Hans Maler, 1517 - Sebastian Andorfer (1469–1537) - fine art print

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(© - The Metropolitan Museum of Art - www.metmuseum.org)

Hans Maler worked as a portrait painter in the mining town of Schwaz, just east of Innsbruck. The Schwaz silver works belonged to the most prosperous in Europe, and Sebastian Andorfer, who is shown in this portrait at the age of forty-eight, was one of its leading officials. As Silberbrenner (refiner of silver) he was responsible for guaranteeing the purity of Schwaz silver, a major source of income for the Habsburg Archduke Ferdinand and the Fugger family of Augsburg, whose likenesses Hans Maler also painted.

Background information about the unique artpiece

Piece of art title: "Sebastian Andorfer (1469–1537)"
Classification of the work of art: painting
Broad category: classic art
Century: 16th century
Created in the year: 1517
Artwork age: 500 years
Original medium: oil on swiss stone pine
Original dimensions: 17 x 14 1/8 in (43,2 x 35,9 cm)
Exhibited in: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Website: www.metmuseum.org
Artwork license: public domain
Courtesy of: The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931
Creditline: The Friedsam Collection, Bequest of Michael Friedsam, 1931

Structured artist data

Artist: Hans Maler
Aliases: Giovanni Malerg, Hans Maler, Giovanni Malerg Tedesco, Maler zu Schwaz Johan, Maler, Maler Hans, Maler zu Schwaz Hans, Maler Hans i, Maler von Ulm Hans, Hans Maler Zu Schwaz, Schwarz Hans Maler zu
Gender: male
Artist nationality: German
Professions of the artist: painter
Country of the artist: Germany
Classification: old master
Art styles: Northern Renaissance
Lifetime: 54 years
Born in the year: 1475
Place of birth: Ulm, Baden-Wurttemberg, Germany
Died in the year: 1529

Item specs

Product categorization: fine art reproduction
Reproduction: digital reproduction
Manufacturing method: UV direct print
Provenance: manufactured in Germany
Type of stock: on demand production
Proposed product use: wall décor, art collection (reproductions)
Image orientation: portrait format
Side ratio: 1 : 1.2 - (length : width)
Image aspect ratio interpretation: the length is 20% shorter than the width
Material variants: canvas print, metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating)
Canvas on stretcher frame (canvas print) size options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper): 50x60cm - 20x24", 100x120cm - 39x47"
Dibond print (alumnium material) variants: 50x60cm - 20x24", 100x120cm - 39x47"
Art print framing: please note that this art copy has no frame

Available product materials

In the product dropdown lists you can pick your favorite size and material. You can choose among the following product customization options:

  • Printed poster (canvas material): A poster is a printed canvas paper with a slightly roughened surface texture, which resembles the original masterpiece. A poster print is best designed for putting your art copy with the help of a customized frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the artwork to facilitate the framing.
  • Canvas: A UV printed canvas applied on a wood frame. Further, a printed canvas generates a cosy, pleasant look. Your canvas print of this masterpiece will provide you with the opportunity to turn your into a large size artpiece like you would see in a true gallery. Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang the Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
  • Aluminium print (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding effect of depth. The Direct Print on Aluminum Dibond is the perfect start to art reproductions produced with aluminum. The bright parts of the original artwork shine with a silky gloss, however without glow. The colors are bright and vivid in the highest definition, the fine details are very clear, and you can really feel the matte appearance.
  • Acrylic glass print (with real glass coating on top): An print on acrylic glass, often referenced as a plexiglass print, changes the artwork into amazing décor and offers a great alternative option to canvas or dibond art prints. Our plexiglass with real glass coating protects your chosen fine art print against light and external influences for many years to come.

Art product background information

This 16th century piece of art with the title Sebastian Andorfer (1469–1537) was painted by the German artist Hans Maler in 1517. The original had the size: 17 x 14 1/8 in (43,2 x 35,9 cm) and was painted with the technique oil on swiss stone pine. Today, this artpiece belongs to the The Metropolitan Museum of Art's digital art collection. This classic art public domain piece of art is being supplied with courtesy of The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931. Creditline of the artwork: The Friedsam Collection, Bequest of Michael Friedsam, 1931. The alignment is portrait and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Hans Maler was a painter, whose artistic style was primarily Northern Renaissance. The German artist was born in 1475 in Ulm, Baden-Wurttemberg, Germany and died at the age of 54 in the year 1529.

Legal disclaimer: We try everythig possible to depict the art products as clearly as possible and to demonstrate them visually on the different product detail pages. Still, the tone of the print products and the print result may vary slightly from the representation on your device's monitor. Depending on your screen settings and the condition of the surface, color pigments might not be printed as exactly as the digital version on this website. Since all fine art prints are printed and processed manually, there might as well be slight discrepancies in the motif's size and exact position.

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