Jean-Marc Nattier, 1750 - Portrait of Marie Adelaide of France, daughter of Louis XV, called Madame Adelaide - fine art print

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• Printed poster (canvas material): The poster print is a UV printed canvas with a slightly rough surface structure, that reminds the actual version of the artwork. Please note, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6 cm around the print to facilitate the framing with a custom frame.
• Print on acrylic glass (with real glass coating): A glossy acrylic glass print, often labelled as a plexiglass print, will turn the original work of art into stunning décor. Moreover, the acrylic glass art print forms a great alternative option to dibond and canvas prints. Your artwork is being manufactured thanks to the help of modern UV direct printing technology. This makes impressive, vivid color hues. The great benefit of an acrylic glass print is that contrasts and small details will be visible because of the fine tonal gradation of the print. Our acrylic glass protects your custom art replica against sunlight and external influences for many more years to come.
• The canvas print: A printed canvas material stretched on a wooden frame. Canvas prints are relatively low in weight, meaning that it is easy to hang your Canvas print without the support of any wall-mounts. Because of thata canvas print is suited for any type of wall.
• Aluminium dibond print (metal): Aluminium Dibond prints are metal prints with an outstanding effect of depth - for a modern look and a non-reflective surface. For our Direct Aluminium Dibond option, we print the chosen artwork on the surface of the white-primed aluminum composite. The colors are luminous, the fine details are crisp and clear.

Legal note: We try what we can to depict the products as closely as possible and to illustrate them visually in our shop. Although, the pigments of the printed materials, as well as the printing can differ to a certain extent from the image on the device's monitor. Depending on your screen settings and the condition of the surface, color pigments can unfortunately not be printed 100% realistically. Bearing in mind that all the art reproductions are printed and processed manually, there might as well be minor variations in the size and exact position of the motif.

General specifications by Musée Cognacq-Jay Paris (© Copyright - by Musée Cognacq-Jay Paris - Musée Cognacq-Jay Paris)

This table should be compared with three other portraits painted by Nattier Madame Adelaide, kept at the National Museum of Versailles: a study of the face of the princess painted from nature in 1750 (inv MV 8544.), Who was used several times as a model by the painter, "Lady Adelaide court dress" (1749, inv. MV 8376) and "madame Adelaide holding a fan" (enlarged under Louis Philippe and placed in top-of-door in the King's room, cat. V. 2181). For Teresa Burollet, it is possible that Nattier has painted a second version of the portrait of "Madame Adelaide in court dress" from 1749, the table of the museum Cognac-Jay, very good quality, is the partial autograph replica and it became top-of-door copying (see Burollet, Therese, 2004 p.217).

Adelaide de France (called Madame Adelaide)

Specification

The over 270 year old artpiece Portrait of Marie Adelaide of France, daughter of Louis XV, called Madame Adelaide was created by the male French painter Jean-Marc Nattier. The beyond 270 year old original creation had the size - Height: 57 cm, Width: 47 cm. Nowadays, the artwork belongs to the art collection of Musée Cognacq-Jay Paris in Paris, France. With courtesy of - Musée Cognacq-Jay - le goût du XVIIIe Paris (license: public domain).: . Moreover, alignment is in portrait format and has a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Jean-Marc Nattier was a artist, painter, whose artistic style was primarily Baroque. The European artist was born in 1685 in Paris, Ile-de-France, France and passed away at the age of 81 in 1766.

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