John Constable, 1825 - Salisbury Cathedral from the Bishop's Grounds - fine art print

Art product data

Salisbury Cathedral from the Bishop's Grounds was made by John Constable. The more than 190 year old original creation measures the dimensions of 34 5/8 x 44 in (87,9 x 111,8 cm). Oil on canvas was applied by the European artist as the medium of the masterpiece. What is more, this artpiece is included in the The Metropolitan Museum of Art's art collection. With courtesy of - The Metropolitan Museum of Art, New York, Bequest of Mary Stillman Harkness, 1950 (licensed: public domain). Additionally, the work of art has the creditline: Bequest of Mary Stillman Harkness, 1950. Further, the alignment is landscape and has a ratio of 4 : 3, which implies that the length is 33% longer than the width. John Constable was a male painter of British nationality, whose style can be classified as Romanticism. The Romanticist artist lived for a total of 61 years - born in 1776 in East Bergholt, Suffolk, England, United Kingdom and deceased in 1837.

Product materials our customers can pick from

The product dropdown menu provides you with the chance to pick your individual material and size. Pick your favorite size and material among the following options:

• Aluminium dibond print: Aluminium Dibond prints are prints on metal with a true depth - for a modern impression and a non-reflective surface structure. The Direct Print on Aluminum Dibond is the excellent introduction to the sophisticated world of reproductions made with aluminum. The colors of the print are bright and luminous, the fine details are very clear, and you can really perceive a matte appearance of the print. This direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly sophisticated way to showcase art, as it draws focus on the whole artwork.
• Printed acrylic glass (with real glass coating): An acrylic glass print, often referenced as a UV print on plexiglass, transforms your favorite original artwork into beautiful décor and offers a great alternative option to canvas or dibond fine art prints. Your artwork will be printed with state-of-the-art UV printing machines. This creates vibrant, impressive color tones. With an acrylic glass art print sharp contrasts and also granular color details become more identifiable because of the very fine gradation of the print. Our acrylic glass protects your chosen art replica against sunlight and heat for between four and six decades.
• Canvas print: The canvas direct print is a printed cotton canvas stretched on a wooden frame. It makes a unique look of three dimensionality. Further, a canvas creates a cosy and pleasant look. Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without any wall-mounts. That is why, canvas prints are suitable for all types of walls.
• Printed poster (canvas material): Our poster is a printed canvas paper with a slightly roughened finish on the surface, which resembles the actual work of art. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm round about the work of art, which facilitates the framing with your custom frame.

Disclaimer: We try our best in order to describe our art products as exact as possible and to showcase them visually in our shop. Although, the colors of the print products and the print result might diverge somehwat from the image on the device's monitor. Depending on the screen settings and the condition of the surface, color pigments might not be printed one hundret percent realistically. Bearing in mind that all are printed and processed by hand, there may as well be minor deviations in the motif's exact position and the size.

Item specs

Structured information on the artpiece

Artist overview table

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Supplemental information by the museum (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)

This painting was made as a full-scale study for the picture of 1826 now in the Frick Collection, New York. The latter picture was completed for Constable’s friend John Fisher, bishop of Salisbury, who appears at lower left in both canvases. In fact the commission dates back to 1822; in the course of working on the composition, Constable opened up the tree canopy and added a sunny sky to frame the cathedral’s medieval spire, the tallest in England.