David Teniers the younger, 1650 - The Guardhouse - fine art print

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• Printed poster (canvas material): The Artprinta poster print is a UV printed flat cotton canvas paper with a granular surface finish. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the painting in order to facilitate the framing.
• Canvas: The canvas direct print is a printed canvas stretched on a wooden stretcher. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Canvas prints are suitable for all kinds of walls.
• Printed acrylic glass: An print on acrylic glass, which is often referred to as a an art print on plexiglass, will transform the artwork into home decoration. The work of art is being made with the help of state-of-the-art UV direct printing machines.
• Aluminium dibond print: This is a metal print manufactured on aluminium dibond material with an outstanding depth effect - for a modern impression and non-reflective surface. Colors are luminous and vivid in the highest definition, details of the print appear crisp, and you can literally notice the matte appearance of the surface.

Important note: We try everything in order to describe our products in as much detail as possible and to display them visually on the respective product detail pages. However, the tone of the print products and the imprint can vary slightly from the representation on the device's screen. Depending on the screen settings and the condition of the surface, colors may not be printed 100% realistically. Because all our fine art prints are processed and printed by hand, there might as well be minor deviations in the exact position and the size of the motif.

Supplemental description from Art Institute Chicago (© - Art Institute Chicago - Art Institute Chicago)

The versatile Flemish painter David Teniers turned to military paraphernalia as the subject of his still lifes in the mid-1640s, as the long conflict of the Thirty Years’ War was drawing to a close. Here soldiers play cards in the dim interior of a guardhouse, while a page carries the officers’ cloaks. However, the chief subject of the work is the pile of discarded armor, weaponry, and parade gear—a saddle, musket, powder horn, charging spanner, and gauntlets—in the immediate foreground. In treating armor as a still-life subject, Teniers followed the precedent of Jan Breughel the Elder, whose daughter he had married.

Background information on the article

This work of art was painted by the male Belgian painter David Teniers the younger. The more than 370 year old original was made with the size of 72,6 × 55,4 cm (28 9/16 × 21 13/16 in). Oil on canvas was used by the European painter as the medium of the artwork. Moveover, this artpiece is included in the digital collection of Art Institute Chicago, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of: Art Institute Chicago (license - public domain). : Charles L. Hutchinson Collection. On top of that, alignment is portrait with a ratio of 3 : 4, meaning that the length is 25% shorter than the width. The painter David Teniers the younger was an artist from Belgium, whose style can mainly be classified as Baroque. The Baroque painter was born in 1610 in Antwerp and died at the age of 80 in the year 1690 in Brussels.

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