Anne-Louis Girodet de Roucy-Trioson, 1809 - Sketch forThe Revolt at Cairo - fine art print

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In 1809 the male artist Anne-Louis Girodet de Roucy-Trioson made this 19th century artpiece. The 210 year old version of the masterpiece measures the size: Framed: 25 x 33 x 6,5 cm (9 13/16 x 13 x 2 9/16 in); Unframed: 15,2 x 23,3 cm (6 x 9 3/16 in) and was painted with the medium oil on paper, mounted on paper and canvas. Today, the work of art is included in the The Cleveland Museum of Art's digital collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of The Cleveland Museum of Art (licensed - public domain). The creditline of the artwork is: Gift of Eugene Victor Thaw. Moreover, alignment is landscape and has a ratio of 3 : 2, which means that the length is 50% longer than the width. The writer, painter Anne-Louis Girodet de Roucy-Trioson was a European artist from France, whose art style was primarily Neoclassicism. The European painter lived for a total of 57 years and was born in the year 1767 in Montargis, Centre region, France and deceased in the year 1824 in Paris, Ile-de-France, France.

Supplemental description from The Cleveland Museum of Art website (© Copyright - The Cleveland Museum of Art - www.clevelandart.org)

Several months after Napoleon's 1798 invasion of Egypt, rebellion erupted in Cairo. French troops viciously suppressed the uprising, including a massacre in the Al-Azhar Mosque of Mamelukes, an all-male group of warriors who occupied much of the Middle East at the time. Napoleon chose this subject for the artist, but because no documentation or eyewitness reports survived, Girodet freely interpreted the event. Interest in Mamelukes gripped France at this time. To ensure a steady supply of new recruits, Mamelukes enslaved and trained boys from across the Ottoman Empire, and the group at the right demonstrates Girodet's fascination with their racial diversity and perceived homoeroticism.

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