Gerard ter Borch the Younger, 1666 - Burgomaster Jan van Duren (1613-1687) - fine art print

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• Aluminium dibond print: An Aluminium Dibond print is a print material with a true effect of depth - for a modern impression and a non-reflective surface structure. For your Aluminium Dibond option, we print the selected artpiece onto the surface of the white-primed aluminum. This direct print on aluminium is the most popular entry-level product and is a modern way to showcase fine art prints, as it draws focus on the whole artwork.
• Poster print on canvas material: The poster is a UV printed flat canvas with a slightly rough surface texture. A poster print is excellently designed for framing your art print with the help of a personal frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing with your custom frame.
• The acrylic glass print: The print on acrylic glass, often labelled as a plexiglass print, will convert the artwork into beautiful décor. The major advantage of an acrylic glass art print is that contrasts and color details become recognizeable because of the granular gradation.
• Canvas: The UV printed canvas material stretched on a wood stretcher frame. Additionally, a printed canvas makes a cosy and appealing look. A canvas of your favorite masterpiece will let you turn your art print into a large artpiece as you know from galleries. Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang up the Canvas print without extra wall-mounts. A canvas print is suited for all kinds of walls.

Important note: We do whatever we can in order to depict the products in as much detail as possible and to exhibit them visually in our shop. However, the tone of the print materials and the print result can differ marginally from the image on the monitor. Depending on your settings of your screen and the quality of the surface, colors might not be printed one hundret percent realistically. In view of the fact that the fine art prints are processed and printed by hand, there might as well be minor deviations in the motif's size and exact position.

Description from the museum (© - The Metropolitan Museum of Art - www.metmuseum.org)

Gerard ter Borch was one of the most compelling Dutch artists of the seventeenth century, recognized then as now for his handsome portraits and refined genre subjects. These splendid pendant portraits of Jan van Duren and his wife, Margaretha van Haexbergen (1975.1.141 and 1975.1.142), rank among the most important works by the artist in any American collection. Jan van Duren, a member of the elite ruling class of Deventer, poses in the rich attire of a prosperous regent, while his stately wife is no less suitably clad. Ter Borch presents his patrons in a setting devoid of detail: a simple velvet covered table and fringed velvet chair accompany the sitters. The restrained setting contrasts with and enhances Ter Borch's precisely painted subjects, dignified and ennobled by his sensitive brush.

About this art product

Burgomaster Jan van Duren (1613-1687) was created by Gerard ter Borch the Younger in 1666. The masterpiece had the following size: 32 1/16 x 25 13/16 in (81,5 x 65,5 cm). Oil on canvas was applied by the Dutch artist as the medium of the piece of art. Furthermore, the work of art forms part of the The Metropolitan Museum of Art's digital art collection in New York City, New York, United States of America. With courtesy of - The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (public domain). Creditline of the artwork: Robert Lehman Collection, 1975. What is more, the alignment is in portrait format with a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Gerard ter Borch the Younger was a male painter, whose art style can mainly be attributed to Baroque. The European painter lived for 64 years and was born in 1617 in Zwolle, Overijssel, Netherlands and passed away in 1681 in Deventer, Overijssel, Netherlands.

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