Francesco Salviati, 1548 - Carlo Rimbotti (1518-1591) - fine art print

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Carlo Rimbotti (1518-1591) was by Francesco Salviati. The artpiece was made with the absolute size: 20 3/4 × 16 3/8 in (52,5 × 41,5 cm) and was made with the technique of oil on wood. Furthermore, this artpiece belongs to the art collection of The Metropolitan Museum of Art. This artwork, which belongs to the public domain is provided with courtesy of The Metropolitan Museum of Art, New York, Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund, Alejandro Santo Domingo, Ronald S. Lauder, and The Morris and Alma Schapiro Fund Gifts, and Beatrice Stern, Annette de la Renta, Brownstein Family Foundation, and David and Julie Tobey Gifts, 2017. The creditline of the artwork is: Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund, Alejandro Santo Domingo, Ronald S. Lauder, and The Morris and Alma Schapiro Fund Gifts, and Beatrice Stern, Annette de la Renta, Brownstein Family Foundation, and David and Julie Tobey Gifts, 2017. In addition to that, the alignment of the digital reproduction is in portrait format and has a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width.

Supplemental information by the museum's website (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Salviati painted the Florentine medical doctor Carlo Rimbotti when both men belonged to the literary society, the Accademia Fiorentina. The vivid quality of psychological presence suggests that this was an informal portrait for a friend. The precise observation—note the moles on Rimbotti’s brow and forehead—is in contrast with the formality and artifice of Bronzino’s portrait that hangs nearby. There, the young man is psychologically distant and surrounded by objects that allude to his status and interests. Most contemporary portraits followed Bronzino’s lead. Salviati’s is a rare attempt to encourage the viewer to draw close to this remarkable sitter.

Structured artwork details

Artpiece title: "Carlo Rimbotti (1518-1591)"
Classification of the work of art: painting
Art classification: classic art
Artwork century: 16th century
Artwork year: 1548
Age of artwork: 470 years
Painted on: oil on wood
Dimensions of the original artwork: 20 3/4 × 16 3/8 in (52,5 × 41,5 cm)
Exhibited in: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Web URL: The Metropolitan Museum of Art
License type of artwork: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund, Alejandro Santo Domingo, Ronald S. Lauder, and The Morris and Alma Schapiro Fund Gifts, and Beatrice Stern, Annette de la Renta, Brownstein Family Foundation, and David and Julie Tobey Gifts, 2017
Artwork creditline: Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund, Alejandro Santo Domingo, Ronald S. Lauder, and The Morris and Alma Schapiro Fund Gifts, and Beatrice Stern, Annette de la Renta, Brownstein Family Foundation, and David and Julie Tobey Gifts, 2017

Artist table

Name of the artist: Francesco Salviati
Alternative names: Cechino Salviati, Salviatti Francesco, Salviatti, Rossi Francesco Salviati del, François Salviati, Rossi Francesco Dei gen. Il Salviati, Rossi Salviati Francesco, Rossi Francesco del, Salviati Eigentl. Francesco Dei Rossi, Francesco Salviati, Del Rossi Francesco, Salviate Francesco, Francisco Salvatio, francesco rossi gen. salviati, Francesco Cecchino Salviati, Cecco di Salviati, Chiquino Saluzati, Salviati Francesco De' Rossi, T. Salviati, Fran. Salvian, Cecchino del Salviati, F. Salvatio, rossi francesco, Fr. Salviati, F. Sulviati, Salviati, Salviati Francesco, Cecchin Salviano, Francesco Rossi called Cecchin Salviati, Francisco Salvacio, Cecchino Salviati, Cecchino, Cicchino Salviati, Salvatti, Francisco Salviati, Francesco Salviani, Francesco M.a Rossi, Francesco Rossi, Salviaty, Franceschin Salviati, Rossi Francesco Dei gen. Salviati, Francisco Salviatti, Francesco de'Rossi, Francesco de' Rossi, Francisco Salvoyati, Salviati Francesco Cecchino, Salviati Eigentlich Francesco Dei Rossi, Salwjati, Salviati Cecchino de, Franc.o Salviati, Cecchin Salviati, Il Salviati, L. Salviati, Salviati Francesco., Franc. Salviati, Cecchini Salviati, cavalier Salvieti, francesco dei rossi il salviati, Rossi Francesco de', Francesco dei Rossi gen. il Cecchino del Salviati, F. Salviati, C. Salvaiti, Salviate, Salviati il Vecchio, salviati f., Salviati Cecchino, Rossi Francesco Genannt Salviati, Fran.co Salviati, Salviati fiorentino, Fr. Salriati, Checchino Salviati, chiquino Salviati, rossi francesco, Cicchin Salviati, Salvati
Gender: male
Nationality of artist: Italian
Professions of the artist: drawer, painter
Country: Italy
Artist classification: old master
Lifetime: 53 years
Birth year: 1510
Birthplace: Florence, Firenze province, Tuscany, Italy
Year of death: 1563
Deceased in (place): Rome, Roma province, Lazio, Italy

Materials our customers can pick

We offer a range of various sizes and materials for every product. Hence, we allow you to choose among the following options:

  • Acrylic glass print (with real glass coating): The acrylic glass print, often named a UV print on plexiglass, will transform the artwork into lovely décor and offers a viable alternative option to canvas or dibond fine art prints. Your artwork is being made with the help of state-of-the-art UV print machines. It creates sharp and rich color shades. The major upside of an acrylic glass print is that sharp contrasts plus minor color details become identifiable because of the subtle gradation in the picture. The real glass coating protects your chosen art replica against sunlight and external influences for up to 6 decades.
  • The poster print (canvas material): The poster print is a UV printed cotton canvas paper with a slight structure on the surface, which resembles the actual work of art. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm round about the work of art, which facilitates the framing with your custom frame.
  • Metal print (aluminium dibond): Aluminium Dibond prints are prints on metal with an impressive depth - for a modern look and non-reflective surface. The white & bright sections of the artwork shine with a silk gloss but without any glow. The colors of the print are luminous and bright in the highest definition, details of the print are very clear.
  • Canvas print: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. What is more, printed canvas makes a cosy and positive ambience. Canvas prints are relatively low in weight. That means, it is easy to hang up your Canvas print without extra wall-mounts. Because of thatcanvas prints are suitable for any type of wall.

Structured article information

Article classification: art print
Method of reproduction: digital reproduction
Production method: UV direct print
Origin of the product: manufactured in Germany
Stock type: on demand production
Intended usage: gallery wall, art reproduction gallery
Image orientation: portrait format
Image ratio: 1 : 1.2 (length : width)
Image aspect ratio interpretation: the length is 20% shorter than the width
Material variants: acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond), canvas print
Canvas on stretcher frame (canvas print) sizes: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) sizes: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper) options: 50x60cm - 20x24", 100x120cm - 39x47"
Dibond print (alumnium material) options: 50x60cm - 20x24", 100x120cm - 39x47"
Picture frame: no frame

Legal disclaimer: We try everythig possible to depict our art products with as many details as possible and to display them visually in our shop. Nonetheless, the pigments of the print products, as well as the printing can vary slightly from the presentation on your screen. Depending on the settings of your screen and the nature of the surface, not all colors can be printed as realistically as the digital version shown here. Considering that our are processed and printed by hand, there might also be slight variations in the motif's size and exact position.

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