Nicolaes Maes, 1653 - Abraham Dismissing Hagar and Ishmael - fine art print

707 kr

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Which kind of art product do we offer?

In 1653 Nicolaes Maes created this painting with the title "Abraham Dismissing Hagar and Ishmael". The original version of the work of art measures the size of 34 1/2 x 27 1/2 in (87,6 x 69,9 cm). Oil on canvas was used by the artist as the medium of the piece of art. Furthermore, this work of art is included in the The Metropolitan Museum of Art's digital art collection in New York City, New York, United States of America. The classic art public domain piece of art is being included, courtesy of The Metropolitan Museum of Art, New York, Gift of Mrs. Edward Brayton, 1971. : Gift of Mrs. Edward Brayton, 1971. Further, the alignment of the digital reproduction is portrait with an image ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Nicolaes Maes was an artist, whose style can be attributed primarily to Baroque. The artist lived for a total of 59 years - born in the year 1634 in Dordrecht, South Holland, Netherlands and deceased in 1693 in Amsterdam, North Holland, Netherlands.

Pick your preferred product material

In the dropdown selection right next to the product you can choose your favorite size and material. You can select your preferred material and size between the options:

  • Printed acrylic glass (with real glass coating): The print on acrylic glass, which is sometimes referenced as a UV print on plexiglass, will turn your favorite original into beautiful home decoration. Your favorite artwork is being printed thanks to the help of state-of-the-art UV printing machines. The result of this are impressive and vivid colors. With an acrylic glass fine art print contrasts and artwork details will be visible with the help of the very fine tonal gradation.
  • Printed poster (canvas material): Our poster print is a printed flat cotton canvas with a slight surface structure. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6 cm round about the painting in order to facilitate the framing with a custom frame.
  • Metal (aluminium dibond print): Aluminium Dibond prints are prints on metal with an impressive depth. The bright & white parts of the original artpiece shine with a silk gloss, however without any glow.
  • Canvas: A UV printed canvas stretched on a wooden stretcher frame. A canvas produces the plastic effect of three-dimensionality. Also, a printed canvas makes a charming and pleasant impression. Your canvas print of this artwork will let you turn your fine art print into a large collection piece. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without any wall-mounts. Hence, a canvas print is suitable for any type of wall.

Important note: We try to depict the products as closely as possible and to exhibit them visually. Please bear in mind that the colors of the printing material, as well as the printing may vary somehwat from the presentation on your screen. Depending on your settings of your screen and the quality of the surface, color pigments may not be printed one hundret percent realistically. Given that all art reproductions are printed and processed manually, there might as well be minor discrepancies in the size and exact position of the motif.

Structured product details

Product categorization: fine art reproduction
Reproduction method: digital reproduction
Production method: UV direct printing (digital print)
Production: made in Germany
Type of stock: production on demand
Product usage: art print gallery, art reproduction gallery
Orientation of the artwork: portrait format
Side ratio: length to width 1 : 1.2
Aspect ratio implication: the length is 20% shorter than the width
Available product materials: poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print
Canvas on stretcher frame (canvas print): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) size variants: 50x60cm - 20x24", 100x120cm - 39x47"
Poster print (canvas paper) size options: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium dibond print (aluminium material) size options: 50x60cm - 20x24", 100x120cm - 39x47"
Framing of the art reproduction: not included

Structured information on the piece of art

Title of the piece of art: "Abraham Dismissing Hagar and Ishmael"
Classification: painting
General category: classic art
Artwork century: 17th century
Artpiece year: 1653
Artwork age: more than 360 years old
Original medium of artwork: oil on canvas
Original size (artwork): 34 1/2 x 27 1/2 in (87,6 x 69,9 cm)
Museum / location: The Metropolitan Museum of Art
Place of museum: New York City, New York, United States of America
Website: www.metmuseum.org
Artwork license: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Gift of Mrs. Edward Brayton, 1971
Artwork creditline: Gift of Mrs. Edward Brayton, 1971

About the artist

Name of the artist: Nicolaes Maes
Other names: Maes Nicholas, nicholaes maes, Maes, Maes Nicolaas, Maas Nicolas, nicolaas maas, Nicolas Maes, Nich. Maas, Nikolaus Maes, Maas Nicholas, N. Maus, Nicolas Maas, De Maas, Nicholas Maes, nikolaes maes, Maes Nicholaes, nie. maes, Masse, Nicolaes mals, Maes Nic., Maas Nicolaes, Nicolaus Maer, Maes Nicolas, maes nicolaes, nicolaas maes, nikolas maes, N. Maas, Maas, maes nikolaes, C. Maes, nich.s maas, maes n., Maes Nicolaes, Mayes, Maas Nicolaas, nicolaus maes, N. Maes, N. Mass, nicol. maes, N Maas, Nikolaas Maas, Nicolas Maaes, Maaes, Nic. Maas, Nich. Maes, Nicholas Maas, Nicolaes Maes, maes nikolaes, nic. maes
Gender: male
Artist nationality: Dutch
Professions: painter
Country of origin: the Netherlands
Classification of the artist: old master
Art styles: Baroque
Died at the age of: 59 years
Year of birth: 1634
Born in (place): Dordrecht, South Holland, Netherlands
Died: 1693
Died in (place): Amsterdam, North Holland, Netherlands

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Additional information from the museum's website (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

This is the earliest dated work by Maes, one of the most versatile of Rembrandt’s students. From his teacher, Maes had acquired a knack for turning Old Testament stories into powerful domestic narratives. Here, in a subject Rembrandt also depicted, Maes portrays the Hebrew patriarch Abraham banishing the handmaiden Hagar along with their son, Ishmael. Abraham attempts to reassure Hagar, but her downcast gaze, rhyming with the boy’s, conveys her abandonment and desolation.

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