Fra Bartolommeo, 1507 - The Nativity - fine art print

755 kr

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What does the curator team of the Art Institute Chicago state about this artwork painted by Fra Bartolommeo? (© - by Art Institute Chicago - Art Institute Chicago)

The young Baccio della Porta came under the spell of the charismatic Dominican friar Girolamo Savonarola, joining his monastic order as Fra (Friar) Bartolommeo in 1500 and forsaking his painting career for several years. Returning to painting in 1504, he looked to the most lyrical and harmonious recent works of Leonardo da Vinci, Raphael, and Michelangelo to form his own style, which was characterized by a new, quiet spirituality. The palette of saturated blue, red, and green announces the Holy Family, while the muted tones of the angels’ garments establish an otherworldly presence. Here he treated the Nativity in a traditional, though especially intimate, manner. The Virgin kneels humbly as she gazes at the Christ Child, while Joseph assumes a pose of restrained wonderment, as if suddenly aware of the infant’s divine nature. The family shelters in a rustic stall erected within the ruins of an edifice understood to be the palace of David at Bethlehem. This juxtaposition of architecture symbolizes Christ’s establishment of his new church on the Old Testament order of the Jews. Reinforcing this device is a young tree springing from a remnant of ancient stones directly above the infant.

This classic art piece of art The Nativity was created by the male artist Fra Bartolommeo. The original measures the size: 34 × 24,5 cm (13 3/8 × 9 5/8 in). Oil on panel was used by the artist as the technique for the artpiece. The artpiece belongs to the art collection of Art Institute Chicago. With courtesy of - Art Institute Chicago (licensed - public domain). Additionally, the work of art has the creditline: Ethel T. Scarborough Fund; John G. Searle Family Trust, L. L. and A. S. Coburn, Mr. and Mrs. Lester King, John and Josephine Louis, Samuel A. Marx, Alexander McKay, Chester D. Tripp, and Murray Vale endowment funds; restricted gift of Marilynn Alsdorf, Anne Searle Bent, David and Celia Hilliard, Alexandra and John Nichols, Mrs. Harold T. Martin, Mrs. George B. Young in memory of her husband, and the Rhoades Foundation; gift of John Bross and members of the Old Masters Society in memory of Louise Smith Bross; through prior gift of the George F. Harding, Mr. and Mrs. W. W. Kimball, Mr. and Mrs. Martin A. Ryerson, and Charles H. and Mary F. S. Worcester collections. On top of that, alignment of the digital reproduction is portrait and has a ratio of 1 : 1.4, meaning that the length is 29% shorter than the width. The painter, dominican friar Fra Bartolommeo was a European artist, whose style can primarily be attributed to Renaissance. The European painter was born in the year 1472 in Florence, Firenze province, Tuscany, Italy and passed away at the age of 45 in the year 1517 in Florence, Firenze province, Tuscany, Italy.

Available materials

In the dropdown lists right next to the product offering you can select a material and a sizeaccording to your preferences. Choose among the following product options now to match your preferences in size and material:

  • The poster print on canvas material: The poster print is a printed sheet of cotton canvas with a granular texture on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the work of art to facilitate the framing with your custom frame.
  • The canvas print: The canvas print is a printed canvas stretched on a wood stretcher. The printed canvas generates a homelike and warm feeling. A canvas print of this artwork will allow you to transform your into a large size collection piece like you know from art galleries. A canvas print has the advantage of being relatively low in weight, meaning that it is quite simple to hang the Canvas print without additional wall-mounts. Canvas prints are suitable for any kind of wall.
  • Acrylic glass print (with real glass coating): An acrylic glass print, which is sometimes named as a plexiglass print, will convert your favorite original into beautiful décor. Your favorite artwork is being manufactured with state-of-the-art UV direct print machines.
  • Aluminium dibond (metal print): Aluminium Dibond prints are prints on metal with an impressive depth. The colors are luminous in the highest definition, fine details of the print are very clear. The UV print on Aluminum Dibond is the most popular entry-level product and is a contemporary way to display artworks, as it puts all of the viewer’s attention on the replica of the artwork.

