Carl Larsson, 1895 - In the Corner. From A Home (26 watercolours) - fine art print

The painting "In the Corner. From A Home (26 watercolours)" by Carl Larsson as your personal artprint

In 1895 the artist Carl Larsson created the masterpiece "In the Corner. From A Home (26 watercolours)". The masterpiece has the following size of Height: 32 cm (12,5 ″); Width: 43 cm (16,9 ″) Framed: Height: 38 cm (14,9 ″); Width: 54 cm (21,2 ″); Depth: 4 cm (1,5 ″). The artpiece is part of the collection of Nationalmuseum Stockholm in Stockholm, Stockholm County, Sweden. With courtesy of Nationalmuseum Stockholm & Wikimedia Commons (public domain).Creditline of the artwork: . Besides, the alignment of the digital reproduction is in landscape format with an aspect ratio of 3 : 2, which means that the length is 50% longer than the width.

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The product dropdown menu gives you the possibility to pick your prefered size and material. The following options are available for individualization:

• Acrylic glass print (with real glass coating): A glossy print on acrylic glass, which is sometimes described as a plexiglass print, will change the original work of art into brilliant wall decoration and is a viable alternative option to canvas or dibond prints.
• The poster print (canvas material): Our poster is a UV printed sheet of flat canvas paper with a nice finish on the surface. A poster print is appropriate for placing the art replica in a personal frame. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm around the print motif in order to facilitate the framing with your custom frame.
• Aluminium dibond: An Aluminium Dibond print is a print material with an outstanding depth. The Direct Print on Aluminum Dibond is the ideal introduction to reproductions with aluminum. The colors of the print are luminous, fine details appear crisp.
• The canvas print: The printed canvas material stretched on a wooden stretcher frame. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang the Canvas print without the support of extra wall-mounts. Because of thata canvas print is suited for all kinds of walls.

Disclaimer: We try everythig possible to describe our art products as exact as possible and to demonstrate them visually on the different product detail pages. Still, the colors of the print materials and the print result might differ marginally from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed 100% realistically. Because all our art reproductions are processed and printed manually, there may also be minor variations in the motif's size and exact position.

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Additional specifications from Nationalmuseum Stockholm (© Copyright - Nationalmuseum Stockholm - Nationalmuseum Stockholm)

English: Carl and Karin Larsson combined new design with old traditions. Practicality dictated their interior design, but it was equally important that furniture and objects form an attractive harmony. This ideal was also propagated by others, including Ellen Key, who advocated homes that were in a new and light style, in her essay “Skönhet för alla” (Beauty for All) in 1899. The Larssons moved to Lilla Hyttnäs, a house in Sundborn, in the summer of 1889. Here, Carl and Karin together created the interiors that made their home famous. Karin designed the furniture and textiles, which she embroidered and wove. A studio was fitted up in one of the hallways. It features many eye-catching details, including the funny man crowning a column. When a larger studio extension was added, this room became a workshop for the whole family. The interiors of the Larsson home were characterised by rural simplicity. Nevertheless, every detail was carefully designed, with influences from England, Scotland and Japan. The kitchen, which was first and foremost a place for household chores, did not display the same modern interior style and comfort as the rest of the house. Hos Carl och Karin Larsson möttes ett nytt formspråk och gammal tradition. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa idéer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899. Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den inredning som gjorde hemmet berömt. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, till exempel den lustige figuren på krönet till stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen. Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat från England, Skottland och Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen.