Francesco Buoneri, 1620 - The Resurrection - fine art print

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Product summary

In 1620 Francesco Buoneri created this classic art artpiece. The original had the size of 339,1 × 199,5 cm (133 1/2 × 78 1/2 in) and was painted with the medium oil on canvas. Nowadays, the artpiece is in the the Art Institute Chicago's collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of: Art Institute Chicago (public domain). The creditline of the artwork is: Charles H. and Mary F. S. Worcester Collection. In addition to that, the alignment of the digital reproduction is portrait with a ratio of 9 : 16, meaning that the length is 45% shorter than the width. The painter Francesco Buoneri was a European artist from Italy, whose art style can primarily be attributed to Baroque. The European artist was born in 1588 and deceased at the age of 32 in the year 1620.

Additional information on the original artwork by Art Institute Chicago (© - Art Institute Chicago - Art Institute Chicago)

The Resurrection, the only documented painting by Francesco Buoneri, was commissioned in 1619 by the Tuscan ambassador to Rome, Piero Guicciardini, as one of several altarpieces for his family’s chapel in Florence. In a turn of events that was not uncommon in the rapidly evolving artistic scene of early-17th-century Rome, the painting was rejected by Guicciardini and sold to another collector. The Resurrection exaggerates the bold contrast of light and dark and the realistic treatment of sacred figures that Caravaggio had introduced into Roman painting. Buoneri was apparently one of Caravaggio’s closest followers. He may have been the "boy Francesco" who assisted the painter during his last years in Rome, a personal connection suggested by his contemporary nickname, Cecco (for Francesco) del Caravaggio.

Structured artwork data

Work of art title: "The Resurrection"
Categorization: painting
Umbrella term: classic art
Temporal classification: 17th century
Artwork year: 1620
Approximate age of artwork: around 400 years old
Medium of original artwork: oil on canvas
Dimensions of the original artwork: 339,1 × 199,5 cm (133 1/2 × 78 1/2 in)
Exhibited in: Art Institute Chicago
Museum location: Chicago, Illinois, United States of America
Available under: Art Institute Chicago
License type of artwork: public domain
Courtesy of: Art Institute Chicago
Creditline: Charles H. and Mary F. S. Worcester Collection

Artist summary table

Name: Francesco Buoneri
Gender of the artist: male
Artist nationality: Italian
Professions: painter
Country of origin: Italy
Classification of the artist: old master
Art styles: Baroque
Lifespan: 32 years
Birth year: 1588
Died: 1620

Obtain your favorite material option

For every product we offer different materials and sizes. Hence, we allow you to choose among the following options:

  • Aluminium print (aluminium dibond): An Aluminium Dibond print is a material with an impressive depth. For your Direct Print On Aluminum Dibond, we print your favorite artpiece onto the aluminium surface. The bright components of the original artpiece shine with a silk gloss, however without glare. The colors are luminous, fine details of the print appear clear and crisp, and there’s a matte appearance you can literally feel.
  • The acrylic glass print (with real glass coating on top): An print on acrylic glass, often labelled as a print on plexiglass, will change your favorite original into stunning wall décor. Your favorite work of art is manufactured with state-of-the-art UV direct printing machines. With a glossy acrylic glass fine art print contrasts and granular details become more visible due to the delicate gradation. The plexiglass protects your selected fine art print against light and heat for many more years.
  • Printed poster (canvas material): The poster print is a UV printed canvas with a slightly roughened finish on the surface. It is suited for placing the art copy using a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the print in order to facilitate the framing with your custom frame.
  • Canvas: The UV printed canvas material applied on a wood frame. It generates the distinctive effect of three dimensionality. Further, a canvas print creates a lovely and enjoyable feeling. Hanging a canvas print: A canvas print has the great advantage of being relatively low in weight, meaning that it is quite simple to hang up the Canvas print without additional wall-mounts. A canvas print is suitable for all types of walls.

About this article

Print categorization: art copy
Method of reproduction: digital reproduction
Production technique: digital printing
Origin of the product: made in Germany
Type of stock: on demand production
Intended product use: art reproduction gallery, wall décor
Alignment of the artwork: portrait format
Image aspect ratio: length : width - 9 : 16
Meaning: the length is 45% shorter than the width
Materials available: metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print, poster print (canvas paper)
Canvas on stretcher frame (canvas print) size options: 50x90cm - 20x35", 100x180cm - 39x71"
Acrylic glass print (with real glass coating) size variants: 50x90cm - 20x35", 100x180cm - 39x71"
Poster print (canvas paper) options: 50x90cm - 20x35"
Aluminium print (aluminium dibond material) variants: 50x90cm - 20x35"
Art print framing: please note that this reproduction has no frame

Important legal note: We do whatever we can in order to describe our products as exact as possible and to demonstrate them visually. However, the tone of the printed materials and the print result can diverge somehwat from the representation on the device's screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as exactly as the digital version on this website. Since the art reproductions are processed and printed manually, there may as well be minor discrepancies in the exact position and the size of the motif.

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