Giovanni di Paolo, 1445 - Paradise - fine art print

Summary of the replica

This piece of art was made by Giovanni di Paolo in 1445. The artwork has the following size Overall 18 1/2 x 16 in (47 x 40,6 cm); painted surface 17 1/2 x 15 1/8 in (44,5 x 38,4 cm) and was painted with tempera and gold on canvas, transferred from wood. Nowadays, this artwork forms part of the digital collection of The Metropolitan Museum of Art. With courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1906 (public domain). Creditline of the artwork: Rogers Fund, 1906. The alignment of the digital reproduction is portrait and has an aspect ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Giovanni di Paolo was a male painter from Italy, whose art style was primarily Early Renaissance. The Early Renaissance painter lived for 84 years, born in 1398 and deceased in the year 1482.

Order the item material you would like to have

In the product dropdown menu you can pick the size and material of your choice. You can choose among the following product customization options:

• Poster (canvas material): A poster print is a UV printed sheet of flat canvas with a nice surface finish. The print poster is suited for putting your art replica with the help of a personal frame. Please note, that depending on the size of the poster print we add a white margin between 2-6 cm around the print motif to facilitate the framing with your custom frame.
• Acrylic glass print (with real glass coating): The print on acrylic glass, often referenced as a an art print on plexiglass, changes your favorite artwork into décor. In addition to that, the acrylic art print offers a great alternative to canvas or dibond prints. The work of art is made with modern UV printing technology. The effect of this are intense, impressive color tones. With an acrylic glass art print contrasts and also image details will be exposed thanks to the very subtle gradation in the picture.
• Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding effect of depth, which makes a contemporary look throuch a non-reflective surface. The Aluminium Dibond Print is the best start to reproductions made with aluminum. For our Aluminium Dibond print, we print the chosen artwork right onto the aluminium surface. Colors are luminous and bright in the highest definition, details of the print are crisp and clear, and you can notice the matte appearance of the product.
• Canvas print: A canvas print, which shall not be mistaken with a canvas painting, is a digital image applied on a cotton canvas. Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without extra wall-mounts. Canvas prints are suitable for any type of wall.

Legal note: We try whatever we can in order to depict the art products in as much detail as possible and to showcase them visually in our shop. Please bear in mind that some tone of the printed materials, as well as the printing can differ marginally from the image on the monitor. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version depicted here. Bearing in mind that all are printed and processed by hand, there might as well be minor differences in the exact position and the size of the motif.

About this product

Structured artwork details

Artist overview

Copyright © - Artprinta.com (Artprinta)

Supplemental information from the museum's website (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

Together with a scene of the Creation and Expulsion from Paradise, also in the Metropolitan (Robert Lehman Collection), this picture formed the base (predella) of an altarpiece formerly in the church of San Domenico, Siena (Galleria degli Uffizi, Florence). Painted in 1445, the two paintings rank among the finest works by the artist. Groups of saints and angels embrace in a rich, tapestry-like garden of Paradise. Giovanni di Paolo was much inspired by paintings he saw in Florence by Fra Angelico, but he rejected the perspectival rationalism of Florentine art in favor of a visionary effect of exquisite intensity. For more information about this painting, including a reconstruction of the altarpiece, visit metmuseum.org.