Louis-Charles Auguste Couder, 1833 - Scenes from Our Lady of Paris - fine art print

Available product material choices

For every fine art print we offer different materials & sizes. The following options are available for individualization:

• Aluminium print (aluminium dibond): This is a metal print manufactured on aluminium dibond with a true depth effect. The Direct Print on Aluminum Dibond is your excellent introduction to art replicas with alu. For your Print On Aluminum Dibond, we print the chosen artwork right onto the aluminium composite white-primed surface.
• Acrylic glass print (with real glass coating): A glossy print on acrylic glass, which is often denoted as a UV print on plexiglass, will change the original into great home décor and forms a distinct alternative to aluminium and canvas fine art prints. The plexiglass protects your chosen art replica against sunlight and heat for up to 60 years.
• Printed poster (canvas material): A poster print is a printed cotton canvas with a fine surface finish. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6 cm around the print, which facilitates the framing with your custom frame.
• Canvas: A printed canvas, which should not be mistaken with a real canvas painting, is a digital replica printed directly on cotton canvas. A canvas print generates a familiar and appealing effect. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without the support of any wall-mounts. A canvas print is suitable for all types of walls.

Important legal note: We do all that we can to describe our art products with as many details as possible and to display them visually in our shop. Still, the pigments of the printing material and the imprint can differ marginally from the representation on the monitor. Depending on the screen settings and the nature of the surface, color pigments may not be printed as exactly as the digital version on this website. Bearing in mind that all are printed and processed manually, there may also be slight variations in the exact position and the size of the motif.

Original artwork specifications from Maison de Victor Hugo - Hauteville House (© Copyright - by Maison de Victor Hugo - Hauteville House - www.maisonsvictorhugo.paris.fr)

Polyptyque oil on canvas except for the locket Victor Hugo painted on wood in a wooden frame carved and gilded decorations inspired "the cathedral".

The scene represented are: Central Panel: The Esmaeralda and Phoebus surprised by Claude Frollo; Right panel: The hoodlums to attack Notre Dame; Left panel: The shorn of Claude Frollo from the towers of Notre Dame; Panneaus bottom, left, and his mother Esmeralda Sachette; center: Quasimodo and Esmeralda's body; right, The Sachette in his cell. Top three portrait medallions in the center: Victor Hugo; left: Olivier le Daim; right: Louis XI.

The 1833 Fair catalog states: "COUDER (A), 2, r. Breda. / 476 - Scenes from Notre Dame of Paris, Victor Hugo. "The show knows a rich news around the Victor Hugo novel, since, in addition Couder, Louis Boulanger presents a series of watercolors (see Inv. No. 317-323) and Miss Henry's" Quasimodo saving Esmeralda's hands his executioners "(see inv. 780), while Jehan Duseigneur shows a relief and Mrs. Meynier paint as Perlet. Six artists and reflect the echo met by the novel published in 1831 and which - apart from the frontispiece of Célestin Nanteuil to Renduel edition in 1832 - has not yet experienced the illustrated edition; first published in 1836.

Notre Dame de Paris (V.Hugo)

Summary of the replica

The more than 180 years old artwork titled Scenes from Our Lady of Paris was made by the painter Louis-Charles Auguste Couder. The original masterpiece has the following text as inscrption: Signature - Down the center panel and left. This artpiece forms part of the collection of Maison de Victor Hugo - Hauteville House. With courtesy of - Maison de Victor Hugo - Hauteville House (public domain license).The creditline of the artpiece is the following: . On top of that, alignment is landscape with an image ratio of 4 : 3, which means that the length is 33% longer than the width.

Structured details of the artwork

Article details

Background information about the artist

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