Jan Baptist Weenix, 1658 - Italian Landscape with Inn and Ancient Ruins - fine art print

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The work of art Italian Landscape with Inn and Ancient Ruins was painted by the baroque painter Jan Baptist Weenix in 1658. The painting has the following size: height: 68,2 cm width: 87,2 cm | height: 26,9 in width: 34,3 in and was manufactured with the medium oil on panel. Signed: Gio Batta Weenix f.dated and inscription: Ao 16[5]8 10m/ 20d in het huys ter Mey is the painting's original inscription. The artwork can be viewed in in the digital art collection of Mauritshuis. We are pleased to mention that the work of art, which is in the public domain is being supplied with courtesy of Mauritshuis, The Hague. : Pierre-Louis Randon de Boisset, Paris (sale Paris, 27 February 1777, lot 101); Antoine Poullain, Paris, until 1780 (cat. 1781, no. 117; sale Paris, Lebrun, 15 March 1780, lot 62); G. Robit, Paris (sale Paris, Paillet, 11 June 1801, lot 173 to Lavallée); Johan Steengracht van Oostkapelle (1782-1846), The Hague; by inheritance to Cecilia Maria Steengracht van Oostkapelle (1813-1899), Castle Keukenhof, Lisse; in 1899 bequeathed to her daughter, Cornelia Johanna van Pallandt, wife of Johan, graaf van Lynden (on loan to the Mauritshuis, The Hague, 1899-1901); beqeauthed to Countess Van Rechteren Limpurg – van Lynden, Castle Rechteren; A. Nijstad Gallery, Lochem, 1946; S. Nijstad Gallery, The Hague, 1950; purchased, 1952. Furthermore, alignment of the digital reproduction is in landscape format and has an image ratio of 4 : 3, which implies that the length is 33% longer than the width. The painter Jan Baptist Weenix was an artist from the Netherlands, whose artistic style can be classified as Baroque. The Dutch painter lived for 39 years, born in the year 1621 in Amsterdam, North Holland, Netherlands and died in the year 1660.

Original information about the artwork by the museum's website (© Copyright - by Mauritshuis - Mauritshuis)

Pierre-Louis Randon de Boisset, Paris (sale Paris, 27 February 1777, lot 101); Antoine Poullain, Paris, until 1780 (cat. 1781, no. 117; sale Paris, Lebrun, 15 March 1780, lot 62); G. Robit, Paris (sale Paris, Paillet, 11 June 1801, lot 173 to Lavallée); Johan Steengracht van Oostkapelle (1782-1846), The Hague; by inheritance to Cecilia Maria Steengracht van Oostkapelle (1813-1899), Castle Keukenhof, Lisse; in 1899 bequeathed to her daughter, Cornelia Johanna van Pallandt, wife of Johan, graaf van Lynden (on loan to the Mauritshuis, The Hague, 1899-1901); beqeauthed to Countess Van Rechteren Limpurg – van Lynden, Castle Rechteren; A. Nijstad Gallery, Lochem, 1946; S. Nijstad Gallery, The Hague, 1950; purchased, 1952

Structured table of the work of art

Title of the work of art: "Italian Landscape with Inn and Ancient Ruins"
Classification: painting
Generic term: classic art
Artwork century: 17th century
Created in: 1658
Age of artwork: around 360 years
Medium of original artwork: oil on panel
Original size (artwork): height: 68,2 cm width: 87,2 cm
Original artwork inscription: signed: Gio Batta Weenix f.dated and inscription: Ao 16[5]8 10m/ 20d in het huys ter Mey
Exhibited in: Mauritshuis
Museum location: The Hague, South Holland, Netherlands
Website of the museum: www.mauritshuis.nl
Artwork license type: public domain
Courtesy of: Mauritshuis, The Hague
Creditline of artwork: Pierre-Louis Randon de Boisset, Paris (sale Paris, 27 February 1777, lot 101); Antoine Poullain, Paris, until 1780 (cat. 1781, no. 117; sale Paris, Lebrun, 15 March 1780, lot 62); G. Robit, Paris (sale Paris, Paillet, 11 June 1801, lot 173 to Lavallée); Johan Steengracht van Oostkapelle (1782-1846), The Hague; by inheritance to Cecilia Maria Steengracht van Oostkapelle (1813-1899), Castle Keukenhof, Lisse; in 1899 bequeathed to her daughter, Cornelia Johanna van Pallandt, wife of Johan, graaf van Lynden (on loan to the Mauritshuis, The Hague, 1899-1901); beqeauthed to Countess Van Rechteren Limpurg – van Lynden, Castle Rechteren; A. Nijstad Gallery, Lochem, 1946; S. Nijstad Gallery, The Hague, 1950; purchased, 1952

