Nicolas de Largillière, 1734 - Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil - fine art print

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In 1734 Nicolas de Largillière painted the painting. The painting was made with the absolute size: Framed: 108,5 x 91,5 x 11 cm (42 11/16 x 36 x 4 5/16 in); Unframed: 80,6 x 63,8 cm (31 3/4 x 25 1/8 in). Oil on canvas was used by the artist as the technique for the painting. Signed on back of original canvas: peint par / N. de Largillierre / 1734 was the masterpiece's inscription. The work of art is part of the The Cleveland Museum of Art's digital collection. With courtesy of - The Cleveland Museum of Art (licensed - public domain). : Mr. and Mrs. William H. Marlatt Fund. Furthermore, alignment of the digital reproduction is in portrait format and has a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Nicolas de Largillière was a European artist, whose artistic style was primarily Baroque. The artist was born in 1656 and deceased at the age of 90 in 1746 in Paris.

Original artwork specifications by The Cleveland Museum of Art (© - The Cleveland Museum of Art - www.clevelandart.org)

By positioning the figure close to the picture plane and engulfed in a swirl of drapery, Nicolas de Largillière created a remarkably informal likeness of the 26-year-old Goislard. This impression is enhanced by the sitter’s open shirt and the drift of wig powder that dusts the shoulders of his velvet doublet. Warm hues and thick brushstrokes reveal the artist’s study of earlier Flemish painters, notably Anthony van Dyck. Despite his youth and seeming nonchalance, Goislard was a figure of prominence. He may have commissioned this work to commemorate his appointment to the Parlement, or governing council, of France in 1732, or earning the title Lord of Montsabert the following year.

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• Canvas: A printed canvas, which shall not be mistaken with an artwork painted on a canvas, is a digital image applied onto canvas fabric. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the use of any wall-mounts. Canvas prints are suited for any type of wall.
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• Acrylic glass print (with real glass coating): A glossy acrylic glass print, which is often described as a plexiglass print, changes the original artwork into stunning décor. Furthermore, it offers a distinct alternative to canvas and aluminidum dibond fine art prints. The work of art is being printed with state-of-the-art UV direct print machines. The result of this are vibrant and stunning colors. The major benefit of a plexiglass print is that contrasts plus small details will be visible due to the subtle tonal gradation. Our plexiglass with real glass coating protects your custom fine art print against light and heat for decades.
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