Jacques Blanchard, 1629 - Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist - fine art print
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This classic art masterpiece titled Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist was created by the artist Jacques Blanchard in 1629. The original was painted with the size: 37 × 48 3/16 in (94 × 122,4 cm) and was painted with the technique oil on canvas. It is included in the digital art collection of Art Institute Chicago. With courtesy of - Art Institute Chicago (public domain). Also, the work of art has the following creditline: Gift of Sam Salz. Further, the alignment of the digital reproduction is in landscape format and has an image ratio of 4 : 3, meaning that the length is 33% longer than the width. Jacques Blanchard was a painter, whose art style was primarily Baroque. The French painter lived for a total of 38 years - born in 1600 in Paris, Ile-de-France, France and deceased in the year 1638.
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In the product dropdown menu you can pick the size and material of your choice. Hence, we allow you to choose among the following options:
- Canvas: The canvas print, which shall not be confused with a canvas painting, is an image printed onto cotton canvas. It makes a exclusive impression of three-dimensionality. A canvas print creates a lively and pleasant ambience. Your canvas print of your favorite artwork will allow you to transform your into a large artpiece as you know from galleries. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without additional wall-mounts. Hence, a canvas print is suitable for all types of walls.
- Print on acrylic glass: An print on acrylic glass, which is often labelled as a an art print on plexiglass, changes the original into décor. The artwork is being printed with state-of-the-art UV direct print technology. This creates impressive and vivid color shades.
- The poster print (canvas material): A poster is a printed flat canvas paper with a slightly rough surface finish. Please bear in mind, that depending on the size of the poster we add a white margin 2-6 cm round about the work of art, which facilitates the framing with a custom frame.
- Aluminium dibond print: Aluminium Dibond prints are prints on metal with an impressive depth. A direct Aluminium Dibond Print is the perfect start to art prints manufactured on aluminum. The colors of the print are luminous and bright, details of the print are very clear. This print on aluminium is one of the most demanded entry-level products and is a truly stylish way to showcase art reproductions, as it draws attention on the whole artwork.
Important note: We try our best to depict the art products with as many details as possible and to showcase them visually in our shop. Nonetheless, the pigments of the print materials and the printing may vary somehwat from the representation on your monitor. Depending on the screen settings and the condition of the surface, not all color pigments can be printed as realisitcally as the digital version. Considering that all are processed and printed by hand, there might also be minor deviations in the size and exact position of the motif.
Article table
Product type: | wall art |
Reproduction: | reproduction in digital format |
Production method: | digital printing (UV direct print) |
Production: | German-made |
Stock type: | production on demand |
Proposed product use: | wall art, gallery wall |
Image alignment: | landscape alignment |
Image aspect ratio: | 4 : 3 length : width |
Implication of the image ratio: | the length is 33% longer than the width |
Materials available: | metal print (aluminium dibond), poster print (canvas paper), canvas print, acrylic glass print (with real glass coating) |
Canvas on stretcher frame (canvas print) size variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (with real glass coating) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Poster print (canvas paper) variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium dibond print variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Picture frame: | not available |
Artpiece details
Work of art title: | "Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist" |
Categorization: | painting |
Art classification: | classic art |
Period: | 17th century |
Artwork year: | 1629 |
Age of artwork: | 390 years |
Medium of original artwork: | oil on canvas |
Original artwork dimensions: | 37 × 48 3/16 in (94 × 122,4 cm) |
Exhibited in: | Art Institute Chicago |
Museum location: | Chicago, Illinois, United States of America |
Website of the museum: | Art Institute Chicago |
License of artwork: | public domain |
Courtesy of: | Art Institute Chicago |
Creditline of artwork: | Gift of Sam Salz |
Artist details
Name of the artist: | Jacques Blanchard |
Additional names: | Jacques Blanchard, Blanchart, M. Blanchard, Jacques Blanchart, Blanchard Jacques I, Jaques Blanchard, Monsieur Blanchart, Monsr. Blanchart, J. Blanchard, Blanchard Jacques, Jacques I Blanchard, Sr. Blanchard, Mr. Blanchart |
Artist gender: | male |
Artist nationality: | French |
Professions of the artist: | painter |
Country: | France |
Classification of the artist: | old master |
Styles of the artist: | Baroque |
Age at death: | 38 years |
Birth year: | 1600 |
Hometown: | Paris, Ile-de-France, France |
Died in the year: | 1638 |
Deceased in (place): | Paris, Ile-de-France, France |
This text is copyrighted ©, Artprinta.com (Artprinta)
Artwork information by the museum's website (© - Art Institute Chicago - Art Institute Chicago)
Like other ambitious painters of his day, Jacques Blanchard began his career with years of travel and study in Italy before establishing himself in Paris. Blanchard’s itinerary took him to Rome, Venice, and Turin, before his return to Paris via Lyon. This tender painting of the Christ Child approached by his cousin, Saint John the Baptist, probably belongs to these years of travel. Blanchard drew on works by Titian and Veronese that he had seen in Venice for the dynamic poses and warm light, but he evidently still felt some uncertainty in the placement of the figures in space.