Camille Corot, 1830 - The Pont au Change, saw the quay of Gesvres (1830). - fine art print

Art product details

The over 190 year old masterpiece named "The Pont au Change, saw the quay of Gesvres (1830)." was made by Camille Corot in 1830. The over 190 years old original was made with the following size: Height: 50 cm, Width: 72,5 cm. The artwork has the following inscription: Stamp Sales - red stamp sales Corot (Lugt 460) at the bottom left of the canvas. On the back, the frame stamp wax sale Corot (Lugt 3905). The artpiece is part of the digital art collection of Musée Carnavalet Paris, which is a museum dedicated to the history of the city Paris. With courtesy of: Musée Carnavalet Paris (license - public domain).In addition to that, the artwork has the creditline: . Besides, the alignment is landscape with an aspect ratio of 3 : 2, meaning that the length is 50% longer than the width. Camille Corot was a male painter, whose art style can be classified as Realism. The Realist artist was born in 1796 and deceased at the age of 79 in 1875.

Product materials our customers can choose

In the dropdown menu right next to the product offering you can select a material and a sizeaccording to your preferences. We allow yout to choose among the following variants:

• Printed poster (canvas material): The poster print is a printed sheet of canvas paper with a fine finish on the surface, that resembles the original artwork. It is excellently suited for framing the art copy using a custom-made frame. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing with your custom frame.
• Aluminium dibond print: An Aluminium Dibond print is a print material with a true depth. A direct Aluminium Dibond Print is the best introduction to art reproductions produced on aluminum. For our Aluminium Dibond option, we print your favorite artwork onto the aluminium composite surface. The white and bright parts of the original artpiece shine with a silk gloss but without glow. Colors are bright and vivid, the details are clear and crisp. The UV print on aluminium is one of the most demanded entry-level products and is an extremely modern way to showcase art, since it puts all of the viewer’s focus on the whole artwork.
• Print on acrylic glass (with real glass coating on top): An acrylic glass print, which is often named as a plexiglass print, will turn the original into amazing wall décor. Beyond that, the acrylic print forms a distinct alternative to canvas and dibond prints. The artwork will be custom-made with modern UV direct print technology. The image effect of this are impressive, vibrant color tones. Our plexiglass with real glass coating protects your custom art print against light and external influences for between 40-60 years.
• Canvas print: A printed canvas, not to be mistaken with a real canvas painting, is an image printed from a UV direct printing machine. Hanging your canvas print: A canvas print has the advantage of being low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the support of extra wall-mounts. Because of thata canvas print is suitable for all types of walls.

Important legal note: We try all that we can to describe our art products as clearly as possible and to demonstrate them visually. Nevertheless, some tone of the printing material and the imprint may differ slightly from the image on the screen. Depending on your settings of your screen and the quality of the surface, not all colors can be printed one hundret percent realistically. Bearing in mind that all are printed and processed manually, there may also be minor deviations in the motif's exact position and the size.

Structured product details

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(© Copyright - Musée Carnavalet Paris - Musée Carnavalet Paris)

Lantern. Pump Notre Dame, Clock Tower, Quai de l'Horloge, Concierge.

Paint included in the posthumous sale of the artist of May 26-28, 1875 (No. 49). Corot has left this unfinished painting, the days of July 1830 that interrupted his work. He then went to Chartres.