Paul Cézanne, 1894 - Still Life with Apples - fine art print

The 19th century artpiece titled Still Life with Apples was created by the impressionist master Paul Cézanne in 1894. The more than 120 year-old original has the size: 65,4 x 81,6 cm. Oil on canvas was applied by the European painter as the technique for the artwork. Besides, this piece of art belongs to the The J. Paul Getty Museum's digital collection in Los Angeles, California, United States of America. The modern art artpiece, which belongs to the public domain is being provided with courtesy of The J. Paul Getty Museum.The creditline of the artwork is: . What is more, the alignment is landscape with a side ratio of 1.2 : 1, which means that the length is 20% longer than the width. The painter Paul Cézanne was an artist from France, whose artistic style can be attributed primarily to Impressionism. The European painter was born in 1839 and deceased at the age of 67 in the year 1906.

Product materials that you can choose from:

We offer a range of different sizes and materials for every product. The following sizes and materials are the options we offer you for individualization:

• Print on acrylic glass (with real glass coating): An acrylic glass print, often referred to as a print on plexiglass, transforms your favorite original artwork into home décor. The work of art is being made with the help of state-of-the-art UV direct print technology. With an acrylic glass fine art print contrasts and granular image details become recognizeable thanks to the very fine gradation of the print. The real glass coating protects your selected fine art print against light and external influences for many more years.
• The canvas print: A printed canvas, which should not be mistaken with a canvas painting, is an image printed from an industrial printing machine. A canvas creates a sculptural impression of three-dimensionality. In addition to that, a printed canvas creates a cosy, appealing ambience. Your canvas print of your favorite masterpiece will provide you with the chance to transform your own into a large size artpiece like you would see in a gallery. Canvas Prints have the great advantage of being low in weight, meaning that it is quite simple to hang up your Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
• Printed poster on canvas material: A poster print is a UV printed flat canvas with a fine surface texture. Please note, that depending on the absolute size of the poster we add a white margin of around 2-6cm around the print in order to facilitate the framing with your custom frame.
• Aluminium dibond print: An Aluminium Dibond print is a print material with an outstanding effect of depth - for a modern impression and non-reflective surface structure. A direct Aluminium Dibond Print is your ideal introduction to fine prints on aluminum. The bright parts of the original artpiece shimmer with a silky gloss, however without any glare. The colors are bright and vivid in the highest definition, details are clear and crisp, and you can feel the matte appearance of the fine art print. This direct print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely sophisticated way to display art prints, since it draws attention on the artwork.

Legal note: We do everything to describe our products as accurately as possible and to showcase them visually. Still, the tone of the printing material, as well as the print result can differ marginally from the presentation on your screen. Depending on your screen settings and the condition of the surface, color pigments may not be printed 100% realistically. Given that all our art reproductions are processed and printed by hand, there may as well be minor variations in the motif's exact position and the size.

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Original artwork specifications by The J. Paul Getty Museum (© - by The J. Paul Getty Museum - The J. Paul Getty Museum)

During the last thirty years of his life, Paul Cézanne painted the same objects--the green vase, the rum bottle, the ginger pot, and the apples--over and over again. His interest was not in the objects themselves but in using them to experiment with shape, color, and lighting. He arranged his still lifes so that everything locked together. Edges of objects run into each other; for example, a black arabesque seemingly escapes from the blue cloth to capture an apple in the center; the sinuous curves of the blue ginger pot's rattan straps merge with other straps on the body of the bottle behind. Giving form and mass to objects through the juxtaposition of brushstrokes and carefully balanced colors and textures, he gave the painting a sense of comforting stability.