Elias Martin, 1780 - Romantic Landscape with Spruce - fine art print
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Which type of art product do we present here?
This classic art work of art Romantic Landscape with Spruce was made by the male Swedish artist Elias Martin. The version of the artwork measures the size: Height: 115 cm (45,2 ″); Width: 89 cm (35 ″) Framed: Height: 131 cm (51,5 ″); Width: 106 cm (41,7 ″); Depth: 9 cm (3,5 ″). This work of art can be viewed in in the Nationalmuseum Stockholm's digital art collection, which is located in Stockholm, Stockholm County, Sweden. With courtesy of - Nationalmuseum Stockholm & Wikimedia Commons (public domain license).Additionally, the artwork has the following creditline: . The alignment is in portrait format with an image ratio of 3 : 4, meaning that the length is 25% shorter than the width.
What does the website of the Nationalmuseum Stockholm write about this 18th century work of art painted by Elias Martin? (© Copyright - Nationalmuseum Stockholm - www.nationalmuseum.se)
English: A large pine tree dramatically leans into the picture and points towards the high cliffs in the background. In the sky, dark clouds clash as sunlight forces its way through the shrouds of fog. Through the use of the light and haze, the artist attempts to depict the power of the wild, mountainous landscape. This picture was painted by Elias Martin. In the 1760s and 70s, he spent a total of twelve years in England. During this period, English landscape art experienced a golden age – artists such as Thomas Gainsborough and Richard Wilson strove to capture the typical English nature on canvas. They were fascinated by the wild and free landscape and this lead to the emergence of a new landscape tradition that differed radically from the classicistic, idealized landscape of southern Europe that Claude Lorrain, among others, had established. This painting shows how strongly Martin had been influenced by his contemporary English colleagues. The painting, most likely painted upon his return to Sweden in 1780 – is an exquisite example of the period’s new interest for wild and untamed nature. The sprawling pine, the rapids, and the inhospitable, shear cliffs, differ markedly from the idyllic or pastoral renditions of nature that, up till then, had dominated landscape art. Have you discovered the people in the picture yet? In the gloom to the left of the pine tree, a figure can be seen, standing in front of a small cabin. Here, Martin strives to depict the experience of the sublime - that is, man’s smallness in relation to nature’s overwhelming power. The sublime became a central theme in the romantic landscape art of the 1800s. For Martin, the experience of the sublime was linked to a Christian, religious experience of nature. Upon describing his paintings or experiences of nature, Martin’s choice of words was often religion-inspired, and in the face of a landscape and the forces of nature, he felt the presence of God. En stor gran lutar sig dramatiskt in i bilden och pekar upp mot de höga klipporna i bakgrunden. På himlen tränger solen fram mellan dimslöjor och mörka moln. Genom det dramatiska ljuset försöker konstnären fånga kraften i det vilda klipplandskapet. Efter tolv år i England återvände Elias Martin 1780 hem till Sverige. Den här målningen tillkom vid den tiden och vittnar om intryck från den samtida brittiska landskapskonsten. Ett nytt intresse för den otämjda naturen spelade där en framträdande roll.
Structured artwork information
Title of the piece of art: | "Romantic Landscape with Spruce" |
Classification of the artwork: | painting |
Umbrella term: | classic art |
Period: | 18th century |
Artpiece year: | 1780 |
Approximate age of artwork: | 240 years |
Artwork original dimensions: | Height: 115 cm (45,2 ″); Width: 89 cm (35 ″) Framed: Height: 131 cm (51,5 ″); Width: 106 cm (41,7 ″); Depth: 9 cm (3,5 ″) |
Museum / collection: | Nationalmuseum Stockholm |
Place of museum: | Stockholm, Stockholm County, Sweden |
Museum's web page: | www.nationalmuseum.se |
License: | public domain |
Courtesy of: | Nationalmuseum Stockholm & Wikimedia Commons |
The artist
Artist name: | Elias Martin |
Alternative names: | Martin, Martin of Bath, Martin Elias, Elias Martin, Martyn, Martyn Elias, Elias Martin of Bath |
Gender of the artist: | male |
Artist nationality: | Swedish |
Professions of the artist: | painter |
Country: | Sweden |
Artist classification: | old master |
Died at the age of: | 79 years |
Birth year: | 1739 |
Year of death: | 1818 |
Materials our customers can choose
For every fine art print we offer different materials & sizes. Select your preferred material and size among the subsequent options:
- The canvas print: A printed canvas, not to be mistaken with a canvas painting, is an image printed onto canvas fabric. Canvas Prints have the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the support of extra wall-mounts. Hence, a canvas print is suited for any type of wall.
- Poster (canvas material): The poster is a UV printed flat canvas with a granular texture on the surface, which resembles the actual version of the artwork. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the print, which facilitates the framing with your custom frame.
- Acrylic glass print (with real glass coating): An print on acrylic glass, often denoted as a print on plexiglass, makes your favorite original into décor and makes a good alternative option to aluminium or canvas fine art replicas. Your favorite artwork will be custom-made thanks to the help of modern UV print technology. It makes sharp and vivid print colors. The great upside of a plexiglass print is that contrasts as well as color details become identifiable because of the fine gradation in the print. The plexiglass with real glass coating protects your chosen art replica against sunlight and heat for many decades.
- Metal print (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding depth - for a modern impression and non-reflective surface. A direct Aluminium Dibond Print is the perfect start to fine art prints produced with aluminum. The white & bright parts of the original artwork shine with a silky gloss, however without the glare. The colors of the print are luminous and bright, the details are very clear.
The product
Product type: | art copy |
Method of reproduction: | digital reproduction |
Production method: | UV direct print |
Origin of the product: | German production |
Stock type: | on demand |
Product usage: | home décor, gallery wall |
Image orientation: | portrait alignment |
Side ratio: | 3 : 4 |
Interpretation of the side aspect ratio: | the length is 25% shorter than the width |
Material variants: | poster print (canvas paper), acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond) |
Canvas print (canvas on stretcher frame): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Acrylic glass print (with real glass coating): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Poster print (canvas paper) options: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Aluminium print (aluminium dibond material) sizes: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Art print framing: | no frame |
Legal disclaimer: We try our best to describe our art products with as many details as we can and to exhibit them visually. Please keep in mind that the tone of the print materials and the printing might differ marginally from the image on the monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments will be printed one hundret percent realistically. Given that all the fine art prints are processed and printed manually, there may as well be slight variations in the size and exact position of the motif.
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