Henri Fantin-Latour, 1880 - Still Life with Grapes and a Carnation - fine art print

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Additional information by National Gallery of Art website (© Copyright - National Gallery of Art - www.nga.gov)

Medium: Oil on canvas

Dimensions: Canvas: 30.5 x 47 cm (12 x 18 1/2 in.)

Background data on the artpiece

Piece of art title: "Still Life with Grapes and a Carnation"
Artwork categorization: painting
Broad category: modern art
Period: 19th century
Artwork year: 1880
Artwork age: more than 140 years
Exhibited in: National Gallery of Art
Place of museum: Washington D.C., United States of America
Website: www.nga.gov
License of artwork: public domain
Courtesy of: National Gallery of Art, Washington

Artist summary

Artist name: Henri Fantin-Latour
Also known as: Ignace Henri Jean Theodore Fantin-Latour, J. Th. fantin-latour, Ignace Henri J. Th. Fantin-Latour, latour fantin, fantin latour h.j.t., Fantin-Latour, Latour Henri Fantin-, Fantin-Latour Ignace-Henri Jean Theodore, Fantin, Henri-Théodore Fantin-Latour, h.j.t.f. latour, Fantin-Latour Ignace Henri, latour henri fantin, h.j.t. fantin latour, I. H. J. Th. Fantin-Latour, Fantin-Latour Ignace Henri Jean Theodore, H. Fantin Latour, H. Fantin-Latour, Fantin Latour, Fantin-Latour Henri-Théodore, Fantin-Latour Henri, fantin latour henri, Fantin-Latour Ignace-Henri-Jean-Théodore, Fantin-Latour J.-H., פנטין לאטור אנרי, Henri Fantin-Latour, fantin latour henri
Gender of the artist: male
Nationality: French
Professions of the artist: painter, graphic artist, botanical illustrator, lithographer
Country: France
Classification: modern artist
Styles of the artist: Realism
Lifespan: 68 years
Year born: 1836
Birthplace: Grenoble, Auvergne-Rhone-Alpes, France
Year of death: 1904
Town of death: Basse-Normandie, France

About the article

Print prodct: art reproduction
Reproduction: digital reproduction
Manufacturing method: UV direct printing (digital print)
Manufacturing: produced in Germany
Type of stock: on demand production
Proposed product use: art reproduction gallery, art collection (reproductions)
Orientation of the image: landscape alignment
Image ratio: 3 : 2 (length : width)
Aspect ratio implication: the length is 50% longer than the width
Available reproduction materials: metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print
Canvas on stretcher frame (canvas print) size options: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Acrylic glass print (with real glass coating) size options: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Poster print (canvas paper) size options: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Dibond print (alumnium material) options: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Picture frame: no frame

Order the item material you would like to have

The product dropdown menu gives you the chance to select the size and material of your choice. We allow you to pick your favorite size and material among the following product individualization options:

  • Canvas: The canvas direct print is a printed canvas stretched on a wood stretcher. A canvas print has the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without the use of additional wall-mounts. Canvas prints are suitable for all kinds of walls.
  • Acrylic glass print (with real glass coating): The acrylic glass print, which is often referred to as a UV print on plexiglass, will turn your original work of art into beautiful wall décor and makes a good alternative to aluminium or canvas fine art replicas. The work of art is being manufactured with state-of-the-art UV printing machines. The real glass coating protects your selected art replica against sunlight and heat for up to 60 years.
  • Metal print (aluminium dibond): These are metal prints on aluminium dibond with an impressive effect of depth, which creates a contemporary look throuch a non-reflective surface. For your Aluminium Dibond option, we print your selected artpiece on the aluminium surface. The direct print on Aluminum Dibond is the most popular entry-level product and is a truly sophisticated way to display fine art prints, because it draws focus on the whole artwork.
  • Printed poster (canvas material): A poster is a printed flat canvas with a slightly roughened surface finish, which reminds the original artwork. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the print in order to facilitate the framing.

The art product offering

This masterpiece "Still Life with Grapes and a Carnation" was created by the realist master Henri Fantin-Latour. It is in the the art collection of National Gallery of Art, which is the museum of the US-American nation that preserves, collects, exhibits, and fosters an understanding of works of art. The modern art public domain masterpiece is being included with courtesy of National Gallery of Art, Washington.Creditline of the artwork: . Further, the alignment of the digital reproduction is in landscape format with a side ratio of 3 : 2, which implies that the length is 50% longer than the width. Henri Fantin-Latour was a male painter, graphic artist, botanical illustrator, lithographer, whose art style can primarily be classified as Realism. The French artist lived for 68 years - born in the year 1836 in Grenoble, Auvergne-Rhone-Alpes, France and died in the year 1904 in Basse-Normandie, France.

Important legal note: We try everything to describe the art products as exact as it is possible and to display them visually in our shop. Nonetheless, the colors of the printed materials, as well as the print result may vary marginally from the presentation on your device's screen. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed as exactly as the digital version depicted here. In view of the fact that all our are processed and printed manually, there might also be minor deviations in the size and exact position of the motif.

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