The painter

Name: Fra Bartolommeo
Aliases: F. Bartolemeo, Fra. Bartolomeo di San Marco, Fra Bartolomeo da S. Marco Maestro di Raffaello, Francisco Bartolomeo, Fra. Bartolomeo, Fra. Bartolomo, Frate, Fra Bartolomeo, Fra. Bartolomeo Baccio, Francisco Bartholomeo, Fra. Bartolommeo di San Marco, Fra. Bartolomeo da St. Marco, Baccio della Porta Bartolommeo da San Marco, fra Bartolommeo dell'ordine de' Predicatori, Barthemeli dé Saint Marc, Fra Bartholommeo de S.-Marc, Bartolommeo, Bartolomeo, Bartholome de Saint-Marc, Bartholomé de Saint Marc, F. Bartholomé, F. Bartolemo, Del. Frate, Fra Bartolomeo della Minerva, Frate Bartolomeo di S. Marco, Bartolommeo Fra, Porta Baccio della, Bartolommeo Porta, fra bartolomeo della porta, Bartolommeo Fra', Fra: Bartolomeo Baccio, Bartolomeo Fra, Bartolomeo di San Marco Fra. Baccio detto Il Frate, F. Bartolomeo, Fra' Bartolommeo, Fra Bartolommeo, Frate Bartolomeo, Fra Bartolomeo di S. Marco, F. Bartolomeo da S. Marco, Fra Bartholomeo, Fr. Bartolomeo San Marco, Fra Bartolomeo da San Marco, Bartolomeo Baccio, Fra. Bartolemeo, Bartolomeo della Porta Fra, Baccio dalla Porta, Barthélemi de Saint-Marc, B. Baccio, Fra. Bartholomeo, Del Frate, Frate Bartolemeo, F. Bartolommeo, Bartolommeo Porta Baccio della, Fra Bartholameo, Fra. Bartooneo, Fra Bartolomäi de San Marco, Frère Barthelmy dit San-Marco, Frate Bartolomeo di S. Marco called Baccio della Porta, Fra Bartolomeo di San Marco, Fra Bartholomaeo, Fra Bartolomeo da S. Marco, Baccio Della Porta dit Fra Bartolomè de Saint-Marc, Fr. Bartolomeo, Bartolomeo di Paolo, Bartolomeo della Porta, Frati, Bartolomeo di San Marco Fra. Baccio detto Il Frate Venet., Frate Bartolomeo, Fra Bartolommeo di S. Marco, Il Frate, Fra. Bartolameo Di San Marco, Della Porta Baccio, Del Frati, Fra Bartolomeo de S. Marco Domenicano, Le Fra. Bartolomée, Porta Bartolomeo della, Fran. Bartolomeo, Baccio della Porta, Fra Bartholomé de Saint-Marc, Fra Bartolommeo della Porta, Bartolomeo Porta Baccio della, Bartolommeo Bartolommeo Da San Marco
Artist gender: male
Nationality of artist: Italian
Professions of the artist: painter, dominican friar
Country: Italy
Classification: old master
Art styles: Renaissance
Lifetime: 45 years
Born in the year: 1472
Place of birth: Florence, Firenze province, Tuscany, Italy
Died: 1517
Place of death: Florence, Firenze province, Tuscany, Italy

Background data on the original work of art

Name of the artpiece: "The Nativity"
Artwork classification: painting
General category: classic art
Artwork century: 16th century
Created in the year: 1507
Artwork age: over 510 years old
Medium of original artwork: oil on panel
Original dimensions (artwork): 34 × 24,5 cm (13 3/8 × 9 5/8 in)
Exhibited in: Art Institute Chicago
Museum location: Chicago, Illinois, United States of America
Website Museum: Art Institute Chicago
License type of artwork: public domain
Courtesy of: Art Institute Chicago
Artwork creditline: Ethel T. Scarborough Fund; John G. Searle Family Trust, L. L. and A. S. Coburn, Mr. and Mrs. Lester King, John and Josephine Louis, Samuel A. Marx, Alexander McKay, Chester D. Tripp, and Murray Vale endowment funds; restricted gift of Marilynn Alsdorf, Anne Searle Bent, David and Celia Hilliard, Alexandra and John Nichols, Mrs. Harold T. Martin, Mrs. George B. Young in memory of her husband, and the Rhoades Foundation; gift of John Bross and members of the Old Masters Society in memory of Louise Smith Bross; through prior gift of the George F. Harding, Mr. and Mrs. W. W. Kimball, Mr. and Mrs. Martin A. Ryerson, and Charles H. and Mary F. S. Worcester collections

The product

Print product type: wall art
Reproduction: digital reproduction
Manufacturing process: UV direct print (digital printing)
Product Origin: German-made
Stock type: on demand production
Product usage: wall picture, art reproduction gallery
Orientation: portrait alignment
Side ratio: 1 : 1.4
Meaning: the length is 29% shorter than the width
Product material options: acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond), poster print (canvas paper)
Canvas print (canvas on stretcher frame) size options: 50x70cm - 20x28", 100x140cm - 39x55"
Acrylic glass print (with real glass coating) options: 50x70cm - 20x28", 100x140cm - 39x55"
Poster print (canvas paper) options: 50x70cm - 20x28"
Aluminium dibond print (aluminium material) variants: 50x70cm - 20x28", 100x140cm - 39x55"
Frame: please note that this product does not have a frame

Legal disclaimer: We try in order to depict our art products in as much detail as possible and to showcase them visually in our shop. Please bear in mind that the colors of the printing material, as well as the imprint may differ marginally from the representation on your device's screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed as realisitcally as the digital version on this website. Because our are processed and printed manually, there might also be minor differences in the size and exact position of the motif.

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