Sir Thomas Lawrence, 1824 - Lady Maria Conyngham (died 1843) - fine art print

Specifications of the article

This artpiece was painted by Sir Thomas Lawrence in the year 1824. The over 190 year-old original has the following size of 36 1/4 x 28 1/4 in (92,1 x 71,8 cm) and was painted on the medium oil on canvas. Besides, the artpiece belongs to the collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Gift of Jessie Woolworth Donahue, 1955 (public domain license). The creditline of the artpiece is the following: Gift of Jessie Woolworth Donahue, 1955. Further, the alignment is portrait and has a ratio of 3 : 4, which means that the length is 25% shorter than the width. The painter Sir Thomas Lawrence was a European artist from the United Kingdom, whose style can be classified as Neoclassicism. The European artist was born in the year 1769 and deceased at the age of 61 in 1830.

Materials our customers can choose

For every fine art print we offer a range of different sizes and materials. You can choose among the following product customization options:

• Aluminium dibond print: An Aluminium Dibond print is a print with an outstanding effect of depth. A non-reflective surface structure creates a contemporary impression. A direct Aluminium Dibond Print is the ideal start to the sophisticated world of fine art replicas with aluminum. The colors are bright and vivid, fine details appear clear and crisp, and you can truly feel the matte appearance.
• Printed acrylic glass: The acrylic glass print, which is often described as a an art print on plexiglass, makes an original into brilliant décor.
• The poster print (canvas material): The poster print is a UV printed cotton canvas with a granular finish on the surface. It is qualified for placing the art copy using a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the print motif in order to facilitate the framing with a custom frame.
• Canvas print: A canvas direct print is a printed canvas stretched on a wooden stretcher. How do I hang a canvas print on the wall? The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the use of extra wall-mounts. Canvas prints are suitable for all types of walls.

Important legal note: We try everything to depict our art products with as many details as possible and to illustrate them visually. Nevertheless, the tone of the print products and the print result can vary slightly from the representation on your device's screen. Depending on the settings of your screen and the quality of the surface, not all color pigments will be printed as exactly as the digital version shown here. Considering that the are processed and printed by hand, there might also be slight variations in the size and exact position of the motif.

Structured article details

Details about the original work of art

General information on the artist

© Copyright of | Artprinta.com (Artprinta)

Artwork specifications from the museum (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Lady Maria's father was created Marquess Conyngham in the peerage of Ireland in 1816. This was through the influence of his wife, Elizabeth, who in 1820 became the final mistress of the future King George IV of England. Husband and wife were in constant attendance at court. Between 1823 and 1826 the Marchioness and her three children sat for Sir Thomas Lawrence, the leading portraitist of the era. George IV was fond of Maria Conyngham and the present portrait hung for a time in his bedroom at one of the royal residences, St. James's Palace. The composition of the girl's portrait is elegant and the paint is applied to the canvas in broad, creamy strokes, with great assurance. However Lawrence was not greatly interested in drawing and her fingers are oddly jointed and disproportionately long.