Bartolomé Estebán Murillo, 1665 - Don Andres de Andrade and Cal - fine art print

Art product specifications

This 17th century painting was painted by the male painter Bartolomé Estebán Murillo in the year 1665. The beyond 350 year-old original was made with the dimensions: 79 x 47 in (200,7 x 119,4 cm) and was crafted with the technique oil on canvas. Furthermore, this piece of art belongs to the The Metropolitan Museum of Art's digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Bequest of Collis P. Huntington, by exchange, 1927 (licensed: public domain). Creditline of the artwork: Bequest of Collis P. Huntington, by exchange, 1927. Moreover, alignment of the digital reproduction is portrait and has an image ratio of 9 : 16, which implies that the length is 45% shorter than the width.

Choose your material variant

In the dropdown lists right next to the product offering you can pick a material and a sizeaccording to your individual preferences. Thus, we allow you to choose among the following options:

• The poster print (canvas material): The Artprinta poster print is a UV printed canvas paper with a slightly rough surface structure. The print poster is best suited for framing your art copy with a custom frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the work of art, which facilitates the framing with a custom frame.
• The acrylic glass print (with real glass coating): A glossy acrylic glass print, often referenced as a print on plexiglass, changes your favorite original into beautiful wall décor. With an acrylic glass fine art print sharp contrasts as well as details become more exposed thanks to the granular tonal gradation. Our real glass coating protects your selected art print against light and external influences for several decades.
• The canvas print: The UV printed canvas stretched on a wooden frame. Hanging a canvas print: Canvas Prints have the advantage of being low in weight, meaning that it is easy and straightforward to hang the Canvas print without the support of any wall-mounts. Canvas prints are suited for any kind of wall.
• Aluminium dibond print (metal): This is a metal print made on aluminium dibond with a true depth. Its non-reflective surface creates a modern look. The colors of the print are vivid and luminous, fine details appear crisp and clear. This direct UV print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to showcase art reproductions, because it puts all of the viewer’s focus on the replica of the artwork.

Important legal note: We try everything in order to describe the products in as much detail as possible and to exhibit them visually on the different product detail pages. However, the tone of the printing material and the imprint may differ marginally from the presentation on the device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments can be printed 100% realistically. Since all fine art prints are processed and printed by hand, there may also be slight differences in the size and exact position of the motif.

Item background information

Structured details of the artpiece

Artist table

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Original information about the work of art from the museum (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

This painting testifies to Murillo’s ability to give his portraits a quality of psychological presence. Don Andrés de Andrade y la Cal was pertiguero, or marshal of processions in the cathedral of Seville. Murillo adopted a formula used by both Titian and Velázquez in their portraits of Spanish royalty; his sitter is dressed in black and rests his right hand on his mastiff. The setting is a classical portico with the sitter’s family coat of arms on the pier at left.