Pierre-Auguste Pichon, 1861 - Procession of St. Charles Borromeo during the plague in Milan. Sketch for the mural of the Saint-Sulpice church. - fine art print

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Important note: We try all that we can in order to depict our products as precisely as possible and to showcase them visually. Still, the colors of the printing material and the printing might differ marginally from the image on the monitor. Depending on your settings of your screen and the quality of the surface, colors might not be printed one hundret percent realistically. Bearing in mind that our are processed and printed manually, there may as well be slight variations in the exact position and the size of the motif.

Additional description by Musée Carnavalet Paris (© Copyright - Musée Carnavalet Paris - www.carnavalet.paris.fr)

Much of the painted decoration of the Saint-Sulpice church was the subject of orders to many artists between 1820 and 1880. The program included the decorative fresco or oil paint on plaster of the transept, walls and vaults of the chapels. Entrusted to renowned artists such as Eugène Delacroix, Abel de Pujol, Victor Mottez, martin drolling François Heim, Auguste Glaize, etc., this set painted remains one of the finest made in Paris in the nineteenth siècle.Pichon painted the two walls of the Saint Charles Borromeo and the vault; the complex was completed in 1867.

Things you should know about this more than 150 year-old artpiece

This modern art masterpiece was painted by the painter Pierre-Auguste Pichon. The piece of art measures the size: Height: 43 cm, Width: 26 cm. The artwork's inscription is the following: Registration on the date and the author - Registrations up on the box: "CHURCH St. Sulpice, St CHAPEL BORROMÉE"; Bottom: "PROCESSION PENITENTS during the plague MILAN (Pichon pinxit 1861)". The work of art forms part of the Musée Carnavalet Paris's digital art collection located in Paris, France. We are pleased to state that the masterpiece, which belongs to the public domain is supplied, courtesy of Musée Carnavalet Paris.Besides, the artpiece has the creditline: . On top of that, alignment of the digital reproduction is in portrait format with an aspect ratio of 9 : 16, which implies that the length is 45% shorter than the width.

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