Théodore Chassériau, 1838 - Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix - fine art print
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Structured information on the artwork
Name of the work of art: | "Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix" |
Categorization: | painting |
Generic term: | modern art |
Century: | 19th century |
Created in the year: | 1838 |
Artwork age: | over 180 years |
Original medium: | oil on canvas |
Original artwork size: | 13 1/2 x 17 3/4 in (34,3 x 45,1 cm) |
Exhibited in: | The Metropolitan Museum of Art |
Location of museum: | New York City, New York, United States of America |
Museum website: | www.metmuseum.org |
Artwork license type: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Gift of Lisa and William O'Reilly, 2001 |
Artwork creditline: | Gift of Lisa and William O'Reilly, 2001 |
The painter
Name of the artist: | Théodore Chassériau |
Artist gender: | male |
Artist nationality: | French |
Jobs of the artist: | painter |
Country of the artist: | France |
Classification of the artist: | modern artist |
Styles: | Romanticism |
Lifespan: | 37 years |
Year born: | 1819 |
Year of death: | 1856 |
The product
Print prodct: | art print |
Reproduction method: | digital reproduction |
Manufacturing method: | UV direct printing |
Origin of the product: | German-made |
Stock type: | on demand |
Intended product use: | art reproduction gallery, art print gallery |
Orientation: | landscape format |
Aspect ratio: | 4 : 3 - length : width |
Interpretation of the image ratio: | the length is 33% longer than the width |
Available material variants: | metal print (aluminium dibond), poster print (canvas paper), canvas print, acrylic glass print (with real glass coating) |
Canvas print (canvas on stretcher frame) sizes: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Acrylic glass print (with real glass coating) size variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Poster print (canvas paper) sizes: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium print size variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Frame: | not available |
Selectable product materials
In the product dropdown lists you can choose a material and a sizeaccording to your personal preferences. Pick your favorite size and material among the following options:
- Aluminium print (aluminium dibond): This is a metal print manufactured on aluminium dibond with a true depth effect. Its non-reflective surface structure make a contemporary impression. A direct Direct Print on Aluminum Dibond is your ideal introduction to fine art reproductions produced with alu. For your Direct Print On Aluminum Dibond, we print the favorite artwork right onto the surface of the white-primed aluminum composite. The bright & white components of the artpiece shimmer with a silk gloss, however without any glow. The colors are luminous and vivid in the highest definition, fine details are crisp, and the print has a a matte appearance that you can literally feel.
- The canvas print: The printed canvas mounted on a wood stretcher frame. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without any wall-mounts. A canvas print is suited for any kind of wall.
- The poster print on canvas material: The poster is a printed cotton canvas paper with a granular finish on the surface. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2-6 cm round about the work of art to facilitate the framing with a custom frame.
- Acrylic glass print (with real glass coating): The acrylic glass print, which is sometimes referred to as a UV print on plexiglass, transforms an original work of art into beautiful décor and is a good alternative option to aluminium or canvas fine art prints. Your own replica of the work of art will be manufactured with the help of state-of-the-art UV printing technology. It creates stunning, vivid color shades. The great advantage of a plexiglass art print is that contrasts and smaller color details become more identifiable with the help of the delicate tonal gradation of the picture. Our real glass coating protects your selected art replica against sunlight and heat for up to 60 years.
The piece of art "Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix" painted by Théodore Chassériau as your own art copy
The work of art called Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix was made by the French artist Théodore Chassériau in 1838. The 180 year-old version of the work of art was painted with the dimensions: 13 1/2 x 17 3/4 in (34,3 x 45,1 cm) and was made on the medium oil on canvas. Nowadays, this work of art forms part of the collection of The Metropolitan Museum of Art in New York City, New York, United States of America. With courtesy of The Metropolitan Museum of Art, New York, Gift of Lisa and William O'Reilly, 2001 (license: public domain). Creditline of the artwork: Gift of Lisa and William O'Reilly, 2001. Furthermore, alignment is in landscape format and has a side ratio of 4 : 3, meaning that the length is 33% longer than the width. The painter Théodore Chassériau was a European artist from France, whose style can mainly be assigned to Romanticism. The European painter lived for 37 years, born in 1819 and passed away in 1856.
Important legal note: We try all that we can to describe our products as clearly as possible and to illustrate them visually. Although, the colors of the printing material and the print result can differ marginally from the representation on your monitor. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed as exactly as the digital version shown here. Because all art prints are printed and processed manually, there might as well be slight variations in the size and exact position of the motif.
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