Pierre-Auguste Renoir, 1873 - On the Grass (Young women sitting in the grass) - fine art print

The more than 140 year old painting was painted by the French painter Pierre-Auguste Renoir in the year 1873. The 140 year old version of the painting was painted with the absolute size: Overall: 23 1/2 x 28 15/16 in (59,7 x 73,5 cm) and was painted with oil in canvas. This artpiece belongs to the digital art collection of Barnes Foundation, which home to one of the world's greatest collections of impressionist, post-impressionist and early modernist paintings. With courtesy of: Courtesy of the Barnes Foundation, Merion and Philadelphia, Pennsylvania (licensed: public domain).The creditline of the artpiece is: . In addition to that, the alignment is landscape and has an aspect ratio of 1.2 : 1, meaning that the length is 20% longer than the width. Pierre-Auguste Renoir was a illustrator, painter, sculptor, whose artistic style can primarily be classified as Impressionism. The painter was born in 1841 in Limoges, Nouvelle-Aquitaine, France and deceased at the age of 78 in the year 1919.

Product materials our customers can pick from

We offer a range of different materials and sizes for every product. We allow yout to choose among the following variants:

• Poster on canvas material: The Artprinta poster print is a UV printed flat canvas paper with a fine surface texture, which reminds the original work of art. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the artwork in order to facilitate the framing.
• Acrylic glass print (with real glass coating): An print on acrylic glass, often named a plexiglass print, will transform an artwork into décor and forms a distinct alternative to canvas or aluminium dibond fine art replicas. Your own version of the work of art will be made with the help of state-of-the-art UV print technology. It creates vivid and deep colors. The great benefit of an acrylic glass print is that contrasts as well as small artwork details become identifiable because of the fine tonal gradation.
• Aluminium dibond (metal print): Aluminium Dibond prints are prints on metal with a true effect of depth. Colors are luminous and vivid, the details appear very clear. This print on Aluminum Dibond is one of the most demanded entry-level products and is a sophisticated way to display art, because it puts all of the viewer’s attention on the image.
• The canvas print: The canvas direct print is a printed canvas mounted on a wooden frame. How can I hang a canvas print on my wall? Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the help of additional wall-mounts. Canvas prints are suitable for any kind of wall.

Legal disclaimer: We try everythig possible to describe our art products as clearly as possible and to demonstrate them visually. Please keep in mind that the colors of the printing material and the print result may diverge marginally from the image on your monitor. Depending on your screen settings and the condition of the surface, colors can unfortunately not be printed as realisitcally as the digital version shown here. Bearing in mind that all the art reproductions are printed and processed by hand, there might also be slight deviations in the motif's exact position and the size.

Structured product details

Structured artwork data

The artist

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General specifications as provided from Barnes Foundation (© Copyright - Barnes Foundation - Barnes Foundation)

Two women wearing fashionable dresses relax in the grass; one, it seems, has just picked a bunch of flowers. It is difficult to tell whether the scene takes place in a Parisian garden—perhaps a private, overgrown one—or whether the women are in the countryside somewhere outside the city. What is clear is that Renoir here was painting en plein aire, bringing his canvas outdoors to work directly before his subject. Note how attentive he is to the shifting conditions of the natural world: the dress of the foreground figure is a swirl of colors, with strokes of lavender, blue, and grey indicating shadows from perhaps a tree or a cloud passing overhead. The radical handling of paint—the loose strokes moving in different directions, the jabs of color at upper left—were shocking to critics in the mid-1870s.