Jean-Baptiste Greuze, 1780 - Princess Varvara Nikolaevna Gagarina (1762-1802) - fine art print

The painting with the title Princess Varvara Nikolaevna Gagarina (1762-1802) as art copy

This classic art artwork was created by the male artist Jean-Baptiste Greuze. The painting was made with the size: Oval, 31 1/2 x 25 in (80 x 63,5 cm) and was crafted with the technique of oil on canvas. Moveover, this artpiece can be viewed in in the digital art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The classic art public domain artpiece is being supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, 1965. Furthermore, the artwork has the creditline: Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, 1965. What is more, the alignment is portrait with an aspect ratio of 3 : 4, which means that the length is 25% shorter than the width. Jean-Baptiste Greuze was a painter, whose style can mainly be classified as Rococo. The artist was born in the year 1725 in Tournus, Bourgogne-Franche-Comte, France and passed away at the age of 80 in 1805.

Additional specifications by The Metropolitan Museum of Art website (© Copyright - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Varvara Nikolaevna Golitsyna, who was born on July 7, 1762, married Prince Sergei Sergeyevich Gagarin (1745-1798) and was the mother of four children. She died at thirty-nine. As Greuze never went to Russia, the princess must have visited Paris either shortly before or after her wedding. Her pose is distant and formal, while her costume is not unlike the dresses worn by the queen, Marie Antoinette (1755-1793), in the early 1780s.

Structured details of the piece of art

About the painter

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For every fine art print we offer a range of different materials and sizes. Choose among the following product options now to match your preferences in size and material:

• Metal (aluminium dibond print): An Aluminium Dibond print is a material with an impressive effect of depth, which makes a fashionable look throuch a surface structure, that is non-reflective. The Aluminium Dibond Print is your ideal start to fine art replicas produced with alu. The bright and white sections of the original artpiece shine with a silk gloss, however without the glare. The colors are luminous in the highest definition, the details appear crisp, and you can literally perceive a matte appearance of the surface.
• Printed acrylic glass: An acrylic glass print, often referenced as a fine art print on plexiglass, will change the artwork into lovely wall décor. In addition to that, the acrylic fine art print forms a viable alternative option to canvas or aluminium dibond prints. The real glass coating protects your custom fine art print against sunlight and external influences for between 40-60 years.
• The canvas print: The UV printed canvas material stretched on a wooden stretcher frame. It creates a distinctive effect of three dimensionality. How do I hang a canvas on my wall? The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without the support of additional wall-mounts. That is why, a canvas print is suitable for all types of walls.
• Printed poster (canvas material): A poster is a printed canvas with a nice structure on the surface. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print motif to facilitate the framing.

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Legal disclaimer: We try everythig possible to describe the art products as accurately as possible and to demonstrate them visually. At the same time, the pigments of the printed materials and the print result may diverge somehwat from the representation on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments may not be printed one hundret percent realistically. Considering that the are processed and printed manually, there may also be minor deviations in the motif's size and exact position.

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