Jan Anthonisz van Ravesteyn, 1611 - Portrait of John III (1583-1638), Count of Nassau-Siegen - fine art print

705 kr

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General description from Mauritshuis (© - Mauritshuis - Mauritshuis)

Honselaarsdijk Palace, Naaldwijk, in or before 1694; Nationale Konst-Gallery, The Hague, 1804-1805; Nationaal Kabinet (Royal Museum), ‘Besoigne-Kamer’ (the Business Affairs Room) and Picture Gallery of Prince William V, The Hague, 1805-1821; transferred, 1822; on long-term loan to the Het Loo Palace Nationaal Museum, Apeldoorn, 1984-2015; on long-term loan to the National Military Museum, Soest, since 2017

Artpiece table

Name of the work of art: "Portrait of John III (1583-1638), Count of Nassau-Siegen"
Categorization: painting
Umbrella term: classic art
Period: 17th century
Artpiece year: 1611
Artwork age: over 400 years
Artwork original medium: oil on canvas
Dimensions of the original work of art: height: 115 cm width: 97 cm
Signed (artwork): dated and signed: An° 1611. JvRavesteyn Fecitbears inscription: 23.
Museum / location: Mauritshuis
Location of museum: The Hague, South Holland, Netherlands
Museum website: www.mauritshuis.nl
License type of artwork: public domain
Courtesy of: Mauritshuis, The Hague
Creditline: Honselaarsdijk Palace, Naaldwijk, in or before 1694; Nationale Konst-Gallery, The Hague, 1804-1805; Nationaal Kabinet (Royal Museum), ‘Besoigne-Kamer’ (the Business Affairs Room) and Picture Gallery of Prince William V, The Hague, 1805-1821; transferred, 1822; on long-term loan to the Het Loo Palace Nationaal Museum, Apeldoorn, 1984-2015; on long-term loan to the National Military Museum, Soest, since 2017

Artist table

Artist name: Jan Anthonisz van Ravesteyn
Professions: painter
Classification of the artist: old master
Lifespan: 85 years
Birth year: 1572
Died in the year: 1657

Structured product details

Print categorization: art copy
Reproduction: digital reproduction
Manufaturing technique: UV direct printing (digital print)
Product Origin: German production
Type of stock: production on demand
Product use: home décor, gallery wall
Alignment: portrait format
Side ratio: length to width 1 : 1.2
Interpretation of the side aspect ratio: the length is 20% shorter than the width
Available reproduction materials: poster print (canvas paper), metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper) size variants: 50x60cm - 20x24", 100x120cm - 39x47"
Dibond print (alumnium material) size options: 50x60cm - 20x24", 100x120cm - 39x47"
Frame: not available

The material options

We offer a range of various sizes and materials for every product. Thus, we allow you to choose among the following options:

  • Canvas print: A printed canvas material applied on a wooden frame. It makes a distinctive look of three-dimensionality. Additionally, a canvas print generates a lively and comfy atmosphere. Your canvas of your favorite masterpiece will provide you with the unique opportunity of turning your art print into a large artpiece. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without the support of extra wall-mounts. Canvas prints are suited for all types of walls.
  • Printed poster on canvas material: Our poster is a UV printed cotton canvas paper with a granular surface finish. The poster is suited for framing your fine art print in a custom-made frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2 - 6cm round about the artwork to facilitate the framing with your custom frame.
  • Acrylic glass print (with real glass coating): The print on acrylic glass, which is often described as a print on plexiglass, transforms your chosen original into brilliant décor. Moreover, it offers a viable alternative option to canvas and aluminidum dibond fine art prints.
  • Aluminium print (aluminium dibond): An Aluminium Dibond print is a print material with an impressive depth. A non-reflective surface structure make a contemporary impression. A direct Aluminium Dibond Print is your ideal start to fine prints produced with alu. For our Aluminium Dibond option, we print your chosen artwork onto the surface of the aluminum composite. The colors are bright and luminous in the highest definition, details are very clear, and there’s a matte look that you can literally feel. This direct print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to showcase art reproductions, because it draws focus on the image.

The art product offering

The more than 400 years old artwork was created by the painter Jan Anthonisz van Ravesteyn in 1611. The 400 year-old work of art was made with the size: height: 115 cm width: 97 cm | height: 45,3 in width: 38,2 in and was produced with the technique of oil on canvas. The artwork's inscription is: dated and signed: An° 1611. JvRavesteyn Fecitbears inscription: 23.. Besides, the artpiece forms part of the Mauritshuis's art collection in The Hague, South Holland, Netherlands. With courtesy of: Mauritshuis, The Hague (public domain license). The creditline of the artpiece is: Honselaarsdijk Palace, Naaldwijk, in or before 1694; Nationale Konst-Gallery, The Hague, 1804-1805; Nationaal Kabinet (Royal Museum), ‘Besoigne-Kamer’ (the Business Affairs Room) and Picture Gallery of Prince William V, The Hague, 1805-1821; transferred, 1822; on long-term loan to the Het Loo Palace Nationaal Museum, Apeldoorn, 1984-2015; on long-term loan to the National Military Museum, Soest, since 2017. In addition to this, the alignment of the digital reproduction is portrait and has a ratio of 1 : 1.2, which implies that the length is 20% shorter than the width.

Disclaimer: We try everythig possible to describe the products with as many details as possible and to demonstrate them visually on the different product detail pages. Nonetheless, the tone of the printed materials, as well as the printing can diverge to a certain extent from the image on your device's screen. Depending on the screen settings and the condition of the surface, color pigments may not be printed as exactly as the digital version shown here. Because the art reproductions are processed and printed manually, there may as well be slight differences in the motif's size and exact position.

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