Jean -Siméon Rousseau de la Rottière, 1781 - Door panel from theCabinet Turcof Comte dArtois at Versailles - fine art print

General specifications from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

This panel was painted in 1781 for the second Turkish room of the apartments of the comte d'Artois (later Charles X [1757-1836; r. 1824-30]) at Versailles. The eight extant panels from this room (six now in the Musee des Arts Decoratifs, Paris, and two in the Metropolitan Museum) have been attributed to Jean-Siméon Rousseau de la Rottière (1747-after 1792) and his brother Jules-Hugues Rousseau (1743-1806). Turkish subjects continued to be popular as decoration in France through the second half of the eighteenth century.

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In the product dropdown lists you can pick the size and material of your choice. The following sizes and materials are the options we offer you for individualization:

• Print on glossy acrylic glass: The print on acrylic glass, often labelled as a plexiglass print, changes your favorite artwork into décor. The artwork is made with state-of-the-art UV direct print machines. This has the impression of rich and impressive colors. The acrylic glass protects your chosen art replica against sunlight and heat for up to six decades.
• Canvas print: The canvas print, not to be confused with a canvas painting, is a digital image printed on a cotton canvas. A canvas makes the plastic effect of three dimensionality. What is more, printed canvas creates a lovely and enjoyable feeling. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the help of extra wall-mounts. Because of thata canvas print is suitable for any kind of wall.
• The poster print (canvas material): A poster print is a UV printed cotton canvas with a slightly roughened surface texture, which resembles the original artwork. It is perfectly suited for putting the art print with a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6 cm around the artwork, which facilitates the framing with your custom frame.
• Aluminium dibond: This is a metal print manufactured on aluminium dibond with an impressive effect of depth. The bright and white parts of the original artwork shimmer with a silky gloss but without the glare.

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Door panel from theCabinet Turcof Comte dArtois at Versailles is an artpiece created by Jean -Siméon Rousseau de la Rottière. The artpiece had the size: Overall (confirmed): 33 1/8 × 28 7/8 × 1 3/8 in (84,1 × 73,3 × 3,5 cm); Overall (painted surface): 27 7/8 × 23 1/2 in (70,8 × 59,7 cm). Oil on oak was applied by the painter as the technique for the work of art. Today, this artpiece is in the the digital collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This classic art public domain piece of art is being supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1906. Besides, the artwork has the creditline: Gift of J. Pierpont Morgan, 1906. On top of that, alignment of the digital reproduction is in portrait format with a ratio of 1 : 1.2, which means that the length is 20% shorter than the width.

Important note: We strive in order to depict the products as accurate as possible and to display them visually on the respective product detail pages. Please bear in mind that the pigments of the printed materials and the imprint might differ marginally from the representation on the monitor. Depending on your settings of your screen and the nature of the surface, color pigments might not be printed 100% realistically. Given that the art prints are processed and printed by hand, there may also be slight variations in the motif's size and exact position.

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