Caesar van Everdingen, 1652 - Diogenes Looking for an Honest Man (Portrait Historié of the Steyn Family) - fine art print

Information about the art replica of the painting "Diogenes Looking for an Honest Man (Portrait Historié of the Steyn Family)"

The 17th century work of art was made by the Dutch artist Caesar van Everdingen. The work of art has the following size height: 75,9 cm width: 103,6 cm | height: 29,9 in width: 40,8 in and was made on the medium oil on canvas. Dated and signed: ANNO. / 1652 / CVE was the artpiece's inscription. The work of art is included in the digital art collection of Mauritshuis. The classic art public domain artwork is being provided with courtesy of Mauritshuis, The Hague. Creditline of the artwork: Pieter Steyn, Haarlem and The Hague, until 1772; his widow, Cornelia Steyn-Schellinger, The Hague, 1772-1783; her bequest to Prince William V, The Hague, 23 September 1783; Prince William V, The Hague, 1783-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on loan to the Stedelijk Museum, Alkmaar, 1954-1971. What is more, the alignment of the digital reproduction is landscape with an aspect ratio of 1.4 : 1, meaning that the length is 40% longer than the width. Caesar van Everdingen was a painter from the Netherlands, whose artistic style was primarily Baroque. The painter was born in 1618 in Alkmaar and deceased at the age of 60 in the year 1678.

The material options

The product dropdown menu provides you with the chance to choose the size and material of your choice. In order match your personal requirements perfectly, you can choose among the following product customization options:

• The poster print (canvas material): A poster print is a printed cotton canvas paper with a granular surface texture. The poster is excellently qualified for placing the art copy with the help of a customized frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm around the artwork in order to facilitate the framing with your custom frame.
• Metal (aluminium dibond print): An Aluminium Dibond print is a material with an impressive depth - for a modern look and a non-reflective surface. The white and bright sections of the work of art shine with a silky gloss but without any glare. This direct print on Aluminum Dibond is the most popular entry-level product and is a truly sophisticated way to showcase art prints, since it puts all of the viewer’s focus on the artwork.
• Canvas: The canvas print, not to be confused with a canvas painting, is an image printed from an industrial printer. Also, a canvas generates a lovely and warm look. Your printed canvas of your favorite masterpiece will give you the chance of turning your art print into a large artwork as you would see in a gallery. Canvas prints are relatively low in weight. That means, it is easy to hang up your Canvas print without additional wall-mounts. A canvas print is suited for all kinds of walls.
• The acrylic glass print (with real glass coating): The print on acrylic glass, which is sometimes labelled as a an art print on plexiglass, will transform an original into brilliant home decoration.

Important note: We try what we can to depict the art products with as many details as possible and to display them visually on the different product detail pages. Although, the pigments of the printing material, as well as the print result can differ to a certain extent from the image on the device's monitor. Depending on the screen settings and the quality of the surface, not all colors will be printed 100% realistically. Bearing in mind that the are processed and printed by hand, there might also be minor differences in the exact position and the size of the motif.

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Artwork specifications from Mauritshuis (© Copyright - Mauritshuis - Mauritshuis)

Pieter Steyn, Haarlem and The Hague, until 1772; his widow, Cornelia Steyn-Schellinger, The Hague, 1772-1783; her bequest to Prince William V, The Hague, 23 September 1783; Prince William V, The Hague, 1783-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on loan to the Stedelijk Museum, Alkmaar, 1954-1971