Henri Fantin-Latour, 1867 - Édouard Manet - fine art print

The print product offering

The 19th century masterpiece Édouard Manet was created by the realist master Henri Fantin-Latour. The original has the size 46 1/4 × 35 7/16 in (117,5 × 90 cm) and was painted with the medium oil on canvas. The artpiece has the following text as inscrption: inscribed lower left: A mon Ami Manet. / Fantin. 1867.. This piece of art can be viewed in in the art collection of Art Institute Chicago in Chicago, Illinois, United States of America. We are happy to state that the public domain artwork is being supplied with courtesy of Art Institute Chicago. : Stickney Fund. Besides, the alignment of the digital reproduction is in portrait format with a side ratio of 3 : 4, which means that the length is 25% shorter than the width. The painter, graphic artist, botanical illustrator, lithographer Henri Fantin-Latour was an artist, whose art style can primarily be classified as Realism. The French painter was born in 1836 in Grenoble, Auvergne-Rhone-Alpes, France and passed away at the age of 68 in the year 1904 in Basse-Normandie, France.

Choose your favorite product material

We offer a range of various materials and sizes for every product. The following sizes and materials are the options we offer you for individualization:

• The poster print (canvas material): The poster print is a UV printed canvas with a slightly roughened structure on the surface. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6 cm round about the painting, which facilitates the framing.
• Print on acrylic glass: A glossy print on acrylic glass, which is sometimes described as a UV print on plexiglass, will convert the original artwork into wonderful home décor. The major advantage of a plexiglass print is that contrasts and also granular details will be more visible thanks to the fine gradation of the print.
• Aluminium dibond: Aluminium Dibond prints are prints on metal with an impressive depth effect, which creates a contemporary look with a non-reflective surface structure. For your Print On Aluminum Dibond, we print the selected work of art right onto the surface of the aluminum material. The colors of the print are luminous, details are very clear, and the print has a a matte look you can literally feel.
• Canvas: The printed canvas, which should not be mistaken with a painting on a canvas, is a digital replica printed directly on canvas. The canvas print makes a familiar, positive atmosphere. Hanging your canvas print: Canvas prints are relatively low in weight, which means that it is quite simple to hang your Canvas print without any wall-mounts. A canvas print is suited for any type of wall.

Important legal note: We try our best in order to describe our art products as closely as possible and to exhibit them visually on the different product detail pages. Please bear in mind that the tone of the print products and the printing can diverge slightly from the presentation on your monitor. Depending on the settings of your screen and the quality of the surface, colors might not be printed one hundret percent realistically. Because all are processed and printed by hand, there may as well be slight deviations in the size and exact position of the motif.

About this article

Background data about the original artwork

Structured artist information

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Supplemental information from the museum (© - Art Institute Chicago - www.artic.edu)

Édouard Manet was at the peak of his notoriety when the young Henri Fantin-Latour exhibited this portrait at the Salon of 1867. Manet himself chose not to submit any work that year, having had his submission rejected by the 1866 Salon jury. In this commanding image of the great French artist, Fantin portrayed Manet not as a painter, but as a flaneur, a sophisticated man-about-town whose eyes are open to every nuance of modern life. The background of the painting is almost completely blank, both in homage to works by Manet and in emulation of photographic portraits of the period.