Jean-Victor Bertin, 1807 - An Aqueduct Near a Fortress - fine art print
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Summarization of the modern art product
This modern art painting An Aqueduct Near a Fortress was created by the neoclassicist painter Jean-Victor Bertin in 1807. The over 210 year-old original version was made with the dimensions: Framed: 50,5 x 55 x 8 cm (19 7/8 x 21 5/8 x 3 1/8 in); Unframed: 35,8 x 40,8 cm (14 1/8 x 16 1/16 in) and was painted with oil on fabric. The original painting has the following text as inscrption: signed in transparent brown paint in the lower right corner: Bertin /1807. The piece of art is included in the The Cleveland Museum of Art's digital collection. With courtesy of - The Cleveland Museum of Art (license - public domain). Besides, the artpiece has the following creditline: Mr. and Mrs. William H. Marlatt Fund. Besides this, the alignment is landscape and has a side ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter Jean-Victor Bertin was an artist, whose style was mainly Neoclassicism. The European painter lived for a total of 75 years - born in the year 1767 and passed away in 1842.
Your product product material options
In the product dropdown lists you can select your prefered material and size. The following sizes and materials are the options we offer you for individualization:
- The acrylic glass print (with real glass coating): An acrylic glass print, which is often referred to as a UV print on plexiglass, changes your favorite original work of art into lovely home décor. Beyond that, it makes a distinct alternative to canvas or aluminium dibond prints. Your own replica of the artwork is being printed with modern UV printing machines. With a glossy acrylic glass fine art print contrasts and minor artwork details become more recognizeable due to the subtle gradation.
- Canvas print: A canvas print is a printed cotton canvas stretched on a wood frame. A canvas makes a plastic impression of three dimensionality. A canvas print has the advantage of being low in weight, meaning that it is easy to hang up the Canvas print without the support of extra wall-mounts. Canvas prints are suited for any type of wall.
- Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding depth effect - for a modern impression and a non-reflective surface structure. For our Aluminium Dibond print, we print the selected work of art right onto the surface of the aluminum composite. The bright and white sections of the original artpiece shimmer with a silk gloss, however without the glare. This print on aluminium is one of the most popular entry-level products and is an extremely stylish way to showcase art prints, as it draws focus on the image.
- Poster (canvas material): The poster print is a printed cotton canvas with a slightly rough surface structure. It is appropriate for putting the art print with the help of a custom frame. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm around the artwork to facilitate the framing with your custom frame.
Important information: We try our utmost in order to depict the art products in as much detail as possible and to display them visually in our shop. Although, the pigments of the printing material, as well as the print result may differ somehwat from the presentation on the device's monitor. Depending on your screen settings and the condition of the surface, colors may not be printed as exactly as the digital version. Because our art reproductions are processed and printed manually, there might as well be slight differences in the motif's size and exact position.
Product table
Print categorization: | fine art print |
Method of reproduction: | digital reproduction |
Production technique: | UV direct print (digital printing) |
Production: | made in Germany |
Stock type: | on demand |
Proposed product use: | home décor, gallery wall |
Orientation: | landscape format |
Image ratio: | length to width 1.2 : 1 |
Image aspect ratio meaning: | the length is 20% longer than the width |
Materials you can select: | acrylic glass print (with real glass coating), canvas print, poster print (canvas paper), metal print (aluminium dibond) |
Canvas print (canvas on stretcher frame) variants: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (with real glass coating) size variants: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Poster print (canvas paper) sizes: | 60x50cm - 24x20", 120x100cm - 47x39" |
Aluminium dibond print: | 60x50cm - 24x20", 120x100cm - 47x39" |
Picture frame: | please note that this reproduction does not have a frame |
Background data about the unique work of art
Title of the artwork: | "An Aqueduct Near a Fortress" |
Categorization of the artpiece: | painting |
Umbrella term: | modern art |
Century: | 19th century |
Artpiece year: | 1807 |
Approximate age of artwork: | 210 years |
Painted on: | oil on fabric |
Dimensions of the original artpiece: | Framed: 50,5 x 55 x 8 cm (19 7/8 x 21 5/8 x 3 1/8 in); Unframed: 35,8 x 40,8 cm (14 1/8 x 16 1/16 in) |
Signature: | signed in transparent brown paint in the lower right corner: Bertin /1807 |
Museum / collection: | The Cleveland Museum of Art |
Location of the museum: | Cleveland, Ohio, United States of America |
Available at: | The Cleveland Museum of Art |
Artwork license type: | public domain |
Courtesy of: | The Cleveland Museum of Art |
Creditline: | Mr. and Mrs. William H. Marlatt Fund |
Artist overview table
Name: | Jean-Victor Bertin |
Nationality of artist: | French |
Jobs: | painter |
Home country: | France |
Artist classification: | modern artist |
Art styles: | Neoclassicism |
Lifespan: | 75 years |
Year born: | 1767 |
Year of death: | 1842 |
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Supplemental information by the museum (© - by The Cleveland Museum of Art - The Cleveland Museum of Art)
The arcade, or covered passageway lined with arches, appeared frequently as part of aqueducts, bridges, galleries, and even as arches in foliage in paintings by Bertin and his contemporaries in the early 19th century. While some of Bertin’s paintings of aqueducts were likely painted from nature, this one appears to be a product of the artist’s imagination.