Henri Fantin-Latour, 1882 - Madame Lerolle - fine art print

(© Copyright - The Cleveland Museum of Art - The Cleveland Museum of Art)

Fantin-Latour exhibited this portrait of Madeleine Lerolle, wife of fellow artist Henry Lerolle, at the Paris Salon of 1882. The Salon was the official, annual exhibition of the Académie des Beaux-Arts, the national art academy of the French government. At the time of this portrait, Madeleine Lerolle was 26 years old. Albert Besnard portrayed her more formally in his painting Madeleine Lerolle and Her Daughter Yvonne, currently on display in the other Romanticism to Realism gallery.

Details of the article

In 1882 Henri Fantin-Latour painted the painting. The original measures the size: Framed: 132,4 x 103,5 x 8,3 cm (52 1/8 x 40 3/4 x 3 1/4 in); Unframed: 108,2 x 78,9 cm (42 5/8 x 31 1/16 in) and was painted on the medium oil on fabric. The original artwork's inscription is the following - signed lower left: Fantin / 1882. The artpiece is in the the art collection of The Cleveland Museum of Art in Cleveland, Ohio, United States of America. With courtesy of: The Cleveland Museum of Art (license - public domain). Moreover, the artpiece has the following creditline: Purchase from the J. H. Wade Fund and the Fanny Tewksbury King Collection by exchange. In addition to that, the alignment of the digital reproduction is portrait and has a side ratio of 3 : 4, meaning that the length is 25% shorter than the width. The painter, graphic artist, botanical illustrator, lithographer Henri Fantin-Latour was a European artist from France, whose artistic style can be attributed mainly to Realism. The artist was born in 1836 in Grenoble, Auvergne-Rhone-Alpes, France and died at the age of 68 in 1904 in Basse-Normandie, France.

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• Metal (aluminium dibond print): This is a metal print made on aluminium dibond with a true depth effect. For the Print On Aluminum Dibond, we print the work of art on the surface of the white-primed aluminum material. Colors are luminous in the highest definition, details are clear and crisp, and you can notice a matte appearance of the fine art print. The print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to showcase fine art reproductions, as it draws attention on the artwork.
• Print on glossy acrylic glass: A glossy acrylic glass print, often named a plexiglass print, will turn your selected artwork into brilliant wall décor. Above all, the acrylic art print offers a distinct alternative option to aluminium and canvas fine art prints. With an acrylic glass fine art print contrasts and smaller details become more identifiable due to the fine gradation.
• Printed poster (canvas material): The poster is a printed cotton canvas paper with a slight finish on the surface, that reminds the actual masterpiece. Please note, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the painting, which facilitates the framing with a custom frame.
• Canvas print: The printed canvas, which should not be confused with an artwork painted on a canvas, is a digital copy printed on a UV direct printing machine. Your printed canvas of your favorite artwork will let you turn your into a large artwork. Hanging your canvas print: A canvas print has the advantage of being relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without additional wall-mounts. Hence, canvas prints are suited for all types of walls.

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Legal disclaimer: We try our best in order to describe the products as closely as possible and to showcase them visually on the product detail pages. Nonetheless, the colors of the print materials, as well as the imprint may diverge marginally from the presentation on your screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed one hundret percent realistically. Given that all the fine art prints are processed and printed manually, there may as well be minor discrepancies in the size and exact position of the motif.

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