Rembrandt Peale, 1808 - Abigail Inskeep Bradford - fine art print

The 19th century artpiece was made by Rembrandt Peale. The version of the artpiece had the following size: 68,6 × 55,9 cm (27 × 22 in). Oil on canvas was used by the North American painter as the medium of the masterpiece. Today, this artpiece is part of the Art Institute Chicago's art collection in Chicago, Illinois, United States of America. We are glad to mention that this public domain piece of art is provided with courtesy of Art Institute Chicago. : Gift of Mrs. Herbert A. Vance. Besides, the alignment of the digital reproduction is portrait with a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Rembrandt Peale was a curator, painter, whose art style was primarily Neoclassicism. The Neoclassicist painter lived for 82 years and was born in the year 1778 in Bucks county, Pennsylvania, United States, county and passed away in the year 1860.

Select your item material variant

We offer a range of various sizes and materials for every product. Hence, we allow you to choose among the following options:

• Aluminium dibond print (metal): This is a metal print made on alu dibond material with a true depth effect - for a modern impression and a non-reflective surface. The bright and white parts of the original work of art shimmer with a silk gloss, however without any glow. The colors are luminous, the fine details appear crisp.
• Poster (canvas material): The Artprinta poster print is a printed cotton canvas paper with a nice surface texture, which resembles the actual artwork. The print poster is perfectly used for placing your art print with a special frame. Please note, that depending on the size of the poster print we add a white margin of something between 2-6 cm round about the painting in order to facilitate the framing.
• Canvas print: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed on an industrial printer. A canvas creates a plastic impression of three-dimensionality. What is more, canvas generates a cosy and warm impression. Canvas prints are relatively low in weight, which means that it is quite simple to hang up the Canvas print without the support of extra wall-mounts. Canvas prints are suitable for any type of wall.
• Printed acrylic glass with a glossy effect (with real glass coating): A glossy acrylic glass print, often denoted as a an art print on plexiglass, will transform your favorite artwork into wall decoration. In addition, the acrylic fine art print forms a viable alternative option to aluminium or canvas prints. Your work of art is printed with state-of-the-art UV direct printing technology. The special effect of this are deep and vivid color tones. The great advantage of an acrylic glass fine art copy is that contrasts and also granular image details become exposed thanks to the fine tonal gradation. Our real glass coating protects your chosen art print against sunlight and external influences for several decades.

Disclaimer: We try all that we can to describe our art products in as much detail as possible and to showcase them visually on the various product detail pages. At the same time, some pigments of the printed materials, as well as the imprint might vary marginally from the presentation on the screen. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed 100% realistically. In view of the fact that the are printed and processed manually, there might also be slight differences in the exact position and the size of the motif.

Item specs

Structured artwork information

The painter

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General description from Art Institute Chicago (© - by Art Institute Chicago - www.artic.edu)

Painted sometime after Rembrandt Peale’s 1803 return from London and before his 1808 trip to Paris, this sensitively rendered portrait marks a concerted effort by Peale to expand his repertory to include female subjects. Abigail Inskeep Bradford belonged to a prestigious Philadelphia family; her father served as the city’s mayor (1800–01 and 1805–06) and her brother, John Inskeep, presided over a successful publishing business. Unlike Peale’s portrait of her husband, Samuel Fisher Bradford, in this work Abigail looks away from the viewer, avoiding a direct gaze. This subtle positioning followed social convention of the time, which demanded women be discreet in public and maintain distance from mundane worldly concerns.