Frederick Goodall, 1852 - William Edward Dighton (1822–1853) in Middle Eastern Dress - fine art print
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Detailed product specifications
The more than 160 year old painting was painted by the male British painter Frederick Goodall. The original measures the size - 21 × 15 1/2 in (53,3 × 39,4 cm) and was painted with the medium oil on canvas. What is more, the artwork is included in the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Gift of Kenneth Jay Lane, 2014 (license: public domain). The creditline of the artwork is the following: Gift of Kenneth Jay Lane, 2014. Moreover, alignment of the digital reproduction is portrait with an image ratio of 3 : 4, which means that the length is 25% shorter than the width.
Selectable materials
We offer a range of various materials and sizes for every product. The following sizes and materials are the options we offer you for individualization:
- The canvas print: A printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital replica printed from an industrial printer. A canvas of your favorite work of art will allow you to transform your fine art print into a large collection piece as you would see in a gallery. Canvas prints are relatively low in weight, which implies that it is quite simple to hang the Canvas print without the support of additional wall-mounts. Canvas prints are suited for all kinds of walls.
- Printed poster on canvas material: The poster print is a printed canvas paper with a nice surface structure. It is excellently qualified for placing the art print using a custom-made frame. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm round about the print motif, which facilitates the framing with your custom frame.
- The acrylic glass print (with real glass coating): A glossy print on acrylic glass, which is often denoted as a plexiglass print, will convert your artwork into brilliant home decoration. The work of art is made with the help of state-of-the-art UV direct print machines. The great advantage of an acrylic glass fine art copy is that sharp contrasts as well as smaller details will be more identifiable thanks to the fine tonal gradation. Our real glass coating protects your chosen fine art print against sunlight and heat for several decades.
- Metal print (aluminium dibond): This is a metal print made on aluminium dibond with an impressive effect of depth - for a modern look and non-reflective surface. For our Direct Print On Aluminum Dibond, we print your chosen work of art on the surface of the white-primed aluminum composite. The bright parts of the original artwork shimmer with a silk gloss, however without any glare.
Legal disclaimer: We try the best we can to depict the art products in as much detail as possible and to demonstrate them visually. At the same time, the colors of the printing material, as well as the imprint can differ slightly from the image on your device's monitor. Depending on your screen settings and the quality of the surface, colors may not be printed as exactly as the digital version. Given that all art reproductions are processed and printed manually, there may as well be minor discrepancies in the motif's exact position and the size.
The product details
Product classification: | fine art reproduction |
Reproduction method: | reproduction in digital format |
Manufacturing process: | digital printing |
Product Origin: | produced in Germany |
Stock type: | on demand production |
Proposed product use: | wall picture, art reproduction gallery |
Alignment: | portrait alignment |
Aspect ratio: | (length : width) 3 : 4 |
Implication of image aspect ratio: | the length is 25% shorter than the width |
Materials you can choose: | acrylic glass print (with real glass coating), metal print (aluminium dibond), poster print (canvas paper), canvas print |
Canvas print (canvas on stretcher frame) size variants: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Acrylic glass print (with real glass coating) options: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Poster print (canvas paper) size options: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Aluminium print options: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Picture frame: | no frame |
Structured information on the artpiece
Name of the work of art: | "William Edward Dighton (1822–1853) in Middle Eastern Dress" |
Artwork categorization: | painting |
Broad category: | modern art |
Artwork century: | 19th century |
Artwork year: | 1852 |
Artwork age: | around 160 years |
Original medium: | oil on canvas |
Size of the original artpiece: | 21 × 15 1/2 in (53,3 × 39,4 cm) |
Museum: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Museum website: | www.metmuseum.org |
Artwork license: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Gift of Kenneth Jay Lane, 2014 |
Creditline: | Gift of Kenneth Jay Lane, 2014 |
General background information on the artist
Artist: | Frederick Goodall |
Also known as: | Goodall Frederick, Frederick Goodall, Goodall, Goodall F., גודאל פרדריק |
Gender of the artist: | male |
Artist nationality: | British |
Jobs of the artist: | painter |
Country of origin: | the United Kingdom |
Artist classification: | modern artist |
Lifespan: | 82 years |
Year born: | 1822 |
Birthplace: | London, Greater London, England, United Kingdom |
Year of death: | 1904 |
Place of death: | London, Greater London, England, United Kingdom |
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General specifications from the museum's website (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)
This is the only known portrait of Goodall’s fellow artist Dighton. It must have been painted soon before or immediately after the sitter’s 1852 tour of Egypt, Syria, and Palestine. Images of Westerners dressed in exotic costume proliferated in this period marked by colonial expansion and increased travel to regions beyond Europe.