Robert Feke, 1748 - Charles Apthorp - fine art print

703 kr

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What does the website of the The Cleveland Museum of Art state about this 18th century artwork from the painter Robert Feke? (© - by The Cleveland Museum of Art - The Cleveland Museum of Art)

Called "the greatest merchant on this Continent" in his obituary, Apthorp helped transform Boston into one of the key commercial centers in the American colonies. When the fashionable painter Feke came to town, Apthorp commissioned this elegantly tailored and confidently posed likeness of himself. The sailing ship in the distant background symbolizes Apthorp’s deep financial interests in the Atlantic trade, which included not only products such as textiles, wine, and guns, but also human commodities in the form of slaves. In fact, the slave trade and its attendant commerce comprised a significant portion of colonial Boston’s economy until the decades after the Revolutionary War, when anti-slavery attitudes in New England gained momentum.

Work of art background information

Painting name: "Charles Apthorp"
Artwork classification: painting
General term: classic art
Period: 18th century
Created in: 1748
Artwork age: around 270 years
Painted on: oil on canvas
Size of the original artpiece: Framed: 141,5 x 117,5 x 7,5 cm (55 11/16 x 46 1/4 x 2 15/16 in); Unframed: 127 x 101,5 cm (50 x 39 15/16 in)
Signature: signed lower right: R F P/174[8]
Museum / location: The Cleveland Museum of Art
Museum location: Cleveland, Ohio, United States of America
Website: The Cleveland Museum of Art
License type of artwork: public domain
Courtesy of: The Cleveland Museum of Art
Creditline of artwork: Gift of the John Huntington Art and Polytechnic Trust

The artist

Artist name: Robert Feke
Alias names: Feke, Robert Feke, Feke Robert
Gender: male
Artist nationality: American
Professions of the artist: painter
Country of the artist: United States
Classification: old master
Died aged: 43 years
Born in the year: 1708
Born in (place): Oyster Bay, Nassau county, New York state, United States
Died in the year: 1751

Structured product details

Print prodct: art copy
Method of reproduction: digital reproduction
Production process: UV direct print (digital printing)
Origin of the product: manufactured in Germany
Stock type: on demand
Proposed product use: art reproduction gallery, wall picture
Orientation: portrait format
Aspect ratio: 1 : 1.2 - (length : width)
Interpretation of image ratio: the length is 20% shorter than the width
Materials you can choose from: canvas print, poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond)
Canvas print (canvas on stretcher frame) variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper) sizes: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium print size variants: 50x60cm - 20x24", 100x120cm - 39x47"
Framing of the artprint: not available

Pick your desired product material

We offer a range of different materials and sizes for every product. Therefore, we allow you to choose among the following options:

  • Acrylic glass print (with real glass coating): An acrylic glass print, which is sometimes labelled as a plexiglass print, will convert your original into beautiful décor. Your favorite work of art is being manufactured with state-of-the-art UV direct printing technology. This creates vivid and sharp color tones. With an acrylic glass fine art print contrasts plus minor image details become identifiable thanks to the fine gradation.
  • Poster print (canvas material): A poster is a UV printed flat cotton canvas paper with a nice structure on the surface, that resembles the actual work of art. A poster print is ideally qualified for putting the art print with a custom-made frame. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the print motif to facilitate the framing with your custom frame.
  • Canvas print: A UV printed canvas stretched on a wood stretcher frame. A canvas produces the extra effect of three dimensionality. A canvas print has the advantage of being low in weight. This means, it is easy to hang the Canvas print without the support of additional wall-mounts. Because of thatcanvas prints are suited for any type of wall.
  • Aluminium dibond: These are metal prints on aluminium dibond material with an outstanding depth effect. Its non-reflective surface structure make a contemporary impression. A direct Aluminium Dibond Print is your perfect introduction to reproductions with aluminum. For your Print On Aluminum Dibond, we print the chosen work of art onto the surface of the white-primed aluminum. The bright and white parts of the work of art shimmer with a silky gloss, however without glow. The colors are bright and vivid, fine details are very clear, and the print has a a matte appearance you can literally feel. This direct UV print on aluminium is the most popular entry-level product and is an extremely modern way to display artworks, because it draws focus on the artwork.

Product specifications

The classic art painting was painted by the painter Robert Feke. The original was made with the size - Framed: 141,5 x 117,5 x 7,5 cm (55 11/16 x 46 1/4 x 2 15/16 in); Unframed: 127 x 101,5 cm (50 x 39 15/16 in) and was painted with the medium oil on canvas. The artpiece has the following text as inscrption: signed lower right: R F P/174[8]. Moveover, this artwork can be viewed in in the The Cleveland Museum of Art's digital art collection. With courtesy of: The Cleveland Museum of Art (license: public domain). Creditline of the artwork: Gift of the John Huntington Art and Polytechnic Trust. Besides this, the alignment is portrait and has an image ratio of 1 : 1.2, which implies that the length is 20% shorter than the width.

Legal disclaimer: We do to depict the art products as accurate as it is possible and to showcase them visually in our shop. Nonetheless, the colors of the print products and the imprint can diverge to a certain extent from the presentation on the device's monitor. Depending on your settings of your screen and the nature of the surface, not all colors can be printed one hundret percent realistically. Because all the are printed and processed manually, there might also be minor deviations in the exact position and the size of the motif.

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