluminium dibond print: Aluminium Dibond prints are metal prints with an outstanding depth - for a modern impression and a non-reflective surface structure. For your Print On Aluminum Dibond, we print the selected artpiece on the aluminium composite surface. The UV print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely modern way to showcase artworks, since it draws focus on the replica of the artwork.
- The poster print (canvas material): The Artprinta poster print is a UV printed cotton canvas paper with a slightly roughened structure on the surface. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm around the artwork in order to facilitate the framing.
- The glossy acrylic glass print (with real glass coating on top): A glossy acrylic glass print, which is sometimes labelled as a UV print on plexiglass, makes the original work of art into magnificient décor. Your favorite work of art will be made with state-of-the-art UV print technology. It makes sharp and vivid print colors. Our acrylic glass protects your custom fine art print against light and heat for between four and 6 decades.
About the product
| Product type: | art print |
| Reproduction method: | digital reproduction |
| Production technique: | UV direct print (digital printing) |
| Origin of the product: | German production |
| Type of stock: | on demand production |
| Product use: | art collection (reproductions), wall art |
| Alignment of the artwork: | portrait format |
| Aspect ratio: | 2 : 3 |
| Side ratio interpretation: | the length is 33% shorter than the width |
| Materials you can select: | metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print |
| Canvas print (canvas on stretcher frame) variants: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
| Acrylic glass print (with real glass coating) variants: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
| Poster print (canvas paper) variants: | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
| Aluminium print sizes: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
| Frame: | no frame |
Legal note: We try everythig possible in order to describe our products in as much detail as possible and to illustrate them visually. Nevertheless, the colors of the print products and the printing can vary slightly from the representation on your screen. Depending on your screen settings and the nature of the surface, not all colors will be printed 100% realistically. Because all our are printed and processed by hand, there might also be minor discrepancies in the size and exact position of the motif.
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