Artist overview

Name: Jan Baptist Weenix
Alternative names: Wennicx den Oude, Gio Batta Weenincx, the elder Weenix, J.B. Weenix, J. B. Weeninx, J.-B. Wéninx, den ouden Wenincx, Jean-Baptiste Véeninx, B^Tte^R. Wéeninx, Weeninx Jan Baptist, John Baptist Weeninx, Jean-Baptiste Weninx, Jan Wijnings, Guio Batista Weinix, Jean-Baptiste Veninx, Old Weeninx, Weenincx Giovanni Battista, den Oude Weninx, Gio. Baptista Weenincx, Gio: Rathel, G.B. Weeninx, Jan Baptist Wenincx, Old Wienix, Jan Baptist Weeninx, J. B. Weenicx, Gio Baptista Weninx, den ouden Weeninx, J. B. Weenincke, Johann Baptist Weenix, de oude Weninx, J.B. Veeninx, Old Wenix, Jean Wenix, G.B. Weenix, Gio Battista Weeninx, וייניקס יאן בפטיסט, Giovanni Weenix Olandese, Wenicx d'oude, J. B. Weeninckx, Johann Babtista Weeninx, G. B. Weenicx, Joh. Baptist Weeninx, Wenincx, Weenincx Jan Baptist, Wenix le vieux, Jean Baptiste Weeninx, J.B. Venin, G.B. Wenix, Jean-Baptiste Wéenix, J. B. Wenlx, J. B. Weenix, ouden Weeninx, Jean Baptista Weenix, Giov. Bapt. Wenice, J. B. Weninx, J.B. Wenix, Jan Baptist Weninx, B. Venix, Gio-Batista Weeninck, J. G. Weeninx, Jan B. Weenix, Jaen-Baptiste Weenincx, J.-B. Weeninx, vom alten Weenix, Weenix Jan Baptista, J. B. Weninks, Jan Wenix, Giovanni Battista Weenix, J. Baptiste Weeninx, B. Weenix, de Oude Weeninx, de Oude Weninxs, Ratael in Bij, Johann Baptist Wenings, J.B. Weninx, J. A. Veninx, d'oude Weninx, G. Baptt. Weeninghs, de Oude Weenix, John Baptist Weenix, den Ouden Weninx, Gio. Baptista Wenix, Weenix Jan Baptist, den ouden Jan Weninx, Jan Weininx, Venix le Vieux, Jan Baptist Winnincx de Oude, Jan Baptista Weeninx, jan baptiste weenix, B. Wecnikx, G. B. Weenix, de Oude Weninkx, Ratel, jan. weenix, O. Weenix, weenix j. b., Wijnincx, Weeninx Giovanni Battista, Old Weenix, Jan Baptist Wenincx den Ouden, J. B. Wenix, Gio Battista Weninx, Gio Batista Weninx, Jean-Baptiste Wéeninx, Jan Bapt. Weenix, Johann Bapt. Weenix, Weenix Jan Baptiste, J.B. Veninx, Jan Weninx, Jan Baptist Weninx de Oude, Gio Batta Weenix, Weenix Giovanni Battista, Johann Bapt. Wenings, Weenincks Giovanni Battista, Jan Babtista Weenicx, Wenincx den oude, Weenix Jean Baptiste, J.B. Weenincx, Gio Batista Weenickx, Jan Weenix, Jan Baptist Weenix, J. B. Vennix, Jan Baptist Weenix the Elder, d'oude Jan Winnincx, Le vieux Weeninx, de oude Weeninks, Jan Baptist Wenings, Gio Baptista Weeninx, J. Bapt. Weenix, Gio Bapt. Weninx, J.B. Weeninx, J. B. Woeninx, Weenincks Weenincx Jan Baptist, jan baptista weenix, J. B. Véninx, Gio. Bta. Weenix, Weenincks Jan Baptist, B. G. Wenix, vom alten Weeninx, Gio Baptista Weninkx, G. B. Wenix, Gio Bapt. Wieninx, Ratael, Weenix Giovanni Battista gen. Ratel, J. B. Weenickx, Jan Baptist Wenix
Artist gender: male
Nationality of artist: Dutch
Jobs: painter
Country: the Netherlands
Classification of the artist: old master
Art styles: Baroque
Died aged: 39 years
Born in the year: 1621
Place of birth: Amsterdam, North Holland, Netherlands
Year of death: 1660
Died in (place): Utrecht, Utrecht province, Netherlands

Available product materials

In the dropdown menu right next to the product offering you can choose your prefered size and material. Choose among the following product options now to match your preferences in size and material:

  • Metal (aluminium dibond print): An Aluminium Dibond print is a print material with a true depth. The Direct Print on Aluminum Dibond is your ideal introduction to art replicas on aluminum. For the Print On Aluminum Dibond, we print your artpiece right on the aluminium composite surface.
  • Printed poster on canvas material: The poster is a printed canvas with a nice finish on the surface, which resembles the actual version of the artwork. Please note, that depending on the absolute size of the poster print we add a white margin 2 - 6cm round about the print, which facilitates the framing with a custom frame.
  • Acrylic glass print: The acrylic glass print, often described as a UV print on plexiglass, changes your favorite artwork into marvellous wall decoration and is a good alternative option to canvas or aluminium dibond fine art prints. The acrylic glass protects your custom art print against light and heat for many more years.
  • The canvas print: A printed canvas, not to be mistaken with a canvas painting, is a digital copy printed from a UV direct printing machine. Your printed canvas of this artpiece will let you turn your fine art print into a large size artpiece like you would see in a gallery. Canvas Prints have the advantage of being low in weight, which means that it is quite simple to hang up your Canvas print without the use of extra wall-mounts. A canvas print is suitable for all types of walls.

About this article

Product categorization: fine art print
Reproduction method: digital reproduction
Manufaturing technique: UV direct print
Manufacturing: made in Germany
Stock type: on demand
Intended product usage: art print gallery, wall picture
Alignment: landscape format
Image aspect ratio: 4 : 3 - (length : width)
Aspect ratio implication: the length is 33% longer than the width
Available reproduction fabrics: poster print (canvas paper), canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond)
Canvas on stretcher frame (canvas print) sizes: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (with real glass coating): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Poster print (canvas paper) variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Aluminium print sizes: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Framing of the art copy: without frame

Legal note: We try the best we can to depict the products in as much detail as possible and to display them visually. Still, the colors of the printing material, as well as the printing may diverge somehwat from the representation on your device's screen. Depending on the screen settings and the condition of the surface, not all color pigments can be printed as exactly as the digital version. Considering that our fine art prints are processed and printed by hand, there may also be slight deviations in the motif's size and exact position.

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