Joseph Mallord William Turner, 1808 - The Straw Yard (Liber Studiorum, part II, plate 7) - fine art print
Tax included. Shipping calculated at checkout.
Specifications of the product
This modern art masterpiece with the title The Straw Yard (Liber Studiorum, part II, plate 7) was painted by the male British artist Joseph Mallord William Turner in the year 1808. The original has the following size: plate: 7 1/4 x 10 in (18,4 x 25,4 cm) sheet: 8 1/8 x 11 1/2 in (20,6 x 29,2 cm). Etching, mezzotint, and drypoint; first state of four was applied by the British artist as the technique for the painting. Today, the artpiece is part of the The Metropolitan Museum of Art's digital art collection. With courtesy of The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1928 (public domain license). Additionally, the artwork has the following creditline: Harris Brisbane Dick Fund, 1928. Further, the alignment is landscape with a ratio of 1.4 : 1, which means that the length is 40% longer than the width. Joseph Mallord William Turner was a male painter, whose art style was primarily Romanticism. The European artist was born in 1775 in London, Greater London, England, United Kingdom and deceased at the age of 76 in 1851.
Possible material choices
For every product we offer a range of different materials & sizes. Select your favorite material and size between the options:
- The acrylic glass print: An print on acrylic glass, often described as a plexiglass print, will convert the original work of art into wall décor.
- The poster print (canvas material): Our poster print is a UV printed sheet of cotton canvas with a fine surface structure. A print poster is excellently used for placing your art replica with the help of a custom-made frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2 - 6cm around the print, which facilitates the framing with your custom frame.
- Canvas: A canvas print is a printed cotton canvas stretched on a wooden frame. A canvas creates the special effect of three dimensionality. Additionally, a canvas print produces a nice and pleasing appearance. Your canvas print of your favorite work of art will provide you with the opportunity of transforming your new fine art print into a large size work of art. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without any wall-mounts. Therefore, canvas prints are suitable for all types of walls.
- Aluminium dibond print: These are metal prints on aluminium dibond material with an outstanding depth effect. The non-reflective surface structure make a fashionable look. A direct Aluminium Dibond Print is your ideal start to fine replicas made with aluminum. The white and bright parts of the original artwork shine with a silk gloss, however without any glow. Colors are bright and luminous in the highest definition, the details of the print appear crisp, and the print has a a matte appearance that you can literally feel.
Disclaimer: We try to depict our products as precisely as it is possible and to illustrate them visually. Please bear in mind that the tone of the printing material and the print result might diverge to a certain extent from the representation on your device's monitor. Depending on your screen settings and the condition of the surface, not all color pigments are printed as exactly as the digital version. In view of the fact that all art prints are printed and processed manually, there might also be slight differences in the motif's exact position and the size.
About the product
| Product categorization: | fine art reproduction |
| Reproduction method: | reproduction in digital format |
| Manufacturing method: | UV direct print |
| Product Origin: | produced in Germany |
| Type of stock: | on demand production |
| Intended product use: | art collection (reproductions), art print gallery |
| Image alignment: | landscape format |
| Image ratio: | 1.4 : 1 - length : width |
| Image aspect ratio meaning: | the length is 40% longer than the width |
| Available variants: | metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print, poster print (canvas paper) |
| Canvas on stretcher frame (canvas print) sizes: | 70x50cm - 28x20", 140x100cm - 55x39" |
| Acrylic glass print (with real glass coating) options: | 70x50cm - 28x20", 140x100cm - 55x39" |
| Poster print (canvas paper) size variants: | 70x50cm - 28x20" |
| Aluminium print (aluminium dibond material) variants: | 70x50cm - 28x20", 140x100cm - 55x39" |
| Art print framing: | please note that this product is not framed |
Background information about the original artwork
| Work of art title: | "The Straw Yard (Liber Studiorum, part II, plate 7)" |
| Classification of the artpiece: | painting |
| General term: | modern art |
| Temporal classification: | 19th century |
| Year: | 1808 |
| Artwork age: | more than 210 years |
| Medium of original artwork: | etching, mezzotint, and drypoint; first state of four |
| Original size: | plate: 7 1/4 x 10 in (18,4 x 25,4 cm) sheet: 8 1/8 x 11 1/2 in (20,6 x 29,2 cm) |
| Museum / location: | The Metropolitan Museum of Art |
| Museum location: | New York City, New York, United States of America |
| Museum website: | www.metmuseum.org |
| License type of artwork: | public domain |
| Courtesy of: | The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1928 |
| Creditline: | Harris Brisbane Dick Fund, 1928 |
Artist summary
| Name of the artist: | Joseph Mallord William Turner |
| Alternative names: | I.M.W. Turner, J.W.M. Turner R.A., J. M. W. Turner R. A., טרנר ג׳וזף מאלור ויליאם, j.m.w. turner, Terner Dzhozef Mallord Uilʹi︠a︡m, J.W.M. Turner RA, joseph m. w. turner, Joseph Mallord William Turner, Tʻou-na Yüeh-se-fu Ma-lo-te Wei-lien, J.M.W. Turner R.A., Turner RA, I.W.M. Turner RA, turner j.m.w., Turner Joseph Mallord William, טרנר ג'וזף מאלורד ויליאם, Turner Joseph Mallord William, Turner J.M.W. (Joseph Mallord William), jmw turner, J.M.W. (Joseph Mallord William) Turner, Turner J M. W., Turner, J. M. W. Turner, Turnor, J.M.W. Turner RA, Turner J. M. W., Tŭrnŭr Dzhouzef Mŭlord Uili︠a︡m, Tʻou-na, j. m. w. turner r. a., W. Turner, Tarner Tzozeph Mallornt Ouilliam, Turner William, Turner R.A., Turner James Mallord William, J. W. Turner, Turner J.M.W., W. M. Turner R.A. |
| Artist gender: | male |
| Nationality: | British |
| Professions of the artist: | painter |
| Country: | the United Kingdom |
| Artist classification: | modern artist |
| Styles of the artist: | Romanticism |
| Lifetime: | 76 years |
| Birth year: | 1775 |
| Town of birth: | London, Greater London, England, United Kingdom |
| Year of death: | 1851 |
| Deceased in (place): | Chelsea, London, Greater London, England, United Kingdom, neighborhood |
© Copyright | Artprinta.com (Artprinta)
General information by The Metropolitan Museum of Art (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a rustic scene, which the artist himself referred to as "The White Horse." In front of a thatched barn, men load bales onto a haystack near resting horses. The letter "P" in the upper margin indicates Turner's category of Pastoral landscape.