Richard Earlom - The Royal Academy of Arts - fine art print

Art product specs

The artwork was painted by the British artist Richard Earlom. The artwork had the size 19 7/8 x 28 1/8 in (50,5 x 71,4 cm) and was produced with the medium mezzotint. It is included in the The Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are delighted to state that this public domain work of art is supplied with courtesy of The Metropolitan Museum of Art, New York, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962. : The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962. In addition to that, the alignment is in landscape format and has a side ratio of 1.4 : 1, which means that the length is 40% longer than the width. Richard Earlom was a printmaker of British nationality, whose art style was mainly Rococo. The British artist lived for a total of 79 years and was born in 1743 in London, Greater London, England, United Kingdom and passed away in 1822 in London, Greater London, England, United Kingdom.

Product materials you can choose from

In the dropdown menu right next to the article you can select a material and a size of your choice. Pick your favorite size and material among the following options:

• Aluminium print (aluminium dibond): This is a metal print manufactured on aluminium dibond with an outstanding depth effect, which creates a modern look with a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your excellent introduction to fine art reproductions produced with alu. The white and bright parts of the original artwork shine with a silk gloss but without glow.
• Canvas: A canvas print, not to be mistaken with an artwork painted on a canvas, is an image applied onto canvas fabric. A canvas of your favorite artpiece will allow you to transform your fine art print into a large size collection piece. Hanging a canvas print: Canvas Prints have the advantage of being low in weight, which implies that it is quite simple to hang the Canvas print without additional wall-mounts. Hence, a canvas print is suited for any type of wall in your house.
• Printed acrylic glass with a glossy effect: A glossy print on acrylic glass, often denoted as a print on plexiglass, will change the original work of art into home décor. The major benefit of an acrylic glass print is that contrasts plus minor details will be more visible because of the subtle gradation.
• The poster print (canvas material): A poster is a printed canvas with a granular structure on the surface. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm round about the artwork, which facilitates the framing with a custom frame.

Legal note: We try in order to describe the art products as accurately as possible and to demonstrate them visually in our shop. However, the tone of the printed materials, as well as the imprint can diverge to a certain extent from the image on your device's monitor. Depending on your settings of your screen and the nature of the surface, not all colors are printed as realisitcally as the digital version depicted here. Bearing in mind that our art reproductions are processed and printed by hand, there might as well be slight differences in the motif's exact position and the size.

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Original information about the artwork by The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)

A number of famous members of London’s Royal Academy are seen here before two nude models in a life studio. Sir Joshua Reynolds stands in the center with his ear trumpet, Benjamin West is to the left, his left arm leaning on a long desk, and a visiting artist from China can be seen in the left background. The two female academicians, Angelica Kauffmann and Mary Moser, are represented in paintings on the wall at right, since it was regarded as unseemly for them to work from live male models. Zoffany—who created the painting on which this print is based—holds a palette in the lower left corner. Earlom’s mezzotint faithfully reproduces the painting, which was exhibited at the Royal Academy in 1772 and subsequently sold to King George III.