Ferdinand Georg Waldmüller, 1835 - The princely Esterházy Council Mathias Kerzmann with his second wife, Maria Helena born, Mikolischütz, and daughter Maria - fine art print

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• Aluminium dibond print: Aluminium Dibond prints are prints on metal with a true effect of depth. Its non-reflective surface structure creates a contemporary look. For your Print On Aluminum Dibond, we print the chosen artpiece on the surface of the white-primed aluminum. The bright and white sections of the artpiece shine with a silky gloss but without the glow.
• Canvas print: A canvas direct print is a printed canvas mounted on a wood frame. A canvas generates a extra look of three dimensionality. Besides, canvas print generates a homelike and pleasing ambience. Your canvas of your favorite work of art will allow you to transform your fine art print into a large artwork as you know from galleries. Canvas prints are relatively low in weight, which implies that it is quite simple to hang the Canvas print without the help of extra wall-mounts. Hence, a canvas print is suitable for any kind of wall.
• Printed acrylic glass (with real glass coating): The print on acrylic glass, which is often referenced as a fine art print on plexiglass, will convert the original work of art into décor and forms a distinct alternative option to aluminium or canvas prints. Your own version of the work of art is made with modern UV printing machines. This makes impressive and rich colors. With an acrylic glass fine art print sharp contrasts and also smaller details will be more identifiable because of the delicate gradation.
• The poster print (canvas material): Our poster is a printed cotton canvas paper with a slight surface structure. It is particularly designed for framing your fine art print with the help of a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the artwork, which facilitates the framing with your custom frame.

Important legal note: We try to describe the art products as clearly as possible and to showcase them visually. Nevertheless, the colors of the print products, as well as the imprint may diverge slightly from the representation on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that our are processed and printed by hand, there may as well be minor discrepancies in the exact position and the size of the motif.

General description by Belvedere website (© - by Belvedere - Belvedere)

The figure composition is unusual for the image of origin, because the combination of a sedentary family man and woman standing contradicted the then patriarchal self-image. Waldmüller probably undermine these requirements for aesthetic considerations, because as can be seen, was Mrs. Kerzmann of exceptionally small stature. In addition, the painter returned to the classic triangular composition by he positioned the child between the two adults. The girl is finally that by its movement embracing the directed us to look and establishes a connection between the viewer and the represented. Also interesting is the history of the image, because this several decades has been through in a castle in Normandy. Marie, the girl shown, had married a Vienna-based French. After her early death the widower returned to the screen in the luggage to his home. 1913 one became extremely rare in Austria on this family portrait, the large format at Waldmüller, attentive. A little later, it was for the Austrian State Gallery, the predecessor of the Belvedere acquired. [Sabine Grabner 8/2009]

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The 19th century artpiece The princely Esterházy Council Mathias Kerzmann with his second wife, Maria Helena born, Mikolischütz, and daughter Maria was created by the realist master Ferdinand Georg Waldmüller. The original version of the artpiece was painted with the size: 205 x 158 cm - frame: 225 x 178 x 11 cm. Oil on canvas was applied by the European painter as the technique for the masterpiece. The artwork has the following inscription: "designation bottom left: Waldmüller 1835". Today, the artwork forms part of the digital collection of Belvedere - the museum is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. We are pleased to reference that this public domain artwork is provided with courtesy of © Belvedere, Vienna, inventory number: 1521. The creditline of the artwork is: purchase from art dealer H. O. Miethke, Vienna in 1913. In addition to this, the alignment of the digital reproduction is portrait with a side ratio of 3 : 4, which implies that the length is 25% shorter than the width. The painter Ferdinand Georg Waldmüller was a European artist, whose art style was primarily Realism. The Realist painter was born in 1793 in Vienna and deceased at the age of 72 in the year 1865 in Hinterbrühl bei Wien.

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