Johann Christian Reinhart, 1823 - Scene from the Roman Campagna, Torre del Quinto - fine art print

What kind of product do we present you?

The modern art painting was created by the German painter Johann Christian Reinhart in 1823. The original had the following size: 47,7 x 63,4 cm. Oil on wood was used by the German artist as the medium of the masterpiece. Besides, the work of art can be viewed in in the art collection of Thorvaldsens Museum, which is a single-artist museum dedicated to the art of Danish neoclassicistic sculptor Bertel Thorvaldsen. With courtesy of Johann Christian Reinhart, Scene from the Roman Campagna, Torre del Quinto, 1823, Thorvaldsens Museum, www.thorvaldsensmuseum.dk (public domain).: . Further, the alignment of the digital reproduction is in landscape format with an aspect ratio of 4 : 3, which means that the length is 33% longer than the width. Johann Christian Reinhart was a male painter from Germany, whose artistic style can be attributed mainly to Romanticism. The Romanticist painter lived for 86 years - born in 1761 and passed away in the year 1847.

Materials our customers can choose

We offer a range of various sizes and materials for every product. In order match your personal requirements perfectly, you can choose among the following product customization options:

• Poster print (canvas material): Our poster is a printed cotton canvas with a granular surface structure, which reminds the actual version of the work of art. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the painting in order to facilitate the framing with your custom frame.
• Aluminium dibond print: Aluminium Dibond prints are metal prints with an outstanding depth effect. The non-reflective surface structure creates a contemporary look. The Direct Print on Aluminum Dibond is the ideal start to fine reproductions on aluminum. The bright & white parts of the artwork shimmer with a silk gloss but without glow. The colors are luminous and bright in the highest definition, details appear very clear, and you can feel the matte appearance.
• The acrylic glass print (with real glass coating): The print on acrylic glass, often referenced as a fine art print on plexiglass, changes your favorite original artwork into great wall decoration and is a great alternative to canvas and dibond fine art replicas. Your favorite artwork will be printed thanks to the help of state-of-the-art UV printing machines. Our real glass coating protects your selected fine art print against sunlight and heat for several decades.
• The canvas print: A canvas print, not to be mistaken with an artwork painted on a canvas, is a digital replica printed from an industrial printing machine. Hanging your canvas print: Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the support of extra wall-mounts. Canvas prints are suitable for all kinds of walls.

Important note: We try in order to depict the products with as many details as possible and to showcase them visually on the respective product detail pages. At the same time, the colors of the print products and the print result may diverge to a certain extent from the presentation on the device's monitor. Depending on your screen settings and the condition of the surface, not all colors are printed 100% realistically. Given that all the are processed and printed by hand, there might also be minor variations in the motif's size and exact position.

The product

Structured artwork data

General background information about the artist

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Supplemental information by the museum's website (© Copyright - Thorvaldsens Museum - Thorvaldsens Museum)

A figure in ancient dress, perhaps a shepherd, is resting by the wayside in harmony with nature. Peace and quiet reign everywhere. Perhaps Thorvaldsen imagined his figures transported to a landscape such as this? This is a good example of the heroic, classicist landscape painting on which the German painters in Rome embarked in the years around 1800 and of which the Bavarian-born Reinhart was a leading representative. In his paintings he does not portray topographically definable landscapes, but idealised nature. His aim was to portray the beauty and grandeur of nature. For that reason, the portrayal must not be too idyllic. To avoid this, Reinhart uses smoke emerging from the buildings in the foreground and birds circling the tower, which thus come to suggest something serious, perhaps even something fateful.