Jacob Ochtervelt, 1663 - A Fishmonger at the Door - fine art print

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For every fine art print we offer different materials and sizes. You can choose among the following product customization options:

• Poster print (canvas material): Our poster print is a UV printed canvas with a granular surface finish. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the print motif in order to facilitate the framing.
• Canvas print: A UV printed canvas material mounted on a wooden frame. It produces a plastic effect of three-dimensionality. A printed canvas produces a familiar and positive feeling. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without additional wall-mounts. A canvas print is suitable for all kinds of walls.
• Aluminium dibond (metal print): This is a metal print made on alu dibond material with an outstanding depth. The bright and white sections of the artwork shine with a silky gloss, however without glow. The colors of the print are bright and luminous in the highest definition, fine details of the print are clear and crisp. This print on Aluminum Dibond is the most popular entry-level product and is a contemporary way to display fine art prints, as it draws attention on the image.
• Print on glossy acrylic glass: A glossy print on acrylic glass, often described as a UV print on plexiglass, will change the original into gorgeous décor and forms a viable alternative to canvas and aluminidum dibond prints. The work of art is being made with state-of-the-art UV direct printing machines. The acrylic glass protects your selected art print against sunlight and heat for many years to come.

Important information: We do all that we can to depict our art products as clearly as possible and to exhibit them visually in our shop. At the same time, the pigments of the printed materials and the printing may vary marginally from the representation on the device's screen. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version shown here. Since all our art reproductions are printed and processed by hand, there might as well be minor differences in the motif's size and exact position.

General description as provided from the museum (© Copyright - Mauritshuis - www.mauritshuis.nl)

Simon Stinstra, Harlingen, until 1782; his sale, Amsterdam, 26 March 1783 (Lugt 3535), no. 191 (to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1783; Gerrit van der Pals, Rotterdam; his sale, Rotterdam, 30 August 1824 (Lugt 10723), no. 39 (for 875 guilders to Van den Bergh); A.B. Roothaan et al. sale, Amsterdam, 29 March 1826 (Lugt 11115), no. 109 (for 1,109 guilders to Jeronimo de Vries); Eiser Gallery, Amsterdam; purchased, 1826; exhibited at the Prince William V Gallery, The Hague, since 2010

Product specs

The 17th century piece of art was made by Jacob Ochtervelt in 1663. The beyond 350 year old original version was painted with the size: height: 55 cm width: 44 cm | height: 21,7 in width: 17,3 in. Oil on canvas on panel was applied by the Dutch painter as the technique for the artwork. Signed and dated: J. Ochtervelt.f: / 1663 was the artpiece's inscription. This artpiece forms part of the Mauritshuis's art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of: Mauritshuis, The Hague (license - public domain). The creditline of the artwork is the following: Simon Stinstra, Harlingen, until 1782; his sale, Amsterdam, 26 March 1783 (Lugt 3535), no. 191 (to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1783; Gerrit van der Pals, Rotterdam; his sale, Rotterdam, 30 August 1824 (Lugt 10723), no. 39 (for 875 guilders to Van den Bergh); A.B. Roothaan et al. sale, Amsterdam, 29 March 1826 (Lugt 11115), no. 109 (for 1,109 guilders to Jeronimo de Vries); Eiser Gallery, Amsterdam; purchased, 1826; exhibited at the Prince William V Gallery, The Hague, since 2010. Furthermore, alignment of the digital reproduction is portrait and has a ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Jacob Ochtervelt was a painter, whose art style was primarily Baroque. The Dutch artist lived for 48 years - born in the year 1634 and passed away in 1682 in Amsterdam, North Holland, Netherlands.

Background information about the original artpiece

The product specs

Structured artist metadata

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