John Singer Sargent, 1901 - Ellen Peabody Endicott (Mrs. William Crowninshield Endicott) - fine art print

Specifications of the article

The 20th century work of art Ellen Peabody Endicott (Mrs. William Crowninshield Endicott) was created by the male painter John Singer Sargent in 1901. The original was painted with the following size of 162,9 x 114,3 cm (64 1/8 x 45 in) and was painted with the medium oil on canvas. It forms part of the digital collection of National Gallery of Art, which is the museum of the US-American nation that preserves, collects, exhibits, and fosters an understanding of works of art. With courtesy of: National Gallery of Art, Washington (license: public domain).The creditline of the artwork is the following: . Moreover, alignment is in portrait format and has a side ratio of 1 : 1.4, which implies that the length is 29% shorter than the width. John Singer Sargent was a painter of American nationality, whose style can be classified as Impressionism. The American artist was born in the year 1856 in Florence, Firenze province, Tuscany, Italy and deceased at the age of 69 in 1925 in London, Greater London, England, United Kingdom.

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The product dropdown menu provides you with the possibility to select your prefered size and material. You can choose among the following product customization options:

• Poster print on canvas material: The poster is a UV printed flat cotton canvas paper with a slightly roughened surface texture, which reminds the actual version of the masterpiece. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing.
• Canvas: The printed canvas, not to be mistaken with a canvas painting, is a digital replica printed from an industrial printing machine. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without the use of extra wall-mounts. Canvas prints are suited for any kind of wall.
• The acrylic glass print (with real glass coating): A glossy print on acrylic glass, often described as a plexiglass print, transforms your chosen artwork into great home decoration.
• Metal (aluminium dibond print): Aluminium Dibond prints are prints on metal with an impressive effect of depth. The white & bright parts of the artwork shimmer with a silk gloss, however without glare. The UV print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely contemporary way to display art prints, since it draws focus on the artwork.

Important note: We try what we can to depict our art products in as much detail as possible and to display them visually. Although, the tone of the printing material and the imprint can vary slightly from the presentation on your screen. Depending on your screen settings and the condition of the surface, colors may not be printed 100% realistically. Given that all our art prints are printed and processed manually, there may also be minor differences in the size and exact position of the motif.

The product specifications

Artpiece table

Artist information

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Original artwork information from the museum (© Copyright - National Gallery of Art - National Gallery of Art)

Ellen Peabody Endicott (1833–1927) was a prominent society hostess in Boston and Salem, Massachusetts, and later in Washington, DC. Born into an affluent Salem shipping family, in 1859 she married William Crowninshield Endicott (1826–1900), who served on the Supreme Court of Massachusetts and was President Grover Cleveland’s secretary of war from 1885 to 1889. The National Gallery of Art collection also includes Sargent’s portrait of the couple’s daughter, Mary Crowninshield Endicott Chamberlain (1958.2.1).

Combining technical brilliance with an intimate portrait of its subject, Ellen Peabody Endicott exemplifies Sargent’s mannered society portraiture. Mrs. Endicott is shown seated in an upholstered chair beside a small wooden table topped with a book and other personal effects. The crimson curtain backdrop and Mrs. Endicott’s embroidered shawl demonstrate Sargent’s expertise in rendering fabric textures and draping. A heavy black mourning dress hints at a possible reason for the sitter’s melancholy expression: the recent death of her husband.