Vittore Carpaccio, 1490 - The Meditation on the Passion - fine art print

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The masterpiece was painted by the high renaissance master Vittore Carpaccio. The beyond 530 year-old original had the size: Overall 27 3/4 x 34 1/8in (70,5 x 86,7cm); painted surface 26 3/16 × 33 1/4 in (66,5 × 84,5 cm) and was painted with the medium oil and tempera on wood. Nowadays, the artwork can be viewed in in the digital collection of The Metropolitan Museum of Art. We are glad to reference that the public domain work of art is being included with courtesy of The Metropolitan Museum of Art, New York, John Stewart Kennedy Fund, 1911. : John Stewart Kennedy Fund, 1911. On top of that, alignment of the digital reproduction is in landscape format and has an aspect ratio of 1.2 : 1, meaning that the length is 20% longer than the width. Vittore Carpaccio was a painter, whose art style can be classified as High Renaissance. The Italian artist lived for 66 years - born in the year 1460 in Venice, Venezia province, Veneto, Italy and died in 1526.

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The product dropdown menu ofers you the possibility to pick the size and materialaccording to your individual preferences. Pick your favorite size and material among the following options:

  • The poster print (canvas material): The Artprinta poster is a printed canvas with a granular surface texture, that resembles the original work of art. The print poster is ideally suited for putting the art replica in a custom-made frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm around the painting, which facilitates the framing.
  • Print on glossy acrylic glass: The print on acrylic glass, often denoted as a print on plexiglass, will transform your chosen original work of art into brilliant décor. The great benefit of a plexiglass fine art copy is that contrasts as well as color details become more exposed thanks to the very subtle tonal gradation of the picture. Our acrylic glass protects your selected art print against light and heat for up to 60 years.
  • Metal print (aluminium dibond): An Aluminium Dibond print is a print with an outstanding depth effect, which creates a fashionable impression thanks to a surface structure, which is non-reflective. The Direct Print on Aluminum Dibond is your best introduction to fine art replicas produced with aluminum.
  • The canvas print: The printed canvas mounted on a wooden stretcher frame. A canvas print generates a attractive, comfy impression. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up your Canvas print without the use of extra wall-mounts. Canvas prints are suitable for all kinds of walls.

Important note: We try our best in order to depict our products as closely as possible and to demonstrate them visually on the different product detail pages. Still, the colors of the print products, as well as the imprint can differ marginally from the representation on your screen. Depending on the settings of your screen and the quality of the surface, not all colors will be printed as exactly as the digital version. Bearing in mind that all the art prints are printed and processed manually, there may as well be slight deviations in the size and exact position of the motif.

Article details

Product classification: art copy
Method of reproduction: reproduction in digital format
Production process: UV print / digital printing
Production: German production
Type of stock: on demand
Product use: gallery wall, art print gallery
Alignment: landscape alignment
Image aspect ratio: length to width 1.2 : 1
Aspect ratio interpretation: the length is 20% longer than the width
Materials available: acrylic glass print (with real glass coating), poster print (canvas paper), canvas print, metal print (aluminium dibond)
Canvas print (canvas on stretcher frame) sizes: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Acrylic glass print (with real glass coating) size variants: 60x50cm - 24x20", 120x100cm - 47x39"
Poster print (canvas paper) size options: 60x50cm - 24x20", 120x100cm - 47x39"
Aluminium print (aluminium dibond material) size options: 60x50cm - 24x20", 120x100cm - 47x39"
Framing of the artprint: not included

Artwork information

Title of the painting: "The Meditation on the Passion"
Classification of the artwork: painting
Umbrella term: classic art
Temporal classification: 15th century
Created in: 1490
Artwork age: around 530 years old
Original medium: oil and tempera on wood
Size of the original artwork: Overall 27 3/4 x 34 1/8in (70,5 x 86,7cm); painted surface 26 3/16 × 33 1/4 in (66,5 × 84,5 cm)
Museum: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Available at: www.metmuseum.org
License: public domain
Courtesy of: The Metropolitan Museum of Art, New York, John Stewart Kennedy Fund, 1911
Creditline: John Stewart Kennedy Fund, 1911

Contextual artist metadata

Name: Vittore Carpaccio
Also known as: Scarpaza Vittore, Vettor Carpaccio, Scarpatio, scarpazza, Carpatio Vittore, Carpaccio Vittore, Victor Carpaccio, Carpaccio, Scharpaza Vittore, Carpacico, Karpachcho Vittore, Scarpazza Vittore, Carpaceri, Carpathius Victor, Vittore Carpaccio, Carpazio, Scarpaccia Vittore, Carpaccio Vettore, Vittore Carpallino, Vittor Carpazio, Carpacio, Vittor Carpaccino, Carpathius Vittore, Vettor Carpazio, Vittore Carpatio, Scarpatia Vittore, Carpaceri Vittore, Vittore Carpazio, Vittorio Carpaccio, scarpazo
Gender: male
Artist nationality: Italian
Jobs of the artist: painter
Home country: Italy
Artist category: old master
Art styles: High Renaissance
Died at the age of: 66 years
Year born: 1460
Born in (place): Venice, Venezia province, Veneto, Italy
Year died: 1526
Deceased in (place): Venice, Venezia province, Veneto, Italy

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Supplemental information from the museum (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)

This remarkable picture is a meditation on Death and Resurrection. Christ’s dead body is displayed on a broken throne inscribed in pseudo-Hebrew. A bird—symbol of the soul—flies upwards. The landscape—contrastingly barren and lush—alludes to the themes of death and life, as do the animals. The Old Testament prophet Job sits on a block inscribed in pseudo-Hebrew while opposite is Saint Jerome (ca. 347–420), who wrote a commentary on the book of Job. The turbaned figures in the background would have been familiar to Venetians through their trade with the Middle East and Egypt.

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