Axel Lindman, 1878 - The Beach at Villerville, Normandy - fine art print

Description of the more than 140 year-old artpiece

The over 140 years old artwork with the title The Beach at Villerville, Normandy was created by the painter Axel Lindman. The original has the following size: Height: 45,5 cm (17,9 ″); Width: 74,5 cm (29,3 ″) Framed: Height: 66 cm (25,9 ″); Width: 95 cm (37,4 ″); Depth: 7 cm (2,7 ″) and was painted with the technique of oil on canvas. This artpiece is included in the digital collection of Nationalmuseum Stockholm located in Stockholm, Stockholm County, Sweden. We are glad to state that the public domain work of art is being provided - courtesy of Nationalmuseum Stockholm & Wikimedia Commons.: . On top of that, alignment of the digital reproduction is in landscape format and has an aspect ratio of 16 : 9, which means that the length is 78% longer than the width.

Choose your desired material variant

For every art print we offer different sizes and materials. That is why, we allow you to choose among the following options:

• Canvas: A UV printed canvas stretched on a wooden stretcher frame. Your printed canvas of your favorite work of art will let you turn your new fine art print into a large artwork as you would see in a gallery. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without the use of additional wall-mounts. Canvas prints are suited for any kind of wall.
• Acrylic glass print (with real glass coating): The print on acrylic glass, which is often described as a fine art print on plexiglass, will change your favorite original into décor. The artwork is being printed with state-of-the-art UV direct print technology. The acrylic glass protects your chosen art print against sunlight and heat for up to 6 decades.
• Poster print (canvas material): The Artprinta poster is a UV printed sheet of flat canvas with a slightly roughened finish on the surface, that reminds the actual version of the artwork. It is optimally suited for putting the art replica with a custom frame. Please note, that depending on the size of the poster we add a white margin between 2-6cm around the print motif to facilitate the framing.
• Aluminium dibond: Aluminium Dibond prints are prints on metal with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is your perfect start to art replicas made with aluminum. For our Print On Aluminum Dibond, we print your chosen work of art right on the aluminium composite surface. The bright & white parts of the artwork shine with a silky gloss but without glow.

Legal note: We try what we can in order to depict the products as closely as possible and to exhibit them visually on the different product detail pages. Although, the tone of the print materials, as well as the imprint can differ slightly from the presentation on the screen. Depending on your settings of your screen and the condition of the surface, not all colors are printed 100% realistically. Considering that all the fine art prints are processed and printed manually, there may also be minor differences in the motif's size and exact position.

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Work of art information

Artist overview

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General information from the museum's website (© - by Nationalmuseum Stockholm - Nationalmuseum Stockholm)

English: Many of the Swedish artists who went to France made their way to Normandy. They were influenced by the style of painting represented by Charles-François Daubigny. The wind, the skies and the tide provided forever new painterly challenges. In their striving for realism, they sought subjects such as the dry seabed with seaweed, as though trying to distance themselves from anything that could be perceived as beauty. In their seascapes, the artists often portrayed people gathering mussels. This task was both harsh and hazardous. It was often performed by women and children. Flera av de svenska Frankrikeresenärerna sökte sig till Normandie. Blåsten, skyarna och tidvattnet bjöd ständigt på nya måleritekniska utmaningar. I sin strävan att uppnå en realism målade man gärna torrlagda, tångskräpiga havsstränder – som för att distansera sig från det som kunde uppfattas som vackert. I kustbilderna skildrar konstnärerna utöver själva landskapet ofta arbetet med att plocka musslor. Detta var både slitsamt och riskfyllt och utfördes ofta av kvinnor och barn.