Summarization of the modern art product
In the year 1870 the American painter William P. Chappel created this masterpiece with the title "Tea water pump". The over 150 years old original had the following size 6 1/16 x 9 5/16 in (15,4 x 23,7 cm) and was painted with the medium oil on slate paper. Nowadays, the artpiece can be viewed in in the collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The modern art public domain artpiece is included with courtesy of The Metropolitan Museum of Art, New York, The Edward W. C. Arnold Collection of New York Prints, Maps, and Pictures, Bequest of Edward W. C. Arnold, 1954. Creditline of the artwork: The Edward W. C. Arnold Collection of New York Prints, Maps, and Pictures, Bequest of Edward W. C. Arnold, 1954. Besides, the alignment is in landscape format and has an aspect ratio of 3 : 2, which implies that the length is 50% longer than the width.
Select your item material option
The product dropdown menu provides you with the opportunity to pick your individual material and size. In order match your personal requirements perfectly, you can choose among the following product customization options:
- Acrylic glass print (with real glass coating): A glossy acrylic glass print, which is often labelled as a plexiglass print, makes your favorite original artwork into stunning décor and offers a distinct alternative to canvas and dibond prints. The artwork is custom-made with modern UV print machines. This has the impression of vibrant, deep colors.
- Aluminium dibond print: This is a metal print manufactured on aluminium dibond with an impressive depth - for a modern impression and non-reflective surface structure. A direct Aluminium Dibond Print is your excellent introduction to art prints with aluminum. The white & bright sections of the original artwork shimmer with a silky gloss, however without glare. Colors are luminous and vivid in the highest definition, the details of the print appear clear and crisp, and the print has a a matte look that you can literally feel.
- Printed poster (canvas material): A poster is a printed cotton canvas paper with a fine finish on the surface, that resembles the original version of the masterpiece. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the artwork in order to facilitate the framing.
- Canvas: The UV printed canvas material applied on a wood stretcher frame. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the support of any wall-mounts. Canvas prints are suited for all types of walls.
Legal disclaimer: We try everythig possible to describe the art products as closely as we can and to showcase them visually in our shop. Although, the tone of the printing material, as well as the imprint can vary somehwat from the representation on the device's monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as realistically as the digital version shown here. Considering that the art reproductions are printed and processed by hand, there may as well be minor differences in the motif's size and exact position.
The product
Article type: | fine art print |
Method of reproduction: | reproduction in digital format |
Manufaturing technique: | UV direct print |
Product Origin: | Germany |
Stock type: | on demand production |
Product usage: | art print gallery, wall art |
Orientation of the image: | landscape alignment |
Side ratio: | length to width 3 : 2 |
Meaning of the aspect ratio: | the length is 50% longer than the width |
Item material options: | poster print (canvas paper), canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating) |
Canvas print (canvas on stretcher frame) size options: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Acrylic glass print (with real glass coating) sizes: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Poster print (canvas paper) sizes: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Aluminium print variants: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Art print framing: | not available |
Structured artwork details
Name of the piece of art: | "Tea water pump" |
Artwork classification: | painting |
Generic term: | modern art |
Century: | 19th century |
Created in the year: | 1870 |
Age of artwork: | 150 years old |
Medium of original artwork: | oil on slate paper |
Size of the original artpiece: | 6 1/16 x 9 5/16 in (15,4 x 23,7 cm) |
Museum / collection: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Website: | The Metropolitan Museum of Art |
License: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, The Edward W. C. Arnold Collection of New York Prints, Maps, and Pictures, Bequest of Edward W. C. Arnold, 1954 |
Creditline: | The Edward W. C. Arnold Collection of New York Prints, Maps, and Pictures, Bequest of Edward W. C. Arnold, 1954 |
Artist overview table
Artist: | William P. Chappel |
Nationality: | American |
Jobs: | painter |
Home country: | United States |
Classification: | modern artist |
Lifetime: | 77 years |
Year of birth: | 1801 |
Died: | 1878 |
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(© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
Before the completion of the Croton Aqueduct in 1842, fresh water was scarce in Manhattan. Wells often produced brackish water and those that did not eventually became polluted as the city’s population swelled. Such was the fate of the Tea Water Pump at Chatham and Roosevelt, fed by the nearby Fresh Water Pond. By the end of the eighteenth century, the seventy-acre pond in the sixth ward was a noxious mix of dead animals, sewage, and, especially, industrial waste from the local tanneries and potteries. Without other options, poor residents had to buy the tainted city water from local cartmen at a penny per gallon.